Happy Together (1997)

me hizo BOLSA pero otra coronación de gloria

Me parece una locura que haya una pelicula hongkonesa gay de los 90s en la que actua Leslie Cheung situada en ARGENTINA. MI PAÍS MI PAÍS. Esta película se siente hecha para mi bldo.
Si bien, siempre que veo estas películas siento que mis papás se estan peleando, aca se sintió DEMASIADO real para mi. Ese es literalmente el apartamento de mi abuela dios. La señora esa que puteaba a todos es mi tia. Podía SENTIR que los dos chabones estos se estaban peleando en frente mio. Me podía visualizar en ese mismo espacio. Aparte, obvio, que la actuación es un 10/10.


Yo no habia ni nacido en los 90s, pero realmente puedo decir que representaron a la perfeción el entorno de ese entonces. Un detalle que me gusto mucho fue que se menciona como se arreglaban los gays en ese entonces. Cosas como los encuentros en los baños o los cines.


Entiendo completamente porqué es un clásico. Es buenísima. No sé de que otra manera describirlo pero es muy real.

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I've always said that Wong kar-wai's films are like odes to Hong Kong. Or Hong Kong as it was in the past. But Happy Together is not an ode to Hong Kong. Instead, it's set in the other side of the world: Argentina. An unlikely choice but a beautiful one.

As with other Kar-wai films, it's always the cinematography that lunges at you. Typical of his style. I'd say that Happy Together is probably much more daring than his other films. Often overshadowed by In the Mood for Love and Chungking Express, Happy Together is both a happy and sad portrayal of romance. Yes, it's a love between two men. But instead of focusing on that aspect like other films do, it focuses more on their time together. It's cynical as much as it is positive. Kar-wai won Best Director at Cannes for a reason.

The film also pays tribute to classic noir style. But with a purpose. The black-and-white colors reflect their time apart. And gradually...color emerges. There's color when they rekindle their relationship or as they say "start over" again. The visuals speak as much as the story, as much as the actors. The aesthetics are also reminiscent of other Kar-wai elements -- cramped apartments, sudden close-ups, intense DOFs. But the colors are all retro. They're vibrant and intense. Add some exotic music to that. The setting and scenery are all beautiful. It's so so so appealing to the eyes.

Of course, we have Tony Leung Chiu-wai again. Yes, he won Best Actor for In the Mood for Love but I'd say Happy Together is his opus. It's a much more dramatic, challenging and intense character, he delivered in with more passion characters. He wants Po-wing (Leslie Cheung) but he can't show that but we still know he does -- that part is delivered very well. On the other hand, we have a charismatic Leslie Cheung here. He's able to deliver Po-wing's character with such rawness and explosion of emotions. Conflicted but at the same time very powerful. The chemistry between the two is undeniable.

The film is about intimacy. And it shows that. Chiu-wai and Cheung's acting all delivers that. In the cinematography, in the sounds, it shows all that. Even if Chiu-wai's character speaks in Cantonese while Chen's character speaks in Mandarin, it doesn't create a distance because it shows the understanding between the two. Happy Together is so underrated compared to its counterparts but it's also one of the most beautiful.

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