A change in the stakeout team throws Onoe, reporter for a weekly magazine, together with his contemporary, Kaburagi, a photographer. Onoe secretly considers Kaburagi his rival, and Kaburagi's haphazard way of doing things goes against Onoe's strong sense of ethics. There's nothing but conflict between them. But, in joint pursuit of a scandal, the two of them begin to care about each other...? ~~ Adapted from the manga "Ameiro Paradox" by Natsume Isaku
When Kosuke was 14 years old, his mother died. As a young gay person, he spent his adolescence in a rural village and suppressed his feelings. Now, Kosuke is all grown up and he works as a fashion magazine editor in Tokyo. He meets Ryuta, who works as a personal trainer. Ryuta's mother raised him alone and he is close to his mother. Kosuke and Ryuta become attracted to each other and they sometimes spend time with Ryuta's mother. Kosuke is happy to share time with Ryuta and his mother, which makes him remember his late mother. Kosuke and Ryuta make an appointment to go for a drive together, but, on that day, Ryuta does not show up.
Japanese Latin dance champion Suzuki Shinya and Japanese standard dance champion Sugiki Shinya are both famous dancers. Although they are in different fields, their names differ by only one letter. Suzuki, who hates to lose, is irritated by being compared to the other dancer. One day, Sugiki suddenly invites Suzuki to "aim to be champion together in 10 Dances." 10 Dances is a competitive dance where dancers who have mastered both Latin and standard dance compete in a total of 10 dances. Suzuki initially refuses Sugiki's proposal to teach each other and aim for the top because it seems too reckless. However, he is overwhelmed by Sugiki's provocative and competitive attitude and accepts in anger. The two are polar opposites in terms of personality and everything and they clash, but as they take lessons every day, they work hard together and gradually close the gap. Then, Suzuki gradually realizes that he is starting to be attracted to Sugiki.
