Hero (1997)

"If you lose yourself, you'll be digging your own grave"

Hero (1997) is a remake of Chang Cheh’s 1972 The Boxer from Shantung. Shaw Brothers was on the downhill slide when they had Corey Yuen helm this bloody blast from the past starring Kaneshiro Takeshi.

Ma Wing Ching and his brother Tai Cheung flee the drought-stricken Shandong Province to start over in Shanghai at the beginning of the 20th century. Their new home is filled with people looking for work and people looking to take advantage of them. Ma makes a strong impression on benevolent crime lord Tam See who was also from Shandong. Tam befriends the hothead as Ma makes his presence known in town. Malevolent crime lord, Yang Shuang, is determined to eliminate Tam and Ma for good.

The storyline was thin, with most of the characters being the same depth of cardboard. Despite Kaneshiro’s screen presence, Ma Wing Ching was hard to root for as he was overly proud and easy to anger. Plus, everyone was involved in crime, including the police. Yuen Biao played the “good” crime boss and Yuen Tak chewed the scenery as the “bad” crime boss. Yuen Wah and Corey Yuen provided comedy relief on occasion as did Jessica Hester. Jessica had little to do as the romantic interest. Valerie Chow was featured more prominently as the femme fatale.

Corey Yuen and Yuen Tak were the martial arts directors which meant the fights were wild featuring kung fu, hatchets, flaming hatchets, swords, chains, bamboo spikes, pistols, automatic weapons, hidden knives, a canon, and even holy Looney Toons---an anvil! There were two intricately choreographed fights centered around a horse. The credits stated that no animals were harmed or killed and I really hope they were telling the truth. My biggest disappointment was that badass Yuen Wah wasn’t showcased during the fights being relegated more to emotional support or humorous moments.

During the first half of the film, it was a challenge to invest in the story as Ma picked fights, staked out his territory, and arrogantly ignored the advice of people with his best interests at heart. As stunning as Kaneshiro was during his brutal encounters, I found his character difficult to like. Ma’s redemption arch required copious amounts of blood and limbs. My score is based largely on the creativity and fierceness of the fights. It was also fun to watch Yuen Biao and Yuen Tak take each other on in a ferocious kung fu battle. They did not disappoint. The final free for all was ridiculously over the top, hilariously so at times, yet entertaining. Graded on a mild kung fu curve.

23 April 2026

Trigger warnings: Sexual assault. A fight that littered the street with limbs. Gruesome impalements. Almost continuous smoking. Sometimes it was hard to see the characters' faces due to the clouds of white. Yuen Wah's dreadful haircut.

Connection note: The Yuens in this film all attended Yu Jim Yuen’s China Drama School.


Slightly spoilery observation below:








Characters survived catastrophic injuries, recovering quickly from wounds that should have killed them, left giant holes in the characters, and/or would have caused deathly infections. Never underestimate kung fu plot armor!

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