This review may contain spoilers
A haunting film that needs contemplation
This film is probably more so in the category of Art House. It's message and themes maybe up to debate and won't be for everyone. Many of the central questions asked in the film don't really get answered. It is more up to interpretation by the audience.The setup for the movie is a little strange, A girl who lost her purpose offers to drive two unknown woman to see a friend who may or may not have attempted suicide. That is the question they are trying to answer by this road trip. The quiet and longing looks of the characters are the main plot of this movie. The dialogue is very carefully chosen. It seems deliberate with how slow the pacing is to let the actors body language do most of the talking. This is a special side of Aoi I haven't seen in any of her movies. This sense of melancholy and grief but also subtle gentleness. It's something mesmerizing. Ando's character felt like grounding while Kutsuna's actor felt like an observer. When they finally reach Miki, we see a really interesting sense of dread and regret without going melodramatic.
When the film began, I thought it was going to be about Haraki finding herself on a journey with new friends. But it turned into so much more. It was almost like a story about reconciliation and loss re-contextualized into a vehicle for growth and truth. The movie doesn't hard line examine these feelings really but it's up to the viewer to find meaning and this is what I found.
The movie's scenes are gorgeously shot. The car ride scenes emphasized the closed and withdrawn emotions with the sea scenes acting as a cathartic release of all their pent up emotions. The symphonic music that Yoko Kanno created for the film only enhances the feeling.
Honestly the film is slow paced burn and it might not leave you happy or sad in the end. It just holds a very special atmosphere that isn't like many movies.
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