Inside Criminal Minds (2022)

Kim Nam Gil shines in lacking profiler drama

I wanted to love this drama but came out thinking it could be so much better. My criticism might seem harsh but since people usually rave about this drama I will focus on the negative aspects. That doesn't mean I didn't highly enjoy watching it and still gave it a 4/5 rating.

The argument 'Through The Darkness is a lesser Mindhunter' has been made so often and it might be true, but that is no valid criticism of the former so I won't hold that against it. In general I'm tired of the automatic reflex to compare every Asian drama or film to Western media and will judge it on its own terms.


Through The Darkness tries too many things at once. There are dozens of crime shows or dramas that focus on the police procedural aspect of crimes. We don't need one more.

The theme of building a new organizational structure and developing a new angle in police work is vital and is well told.

The actual profiling, the interviewing, analyzing clues, hypothesizing, coming to conclusions is not given enough room and breathing space. They seem to gloss over or misunderstand basics of profiling, starting with body language they exhibit to what they discuss before, during or after interviews. At one point we are told that they have done hundreds of interviews. This is an informed attribute since the understanding and knowledge base that should come with this amount of experience simply isn't there. Through The Darkness takes a very long time for the profiling to get off the ground and for the profilers or interviewers to actually understand their job.

Literal Title: Those Who Can Read Hearts Of Evil. Can you, though?


The main character Song Ha Young is all over the place. He is at times overwhelmed with anger and repulsion, is highly judgmental, empathic, analytical, sensitive, righteous, obsessive, stoic, starting to become evil, understanding and volatile. Of course he can be all those things but I fail to see a natural progression of those psychological states.

The drama feels both rushed and drawn out. They could've easily made it into a 16-episode drama, expand on cases, show more interviews and allow scenes to linger for a little bit more for impact.

This is mostly a quiet job in a dark room and Through The Darkness focuses very much on the thrill of the crime instead of the thrill of the crime analysis.

The music adds to that as many scenes have underlying music made to heighten the tension and thrill. Since the music competes with the dialog it takes away from an already tightly scripted scene which isn't allowed to shine on its own.

It seems the creators didn't really trust their material.


All the involved actors are great and Kim Nam Gil does an outstanding job with a very difficult, not very flashy, very introverted and highly sensitive character. As far as I know he has never played anything like that before (Lovers Vanished and One Day come close) but he is made for it.

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This one is surprisingly tough for me to review. The gist of it is that there are some truly amazing acting performances, and the scenes of interviewing serial killers are enthralling, but outside of that I didn’t find too much unique about this show. I’ll be honest: this review is mostly a list of my complaints, since other reviews are so positive about the show I feel the need to talk about some negatives.
Kim Nam Gil undeniably deserved an award for his performance here. The degree to which you believe that this is a man who has seen the worst of human depravity is remarkable, and you can see this heaviness weigh on him and how it increases throughout the show. It is also intriguing to learn about the inception of criminal profiling, although to be honest I have my doubts. Occasionally in the show there were times when I thought it actually didn’t help catch criminals all that much. It’s not that their assessments weren’t accurate, but it sometimes only helped affirm a suspect was guilty when they had already been caught. I also thought it was kind of weird that being trained in psychology or psychiatry wasn’t required, although I’m sure that’s a thing nowadays. Another thing that bugged me a bit was how Kim Nam Gil’s character was a little too perfect. He was not only empathetic and smart, he also happened to be a good fighter. The fact this is adapted from an autobiography probably helps explain the extreme positive light. Speaking of fighting, I don’t love how they handled the one female detective. The kind of weird power dynamic between her and Kim Nam Gil’s character was uncomfortable and I don’t like how they undermined her competency. The autobiography origin of this story also probably explains the overall structure of the story. It has multiple serial killers, so there are basically story arcs with each killer. Since this is a 16 episode show and not a monster of the week type show, I found the pacing a little off. And to be honest, it was a bit repetitive at times. Towards the end I wasn’t motivated to finish because there wasn’t a bit culmination of things to look forward to, just another serial killer among the list of ones we have already seen. Ultimately what I think makes this show great are the amazing acting performances, and the interview scenes with the serial killers were fantastic. I don’t think this show is bad, it’s fairly good, but I’ve seen enough thriller/mystery serial killer type stuff that this didn’t do anything new for me (despite the show trying to do the profiling angle).

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