Jin Seon Kyu to reunite with 2PM's Lee Jun Ho in 'Typhoon Boss' - Português (Portugal)
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- Título original: 악의 마음을 읽는 자들
- Também conhecido como: Akeui Maeumeul Ilkneun Jadeul , Inside Criminal Minds , Those Who Read Hearts of Evil , Those Who Read the Minds of Evil
- Diretor: Kim Jae Hong, Park Bo Ram
- Roteirista: Seol Yi Na
- Gêneros: Thriller, Mistério, Drama
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Elenco e Créditos
- Kim Nam Gil Papel Principal
- Jin Seon Kyu Papel Principal
- Kim So Jin Papel Principal
- Ryeoun Papel Secundário
- Lee Dae Yeon Papel Secundário
- Kim Won Hae Papel Secundário
Resenhas
Tinha potencial e foi tudo pelo cano abaixo
Estou muito confusa sinceramente...As expetativas eram altas, o tema era do meu interesse (dramas com serial killers vão perseguir-me até à morte) mas... sinceramente, o plot foi tão confuso, as personagens não eram tão interessantes assim e momentos, que podiam ter acontecido para tornar a história mais interessante, foram desperdiçados.
No que toca ao elenco, tinha um ou outro ator que reconheci, como Kim Namgil de Island, Ryeo Un de Adult Trainee que vi recentemente, Kim Joong Hee de Squid Game e Marry My Husband, e Lee Daeyeon e Kim Wonhae de vários dramas, mas no que toca a atrizes, acho que só reconheci uma. O plot, como mencionei, deixou muito a desejar. Para um drama de 10 episódios, podiam ter feito um melhor trabalho.
Cuidado: Se não são fortes mentalmente, não vejam! Há temas muito pesados, há cenas muito perturbadoras e desconfortáveis.
Conclusão: Se tivessem incluído alguns momentos engraçados para aliviar a tensão, construído melhor as personagens e construído a história de uma forma mais linear (it was all over the place), teria aproveitado melhor a coisa.
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Kim Nam Gil shines in lacking profiler drama
I wanted to love this drama but came out thinking it could be so much better. My criticism might seem harsh but since people usually rave about this drama I will focus on the negative aspects. That doesn't mean I didn't highly enjoy watching it and still gave it a 4/5 rating.The argument 'Through The Darkness is a lesser Mindhunter' has been made so often and it might be true, but that is no valid criticism of the former so I won't hold that against it. In general I'm tired of the automatic reflex to compare every Asian drama or film to Western media and will judge it on its own terms.
Through The Darkness tries too many things at once. There are dozens of crime shows or dramas that focus on the police procedural aspect of crimes. We don't need one more.
The theme of building a new organizational structure and developing a new angle in police work is vital and is well told.
The actual profiling, the interviewing, analyzing clues, hypothesizing, coming to conclusions is not given enough room and breathing space. They seem to gloss over or misunderstand basics of profiling, starting with body language they exhibit to what they discuss before, during or after interviews. At one point we are told that they have done hundreds of interviews. This is an informed attribute since the understanding and knowledge base that should come with this amount of experience simply isn't there. Through The Darkness takes a very long time for the profiling to get off the ground and for the profilers or interviewers to actually understand their job.
Literal Title: Those Who Can Read Hearts Of Evil. Can you, though?
The main character Song Ha Young is all over the place. He is at times overwhelmed with anger and repulsion, is highly judgmental, empathic, analytical, sensitive, righteous, obsessive, stoic, starting to become evil, understanding and volatile. Of course he can be all those things but I fail to see a natural progression of those psychological states.
The drama feels both rushed and drawn out. They could've easily made it into a 16-episode drama, expand on cases, show more interviews and allow scenes to linger for a little bit more for impact.
This is mostly a quiet job in a dark room and Through The Darkness focuses very much on the thrill of the crime instead of the thrill of the crime analysis.
The music adds to that as many scenes have underlying music made to heighten the tension and thrill. Since the music competes with the dialog it takes away from an already tightly scripted scene which isn't allowed to shine on its own.
It seems the creators didn't really trust their material.
All the involved actors are great and Kim Nam Gil does an outstanding job with a very difficult, not very flashy, very introverted and highly sensitive character. As far as I know he has never played anything like that before (Lovers Vanished and One Day come close) but he is made for it.
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