The Fool of the End (2024)

A good philosophical show with a bad pilot

The first three episodes present a disorienting experience with a narrative structure that lacks clarity and coherence. The plot jumps haphazardly between different timelines without a clear indication, leaving me struggling to piece together the sequence of events. Flashbacks blend seamlessly with present-day scenes, further complicating the understanding of the storyline. This lack of a clear timeline detracts from the overall viewing experience, making it challenging for me to fully engage with the narrative.

Furthermore, the abundance of characters introduced in the early episodes adds to the confusion. While an extensive cast can enrich the storytelling by providing diverse perspectives, this show struggles to effectively develop each character amidst the chaos of its narrative. As a result, many characters feel underutilized or underdeveloped, diminishing their impact on the overarching plot.

Despite its shortcomings, it begins to find its footing in the fourth episode, as the narrative begins to coalesce and the timelines become more discernible. The characters, once disparate and disconnected, begin to intertwine in meaningful ways.

It is a philosophical drama with grand aspirations, marred by its initial confusion and lack of coherence. While the early episodes may leave you feeling adrift in a sea of disjointed narratives, the series gradually finds its footing and delivers a more cohesive and engaging experience.

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Slow paced & soulful slice of life - HOW we are living being more important than surviving

Beforehand: Anyone who expects "Goodbye Earth" to be a 12 episodes long doomsday blockbuster in the face of an impending apocalypse is completely wrong here. The KDrama has nothing to do with a fast-paced, action-packed and adrenaline-arousing desperate fight against an approaching asteroid.
Plus: Yoo Ah-in's lead role, due to a charge of illegal drug use, was reduced to a minimum during production. So somehow it had to be improvised in terms of content. But in my opinion, a stronger focus on the female lead (played by Ahn Eun-jin) didn't hurt.


I would say "Goodbye Earth" is a ´slice of life´ centering around a bunch of rather ordinary people in a rather ordinary residential area in the city of Ungcheon. The remaining city population is expecting the crash of an asteroid that is on a collision course with the Earth and, according to calculations, will hit the Korean peninsula. Other than that, people live their lives - which, compared to before, obviously are not quite the same... So this dystopian KDrama is not about averting disaster. It's about continuing with life - until the end. Together. But, now, what do all the noble, dutiful, corrupt, holy, street-smart, arrogant, simple, life-hungry, in love, pregnant, believing and criminal variations of human beings do with this knowledge of their collective death?

Significantly, the looming asteroid isn't the worst thing at all in “Goodbye Earth”. In this particular scenario, the political order had already largely collapsed. Those who could afford it, had tried to save themselves. Eventually, the power vacuum was filled in no time. But fortunately, "Goodbye Earth" does not medially exploit the dystopian scenario to gleefully indulge into man's cruelty, unscrupulousness and insatiable greed even in the face of the bitter end. In fact, the KDrama gives its time and space mainly to interpersonal dynamics of a certain community - a diverse collection of people, young and old, who know each other from their community life, from school, from childhood. Only over time, little by little, in interspersed flashbacks, do we find out how they are all related to each other and what actually connects them. We walk along with them - during their last days, which are unstoppably shrinking in number… until the collision with the asteroid. Thus, emotionally, episode by episode, we get to know the people and their neighborhood better and might even grow fond of them, too.

The people in Ungcheon are actually less concerned with the approaching asteroid itself than with why and where their priest had disappeared or what had happened to the church money. And then there is this gang of criminals who among others specialized in child trafficking. The pain, fear and hopelessness felt by the people of Ungcheon is more likely to be caused by the collateral damages beforehand of the asteroid collision, than by actually facing their end.

It is slice of life in the context of a rather bizarre, extraordinary life situation. While people have to process their traumatic, crucial life experiences, talking and sharing might actually help to overcome emotional alienation or even frenzy. Yet... This is beautifully demonstrated in several examples. Sooner or later, close to the end the question arises as to what really counts...

In my opinion, this is a quietly gripping and complex KDrama. So complex that a few questions might remain unanswered at the end. But for me they are not so important here, therefore I can leave it at that. I´d say “Goodbye Earth” is rather about the personal processes that all those different characters have to go through, while dealing with those obviously extraordinary challenges their ordinary life is confronting them with.

For all those who expected e.g. “Deep Impact” in a series format, "Goodbye Earth" is certainly disappointing. For fans of slice of life, however, an almost unique scenario opens up in this rare dystopian context. The focus is on a former teacher who had to helplessly watch the children of her mid-school class becoming the greatest collateral damage in the run-up to the asteroid collision. For her this is representing the actual catastrophe.

"Goodbye Earth" lives from subtle interpersonal dynamics, coping with everyday life in a state of emergency and the daily struggles for emotional balance, for humanity and structure, for law and order in the midst of chaos. The KDrama is primarily a soulful and slow-paced study about the people of a neighborhood in Ungcheon bravely continuing with their lives in the light of their definitive collective death date. Because it's not over yet. Well aware about day X, life goes on. Until then. Together.
Bottom line: In the end, HOW we are living is more important, than surviving no matter what.

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