unterwegsimkoreanischenD

An uncommonly, almost tenderly told revenge story

"Call it Love" begins with a quote from a writer about love, followed by a voiceover radio announcer's summary: "To understand the loneliness of others, for me, that's the beginning of love." Beautiful, sensitive words... and at the same time: the grounding of this KDrama.

There are so many lonely people out there (even if that doesn't necessarily mean they're alone). There are also those who recognize the other in their loneliness. Love in different facets swings back and forth between each episode - quietly, tenderly, unspoken, then also outspoken, sometimes here, sometimes there. In the case of Shim Woo-joo and Han Dong-jin, despite barriers love like determined water finds its way.

The KDrama offers no ´boom-squish´, no spectacle, yet slow food for the heart. So slow, that it almost touches the edge of the bearable at times. Watching the two protagonists moving through scenes is almost like in slow motion. The facial features are minimal, too. However, it´s nevertheless expressive and intense. Tender emotions are held back, an the next moment some razor-sharp thoughts are communicated without hesitation – Woo-joo is good at that. She embodies a sharp mix of disinterest and impulsiveness. Dong-jin, for his part, is the master of outward indifference and equanimity, enduring life´s challenges quietly and good-naturedly – almost stoically. But both are basically victims of their learned helplessness and of being overwhelmed with their extremely ambivalent feelings towards their own parents. ´She´ is still bitter because of her cheating father, who left the family for another woman. His burden is his exalted mother, who notoriously charms other people's husbands and lives a ´good life´ at their expense, with her son being in the way and left with the father.

A web of loving people are surrounding both Woo-joo and Dong-jin. So, even if they may feel alone with their feelings, they really aren't. Woo-joo's friend, the pharmacist Yoon-jun, feels a lot more for Woo-joo. Dong-jin's school friend and business partner knows his buddy like the back of his hand. Then there's Woo-joo's sister, who for her part is struggling with dating and finally just discovers her feelings for Yoon-jun. And suddenly Dong-jin's ex-fiancé is back, who left him without a word a year ago, went to the USA and is now suddenly back, being ready for the next step. ... Somehow everyone seems a bit lost and sometimes awkward in their emotional life, as well as in their (traditional) family liabilities. They might feel lonely. But they are actually not alone.

Technically speaking, the plot aims for something completely different than romantic love: revenge is the driving force of the story. There's Woo-joo on her vendetta against the woman who stole her father and secured the house as an inheritance – with the vendetta actually targeting the son, Dong-jin. Then there is Dong-jin's former boss, who wants revenge for Dong-jin resigning along with his childhood friend from school to start a rival business. And there's the age-old dynamic between Woo-joo's mother and her rival who stole her husband years ago...

Somehow like balm: here the revenge motive can't prevail in the end. Rather, a gentle template of compassion and forgiveness settles over resentment and bitterness. Like a silk scarf, this compassion covers the wounds and thus changes, rather widens, the perspective. "To understand the loneliness of others, for me that is the beginning of love." In the end the truth of these words is revolving about much more than 'just' romantic love – the heart empathically banging on another one´s wall, makes the wall come down and healing become possible.

Gaze, movement as well as camera angles are chosen with care. Like that more than once time is frozen, sort of. Often enough, this KDrama is deliberately so slow that you might want to give the protagonists a nudge here and there. Paradoxically, this perceived standstill envelops the actually quite dynamic story, which gains its drive from the revenge motive and knows very well how to come up with tension, too. This idiosyncratic mixture of dramatic events and moments of standstill, of revenge and honest love, results in a very unique, ambivalent, subtly burned-in dynamic and elusive fascination for this KDrama. Cupid interjects encouragingly and does it well. Actors and actresses also successfully correspond with authentic emotion.

Ultimately, an uncommonly, almost tenderly told revenge story.

Read More

Soulful spot on: South Korea ranks fourth in the world when it comes to the suicide rate

According to WHO data, South Korea ranks fourth in the world when it comes to the suicide rate. (Germany ranks 42nd in comparison.) Not only stars and starlets are affected, but it runs through all sections of population. And with that, it holds up a bitterly serious, socially critical mirror to turbo-capitalist South Korea, whose tradition still places more value on appearances/make-believe than authenticity/true-being.

"Tomorrow" throws the spotlight on this socially problematic aspect. It is definitely a tough topic! It is based on a webtoon that enriches people's limited view by looking at the bigger picture from the perspective of the spiritual world. By providing an emotional link between the two worlds through the protagonist Choi Joon-woong, the worlds inspire each other with their insights and impulses. (After all, a wound can even heal in the afterlife...)

In short, the approach might at times seem light-footedly playful. Yet the content is profound and serious. It´s no feel-good-series. Sometimes it's fast-paced and action-packed, sometimes tongue-in-cheek, but mostly the story wants to touch, move and make you think. And it does. Overall the narrative style once again finds the right tone and the successful mix to work through the difficult, complex emotional area of conflict. Thus it is carefully, sensitively and differentiatedly illustrating the example of very different fates.

Read More

Sometimes grumpy & gruff, sometimes touchingly sweet & unabashedly sincere, radiating joy & warmth

“Like Flowers in Sand” is enchanting in its own way. Here we have once again a KDrama with a distinctive aura. Rustic, with tons of heart, original characters and great performance. Without tons of make-up, yet with plenty of bare male torsos - here, for a change, not focusing on aesthetic ideals… (which sort of makes this KDrama even more likeable and even more authentic.) Love also has a subtle hand in it here and conjures up a rather unconventional Rom+Com in the guise of a crime thriller.

“Like Flowers in Sand” takes a look at the rural regions – with their living traditions, the lively gossip and the importance of lifelong childhood friendships. The way people interact with each other is a little rough, but still warm; sweet even, yet in a grumpy disguise.

The KDrama draws its significant charm from the tradition and lifestyle of the Ssireum wrestlers. The two protagonists grew up with Ssireum (see side note below). In general, Ssireum marks the dramaturgical pivot of the story - then and now.

The gym, the sand-filled wrestling field, the colorful ´satpas´, and the ML tirelessly running here and there and back again, all of this contributes to an unmistakable look&feel. In addition, "Like Flowers in Sand" is sometimes grumpy and gruff, sometimes touchingly sweet and unabashedly sincere - with three-dimensional, unconventional characters in their unique individuality quietly conquering the hearts of the audience. A KDrama solidly grounded in the life of ordinary people, that in its quirky, eccentric aura radiates joy and warmth.

















----------------------------------------------------------------
SIDE NOTE: --- Ssireum – Korean version of wrestling ---

Ssireum has been listed as a UNESCO immaterial world heritage since 2018. This distinctive Korean wrestling is probably as old as the first kingdom of Korea itself, which according to legend was founded in 2333 BC. What is certain though, this form of wrestling has already been practiced during the time of the Goguryeo Kingdom. The strongest young men from the surrounding villages came together for competition, with the last man standing at the end being the winner.
Ssireum is the wrestling of two people within a circular field filled with sand with a diameter of 8 m. So-called 'satpas' form a kind of belt over the wrestling pants that the opponents at all cost hold on to during the fight - until one can bring the other down by strength or skill. The techniques are varied, but hitting and pushing are not among them.
Actually, previous to colonial times, this type of wrestling was known as Gakjo, Gakhi, Sangbak, Jaenggyo or Gakgi. Wrestling was tolerated under the Japanese because it had similarities to sumo. Competitions were successively sponsored, which ultimately led to national championships. To this day, Ssireum is an established and popular sport in South Korea being practiced by women, too.
Eventually, with Netflix broadcasting this ENA Production internationally, the immaterial cultural heritage is reaching more worldwide attention, too...

Read More

In a unique way affectionately told. Critically nuanced. Not off-the-shelf. Still easy to digest.

I might have easily missed “Not Others”, if I hadn't volunteered to help out with the German subtitling. I'm glad I didn´t miss it, because "Not Others" turned out to be an unorthodox surprise - being unexpectedly substantial and also pleasantly true to life, thus rooted in a rather simple, normal, everyday world. It is the story of a family, above all of a single mother and her daughter, but there are also a few contemporaries who are related by blood or by choice.

The story goes on and on as life goes on and we go with it as a matter of course (and gladly so). (Well, at least that's how it was for me.) There was nothing particularly extraordinary and exciting about it. Just normal madness.

Well, admittedly, a bit more than normal madness... after all, the mother herself is still a teenager when she has her child and doesn't want to give up on some of the youthful pleasures in life - regardless of responsibility for the child. However, the script and the two leads find a good pitch for this very special, unusual and inherently difficult relationship dynamic with all its challenges. A clearly structured 'I'm the grown up and you're the little one' doesn´t exist. It is rather upside down here. Instead of the classic authoritarian hierarchy between parent and child, they both ended up bonding as allies sort of, in a world from which they have fallen. Due to the unusual role constellations, the arguments between mother and daughter often have a slightly funny touch. Behind this, however, lurks a rather unconscious overburdening on both sides. And this earnest approach of this emotionally tricky situation shines through again and again in the strategy of both of them trying to cope with everyday life. However, mother and daughter are overall impressing with their casual authenticity as well as pleasant directness and openness - a communication style that clearly sets them apart from so many others in the story. Choi Soo-young shines here, but especially Jeon Hye-jin, who can show herself from a completely different side in the role of the still youthful mother...).

At some point it's about a criminal case - eventually almost symbolic for the unwanted and eventually professionalized role of the daughter within the mother-daughter-relationship: the need to/the urge to look after her mother. And at some point it's also about romantic love - symbolic for the very human longing to rely on a partner on eye level, to lean on a shoulder... This human need actually concerns mother and grown-up daughter alike. But can there even be a place for 'outsiders' within the mother-daughter relationship?

Please don't take "Not Others" as a crime thriller or even as a RomCom. (The men in particular come along rather secondary...) Ultimately, it is the complicated emotional behavior patterns that characterize the family life of mother and daughter in the context of their very close and extraordinary relationship. This makes the KDrama breathe in and breathe out in its very unique pacing. It is primarily about this uncommon family, with an affectionate, yet critically nuanced look at their very special relationship dynamics. "Not Others" is cautiously questioning established (conservative) family models, too...

Overall, “Not Others” is no off-the-shelf KDrama (like so many others in 2023...).

Read More

The two leads form a splendidly unique mixture, providing unique heartbeat and appeal to the story

“The Kidnapping Day” is all about its two great protagonists. I'm tempted to say: it is about the female lead character. The actress is simply wonderful and perfect for this character. Nevertheless, in my opinion, in her eccentric role she comes into her own so brilliantly precisely because her adult counterpart: the Kidnapper, who is just the way he is – as a rather clumsy person, he is practically the antithesis of this cheeky eleven-year-old but highly intelligent know-it-all. Yet, he ist the one who is sort of seeing, liberating and nurturing her usually neglected self, that is hidden underneath her intellectual brilliance: First of all she is just a child with all needs that come along. So, he might be not as smart as the little girl, yet he is actually the true grown up, who is not letting him be mislead by her genius, but watching out for her and intuitively caring for the child she is, too. This splendid mixture provides the unique heartbeat and appeal. So together they form this edgy team, keeping the audience in a good mood.

The plot offers a lot of humor and quite some comicalness of the situation, but there are also serious themes lingering. After all, there is an unsolved murder case. Furthermore, it is nevertheless a case of kidnapping, even if the prefix may change over time. Added to this is the sad fact that health is often a question of money. And ultimately, behind all of this, there is also the issue of abuse. “The Kidnapping Day” is also able to tackle the ever late-breaking topic of “education hype in South Korea” in an original new way, entangling it in an exciting crime thriller.

What initially starts as kidnapping quickly takes a completely different direction. The victim becomes the mastermind. The police, or at least one of the investigators, dares to think twice and appropriately take unusual paths according this unusual case. Good and evil, black and white, its blurred. Yet, there are still unscrupulous villains. We are also stumbling over complex enmeshments, lying way back in the past.

“The Kidnapping Day” knows how to deliver on a variety of levels. Accordingly, the number of viewers has more than doubled over those 12 episodes. The special charm of the two leads also got me and I was happy to stick with them. Mind you, this was basically because of the charming relationship dynamics of the two leads, and how the two shape the kidnapping scenario along the way in a pleasantly witty way, including the solving of the murder case and at last providing a solution .




P.S.
The two protagonists, their particular relationship, THAT is the clever strength and the endearing piquancy. The rest might at times come across rather careless and pallid. Obviously, this is (once more) the product of the new era that has dawned in the KDrama orbit. Numerous new networks are now happily playing along on the market, including ENA, former SKY, which has repositioned itself in 2022 in order to get involved with its own KDrama productions in the top Pay-TV segment. (ENA belongs to Korean Telekom and produced 22 series in 2023 already.)
In general, with Disney, Netflix and others, I´d say KDrama productions feel like having doubled in 2023 (I didn't count, though). But what seems like a blessing at first sight turns out to be a bit of a sham, too. Where are all the original ideas supposed to continuously come from? And if there is a promising plot idea, it is yet far from being thoroughly worked through... Quantity rarely automatically goes hand in hand with quality. And it doesn't work the other way around either. Accordingly, “The Kidnapping Day” also suffers from the ravages of time: negligence can be observed here and there. However, the main strength and driving force of this story - the strangely lovingly developing relationship of the two unconventional leads - luckily is awesome enough to carry and equilibrate.

Read More

Soothing sweetness of a healing Love Story in the midst of brutal, relentless Seoul business life

"Love Scout" offers a cozy, soft and warm love story for the heart. Here: embedded in the tough Seoul office workday. Also: it offers perfect KDrama craftsmanship for this genre. Somehow everything was done right. The social network of our two protagonists also fits perfectly into the whole. Additionally, there are quite some valuable messages between the lines. And then there is the soothing sweetness of a healing (fictional) KDrama-world in the midst of the harsh, intrusive, inhumane, unvarnished reality.

"Love Scout" conjures up a sweet love story in the brutal, relentless professional everyday life in Seoul 2025. On top of that: a workplace romance between a female boss and her male secretary is not exactly the easy choice.
The story has a certain sweetness to it, also thanks to 7-year-old Byeol. She actually manages to bring out the best in everyone, aiming directly at the heart.
However, the backdrop of the drama – or rather that of our two protagonists - is actually rather sad.

SHE is a successful businesswoman with good instincts, running her own headhunting agency, but along the way she has somewhat lost touch with herself – she has sort of cut off her needs. The price of her success is high. She is a workaholic, exploiting her body, and just as she tramples over her own needs, she does the same with those of her employees. Apart from work, she practically has nothing. The advantage: her (guilt) feelings are buried under workloads. No time to delve deeper.

HE has perfected the art of anticipating the needs of others. As a single father, he has everything under control. Admirable. But on the downside, he is almost compulsive, as he has no other choice – he cannot help but recognize the needs of others before they do. His antennas are completely tuned to his environment. Thus, he comes across as quite sympathetic, as he is the nice neighbor, friend, colleague... However, as a single parent there is hardly any room for his own needs either. He defines his joy mainly through the joy and satisfaction of others. This inevitably makes him not necessarily alone, but still somewhat lonely. And there, deeply buried, are well-hidden (guilt) feelings, too.

Both our FL and ML are quite efficient. Almost perfect. But both also work like highly efficient machines. In this, they are similar and can each see behind the facade of the other. A good start for a healing love story. A healing story overall, in the midst of a structurally sickening, toxic work environment where there is no place for human beings with human needs – for appreciation, sincere recognition, fairness, and enough regeneration time to recharge their emotional and physical 'batteries'.

The dance of FL and ML, performed on this stage, is touching the heart. Tender, at times playful, heartfelt. The encounter between the boss and her secretary becomes a gentle rapprochement between two people who are so cut off from themselves and their own needs, yet reflecting, recognizing, opening up and learning to love each other in this very aspect.

It is an overall good mixture. A love story with charming side plots, balanced in a well-proportioned way with socially critical issues. Those who wish, may condone the seriousness. And those who appreciate the earnest critique, will generously be served. Thus, in my eyes, „Love Scout“ offers quite salubrious and gratifying KDrama-delight.

Read More

Captivating. Cinematic. Action-packed, yet offering impressive quiet & heartwarming tuning, too

Gando is the land of the desperate, the realm of the desperados of Joseon. In the 1920s, it was also a territory in which political responsibilities and affiliations were vaguely regulated. Some things may remind you of the Wild West. Yet this Wild North in the Far East is quite different...

“Song of the Bandits” is a brilliant Netflix historical drama about a certain chapter of recent Korean history. Moving. Captivating. Cinematic. It exudes the vibes of an Eastern. The KDrama surely is gory action and turbulence at most times, but offers impressive quiet and heartwarming tuning, too. Action-packed it is, yet humor and romance modestly fit in as well. "Song of the Bandits" is astonishingly well balanced in this respect and for a Netflix production, despite its polished and action-driven choreography for a broad international audience, sticks surprisingly consistently to a more subtle Korean series style. Nicely done at all scales. We get a feeling of the Manchurian landscape with Gando impressions filmed at original locations. This all framed within a consistently beautiful soundtrack. It all lasts for 9 episodes (only! Yet?). In spite the overall ambitious commercial production context, aiming at an international “Squid Game”-like success, “Song of the Bandits” was able to impress me with a historically and emotionally complex story with great mimes - Kim Nam-gil, Yoo Jae-myung, Lee Ho-jung and Lee Hyun-wook in their element. But so is everyone else. This is where KDrama and Netflix perfectly come together...

'Bandit: The Song of the Sword' is the original title. In fact, people don't swing swords so much as they use firearms. The KDrama is epically processed, offers great emotions, while telling about people and the range of motives for which people are prepared to fight. It's about resistance, obedience, venality, oppression, social affiliation, the fight for freedom. There are even some spiritual thoughts attached to it along the way. It is about the Joseon people, some personal fate, as well as 'the' history of Chosen - an emotionally quite ´Korean´ excerpt of modern history. Its thematic historic setting (even if the rest of the world might not care so much about it, as it is not requisite for an entertaining series pleasure) contains a lot of explosive material by Korean standards. Therefore firearms are in several respects quite consistent in this context…

As far as I am concerned, I do care about the historical context. On the contrary, I find it quite intriguing - besides the dramaturgically action-packed and emotionally charged story with its complex, interwoven relationship dynamics and conflicts. As I said, you don't really need to know the background to be enthusiastic about "Song of the Bandits". But if anyone might be interested, see the historical side note about 'Gando', the border region on the north bank of the Tumen river, which today also marks the border between northeast China and North Korea.




PS:
Yep, the ending of the story...
If you like, you can dream of more. It could be possible. Yet, it would still go on and on.
Who knows if there may be a sequel...
Nevertheless, from my perspective the ending is quite fitting. (Whether I like it or not.) In terms of the historical events, things are as they are. We want fiction to write a different ending, but it still wouldn´t be any better, rosier or brighter for hardly any of the various protagonists... Therefore, from a Korean perspective the ending of this story remains true to the spirit of the actual Chosen-history: For Joseon people it is and remains unsatisfactory, unfair and painful. ´We´, as an international audience (temporarily and figuratively with our personal discontent), can/shall/must/may thus empathically share this collective emotion, too.





-----------------------------------------------------------------------
SIDE NOTE: --- Gando, also called Jiandao, and today Yanbian ---

Gando historically stands for a specific borderland. To this day it is a region with a high proportion of people of Korean origin.
Gando is a small, perhaps inconspicuous scar in Korean history – yet a scar that is still weeping, sort of...
Gando (and Manchuria in general) is also associated with the regrouping of the Rightous Army and thus with the patriotic pride of resistance against colonial oppression. With "Song of the Bandits", the issue of Gando has now obtained an impressive, international onstage introduction...

This 'Gando', Jiandao or Yanbian was the last nail of hope for an increasing number of desperate people from Joseon (and still is for some North Koreans today) who had nothing to lose and would rather settle for an arduous life and try their luck in this section of Manchuria - a back then relatively undeveloped marshland on the north bank of the Tumen river.
First - in the course of, and especially at the end of, the 19th century - famine and poverty drove poor Joseon people to the far north. Then, at the beginning of the 20th century, it was the hope to escape from Chosen, which was finally officially annexed by the Japanese. The Righteous Army militia was also formed anew in Manchuria at that time.

After the annexation of Joseon, with respect to a relatively large population of Joseon people, the Japanese as part of their aggressive expansion efforts also demanded this coastal territory north of the Tumen from the Chinese. Infiltration was followed by an invasion in 1907, but already by 1909 there was withdrawal again. Officially, as a result of the diplomatic negotiations, the area eventually became Chinese again and Japan received railroad concessions, while the Joseon people remained under Japanese rule due to their Korean descent.
"Song of the Bandits" sets its story in this political quagmire: the decade before the belligerent 1930s, before the Empire of Japan invaded Manchuria, established the puppet state 'Mandschukuo' and used it for its own political and economic purposes. The prerequisite for this was a massive expansion of railway lines - especially the North Chosen Line along the border region between Chosen and Manchuria, that had been built during those previous years, while the Bandits sang their song...


Outlook:
After the end of the Second World War, many Koreans went back to their homeland, but by no means all of them. Around 810,000 people of Korean origin apparently still live in the Yanbian Autonomous District of China's Jilin Province to this day. In 1952, the proportion of the population with a Korean migrant background was around 60 percent. Then, Korean language was official. However, especially since the late 1990s, the Chinese government had specifically tried to force linguistic and cultural assimilation in order to counteract political currents in South Korea and discussions about a possible legitimate Korean claim to 'Gando'. These currents believe that - regarding those dubious events of the early 20th century and Gando Convention between Japan and China becoming obsolete with the ending of the World War II – this Gando territory actually is political void and should now belong to (in this case North?) Korea. Thus, Gando's territorial status for some still is not satisfactorily resolved…
Incidentally, desperate North Korean refugees are continuously trying to get to China via the Tumen river, which is icy during the long, cold winter months. Thus, Gando territory invariably remains a last nail of hope for desperate Koreans even up until today...

Read More

Sensitive, optimistic and even cheerful. No spectacle, and yet the 2 hours somehow fly by.

"Innocent Witness" does not really want to serve any genre. (I assume, in Germany it would have at best as been shown in Television only. Significantly, the movie never made it to European cinemas. Yet, it was shown on the big screen in South Korea and was also shown throughout Asia and Australia. It actually won a whole series of respectable awards. On the list are 55th Baeksang Arts Awards, 39th Golden Cinema Film Festival, 40th Blue Dragon Film Awards, 6th Korean Film Producers Association Awards, 27th Korean Culture and Entertainment Awards and 39th Korean Association of Film Critics Awards ... Those various awards were given for the characteristically sensitive, emotional storytelling and presentation.

"Innocent Witness" isn't kitschy, it's calm. The story does neither live from driving tension nor offer any dazzling action, just a calm, unobtrusively touching story. The viewers spend a lot of time in the courtroom. However, Law & Order might very well form the framework, but this does not determine what the story is actually about: Communication and reciprocal understanding can only really succeed if you unconditionally focus on the personal world of others, not only your own. This is often forgotten because we think we can easily understand each other when your world and mine seem so similar. (As if we could simply take sameness of a life context for granted.) However, even life perspectives would be similar, this can still not be considered ´mutual understanding´ either. This is mere prejudice. That could work, often does, but doesn't necessarily have to. Most of the time it might fit, so there's rarely a reason to question my personal approach to the world.

"Innocent Witness" is provocative here, because the other person is a young girl with an autism spectrum disorder. In order to reach an understanding, the lawyer and everyone else have to get involved in the world of the protagonist and (arduously?) learn to understand the events and happenings from her perspective. The confrontation with the autistic worldview (in the service of the story quite strikingly, but effectively implemented) may seem crass for most people at first glance, but basically it only demands what we should actually get do in EVERY encounter with every person, with whom we exchange ideas. That is: get involved. Eventually, we are reluctant ... as long as it works otherwise even half-way and the misunderstandings don't catch up with us all too painfully at some point...

"Innocent Witness" pushes the audience to this realization with persistent, warm, quiet tones in a determined and consistent manner. At the beginning there is the girl's question: "Are you a good person?". In the end, the lawyer comes to the realization: "I want to be(come) a good person!" The movie portrays this process purposefully, but quite unspectacularly and without any particular cinematic originality. The gait is characterized by a loving grunt, like a basso continuo, which bathes the punchlines in a warm light and holds the story together on an emotional level. This, however, without wanting to be difficult or too serious. The lacrimal gland is not necessarily strained either. On the contrary, there is also room for a smile, for joy and a good mood.

In short, the essence of the KMovie is the wonderful dynamic between lawyer and witness. Up-and-coming talent Kim Hyang-gi shines in her role as an innocent, often for her autism bullied, young school-girl. Veteran Jung Woo-sung, on the other hand, as a once ambitious human rights lawyer, neither fish nor meat, still single at almost 40, who has gotten a bit off track and becomes seductive because he needs money for his father's Parkinson's treatment. They stumble a little awkwardly into their interpersonal encounter, each in their own way. Dealing with their own feelings and those of others is not their strength. Nevertheless, out of the given need to get involved, a peculiar friendly relationship develops slowly, quietly, subtly, sensitively and sustainably. Initially however, it is quite an ambivalent dynamic. The attorney's original intention is anything but pure at first, when he wants to vet the only witness who claims to have seen his client's murder. In his approach to the witness, he is only concerned with his case and the question of how seriously he must take the witness for the course of his case. The unexpectedly blossoming friendship has an unfair origin that gradually overshadows the encounters. Nevertheless... The two mimes of the protagonists as well as one or the other supporting role have well-earned all their awards, as they embody this dynamic magnificently.

Apparently, the mission of the movie is that people with disabilities are also people with dignity, who we should/must take seriously. Ultimately, however, the mission even goes beyond and demands respectful, serious encounters with EVERYONE - regardless of their origin or clothing, health restrictions or age. We usually avoid those who 'tick' differently, because it seems exhausting and inconvenient to really get involved with someone, e. g. to actually listen, to genuinely want to understand... because this sometimes requires having to question myself and my self-evident attitudes, assumptions and perspectives. It's easier to just take my own worldview for granted on the basis of prejudices as well as superficial encounter and project it onto those around me. Conversely, such an attitude can actually lead to my life becoming superficial... comfortable, pretty, nice and shiny maybe, but superficial...

So, this is a KMovie that plays a lot in the courtroom, but whose verdict on right and wrong is less about the actual legal case - it becomes a mere side issue. It is rather about demanding an honest verdict on our individual ways we interact with our fellow humans: Am I a good person? Am I really listening? Am I truly open to encounters? Are my priorities in life sincere?

"Innocent Witness" doesn't really serve any genre, and yet the story, told in all simplicity, is touching, optimistic and even cheerful. No spectacle, and yet the 2 hours somehow fly by.

Read More

Time-travel with an enchanting encounter between traditional medicine & modern medical technology

Because "Live up to your Name" chooses time travel as the starting point for the action, the KDrama is able to contrast traditional medicine as well as modern surgery and medical technology in two historical time zones. This sprinkles a lot of color over the topic and opens up a perspective that does not have to polarize. This rapprochement is rounded off by the enchanting development of the relationship between the protagonists - the modern day surgeon in modern Seoul and Heo-im from Joseon days, who get emotionally involved over the course of the story, although their personalities could not be more different.

"Live up to your name" juxtaposes modern surgery & medical technology as well as traditional Korean medicine, which is recently becoming more and more popular in the increasing medical tourism in South Korea. In this context, the audience is introduced to a luminary of traditional Korean medicine who made a considerable contribution to acupuncture in his time (16th century) - Heo-im. The KDrama guarantees an entertaining and lively excursion into some background knowledge about attitude, methods and possibilities of traditional medicine.

Just seeing Kim Nam-gil as Heo-im is worth watching this KDrama. He does an excellent job of portraying the ambivalent personality: there is the simple man from a poor background, whom he would like to escape at any price, and there is the ingenious healer with almost spiritual talent. Sometimes it's quite funny and then again heartwarming and profoundly serious with confident lightness.

In addition, there are the traditional healing methods, the virtuosity in handling the acupuncture needles and the feeling for the flow of energy... this can not only be experienced with the example of Heo-im, but also with the other representatives of traditional Korean medicine. There is also room for dealing with those for whom traditional medicine is mainly a business today - a service that can be sold very well in South Korea these days, especially with a VIP upgrade as a trendy, exotic treatment method in the context of medical tourism. There are the VENDORS of traditional Korean medicine and there are the HEALERS of traditional methods. And then there is modern medicine and the growing market of the health industry. Eventually, what makes the difference (and also offers the common ground between paradigms) are the attitude, dedication and mission when it comes to healing...



------ SIDE NOTE: --- Historical Heo-im (1570-1647)---
His reputation as an acupuncturist preceded the historical Heo-im of his time - not only in the Joseon Dynasty itself, but as far away as China and Japan. Originally he was of humble origin, but due to his incredible achievements in medicine he became the personal physician at the royal court and a government official at the age of 30. During the Japan War, he was able to further expand his reputation through his gifted achievements in acupuncture. However, the nobles rejected him as their equal and excluded him, so that he returned to his village at the age of about 50 and practiced his healing art on the common people there until he died at the age of 77. In recent years he has written a large, well-regarded work, the ChimGuGyungHumBang (book on acupuncture and moxibustion). In it he describes his methods of pain management and procedures in which acupuncture points are not (only) stimulated by needle sticks, but also by heat.
-----------------------------------------------

Read More

Years after the “Yes”-word, and yet a substantial love story, touching without being kitschy

"The Wind Blows" sounds quite inconspicuous, but it is not. It turns out to be a moving love story. Actually it is rom+/-com that starts exactly where other love stories end: with the ´yes´ word. The KDrama tells of what can happen when the butterflies (in the face of the new) are followed by ordinary years of shared, sometimes painful everyday life relationship... But that's not why love has to be gone missing. On the contrary... yet eventually, love might find it harder to take its space...

The title "The Wind Blows" refers specifically to the moment when the two protagonists first met many years ago. At that time the wind was blowing. What started then is not over yet. Figuratively, the wind is still blowing. However, the everyday challenges of aging have now added to their married life. The two must meet those challenges. It is rather common that one may be tempted here and there to make solitary decisions instead of communicating. One may have doubts if there still can be a way together. Every now and then it seems that such a common path is not (or no longer) possible. And then, maybe, one or the other might open up again.

"The Wind Blows" tells a serious and profound story about a love relationship that has grown out of the first romantic phases. Generally, this is less wanted on screen, as it inevitabely comes with problems, arguments and breakups. (Somehow that's in the nature of relationship - the constant rubbing against each other in a wide variety of ways actually leads to feeling/sensing yourself and the other person in the first place... it doesn't work without it. Does it?) In this KDrama, problems, arguments and breakups are all in, too. But so is love. (...as so often, although we might fail to notice in the midst of turmoil.)

I don't want to hide the fact that Alzheimer's disease is involved here as a stab in the back and at the same time a second chance. Against this background, the story manages to tell sensitively, empathetically and at times ruthlessly about the bumpy stretches of a patient love that has been and remains there over time - even if it is experienced differently over the course of the years, perhaps sometimes cannot be shared and also has changed its forms of expression over time.

The sensitive processing and the emotionally intense acting (great: Kam Woo-sung and Kim Ha-neul) are KDrama quality at its finest, which has once again proven itself to be just perfect for dealing with such a complex subject, which is difficult in several respects. A substantial story, touching without being kitschy.

(Well, I didn´t need the slightly shallow subplot and few unnecessarily humorous sequences here and there. Yet they obviously tried to loosen things up... well...)

Read More

Fight for human rights. A story written with the blood of latest Joseon history. Highly valuable.

Definitely worthwile! "Nokdu Flower" offers a historically remarkable epic with a strong performance. The KDrama excels sort of. It almost seems as if the entire team was all too aware of the ambitious challenge to adequately capturing this short but crucial sequence of Korean history.

In the second half of the 19th century, exploitation, famine, a corrupt, incompetent government and weak kings had eroded almost all belief in the existing system, in aristocracy and administration. Then there was the opening of the country to world politics and trades, for which the corrupt Joseon also proved to be profitable. In this historical KDrama it's not so much about the political intrigues around the palace, but about the landowners, administrative offices and Yangban in the provinces as well as the rebellion of the desperate rural people, who simply can't take it anymore.

The struggle for democracy in Korean history, like elsewhere in the world, has been quite bloody. That was last in May 1980 in Gwangju, when the democratic aspirations of the people were brutally crushed by the military. This was so during the student independence movement in 1929 in the fight against Japanese oppression. And that happened in connection with the Donghak movement, too, which had caused quite a stir throughout the country between 1860 and 1894. "Nokdu Flower" is deliberately very close to the front lines of those uprisings for democratic reforms, which then had been for the first time organized on this scale. This forms the perfect background for dramatically intertwined relationship dynamics of two half-brothers, (whose father is one of the particularly exploitative provincial officials who bleed the people dry), as well as the daughter of a merchant, who is used to deal with anybody, even the Japanese, for high profit.

The road to democracy on the Korean Peninsula is definitely rocky. To this day, the reactionary forces are still strong. "Nokdu Flower", however, represents a powerful, unforgettable symbol for the spirited struggle for freedom. The Donghak movement is often seen as the first patriotic Korean movement, since it was also about counteracting the increasing e. g. Japanese influence. But more than a patriotic struggle, initially the Donghak movement was actually about an idea that is bigger than family of origin or nation: It's about ​​basic human rights. (An idea that, not too long before that, had also stirred up the European continent)

Matter follows spirit. And this spirit was shaken up in the rural population of Joseon by a new religious movement: Choe Je-u (1824–1864) created a new faith in 1860: Donghak, which roughly means "Eastern Wisdom". Drawing from Confucianism, Buddhism, Taoism and Shamanism, it sees the divine spirit at work in human beings - in ALL human beings, without distinguishing between class or gender. Additionally, it sees the world as moving in cycles - with a whole new world just waiting ahead.

Nevertheless, it is blood that paves the path to a new era. Eventually, the results of the first Donghak peasant rebellion included a treaty. The "Gabo Reform" recognized the new religion, and among other things, the lowest classes were freed, widows were granted the right to remarry, and penalties for corruption and abuse of office were introduced. Unfortunately, there followed a second peasant rebellion...

This is a story written with the blood of latest Joseon history, sort of.
Overall, a highly valuable production.







--------------- BY THE WAY... ----------------------

...the traditional Korean national dish BIBIMBAP is closely linked to Jeonju and to the Donghak uprising. The heart of the rebellion was in Jeolla province with Joenju being the provincial capital. Among farmers who did not have the time to prepare countless side dishes, it was common to simply mix whatever there was with rice and spices. This food proved its worth, especially when it came to feeding the rebels in their brave fight for new values ​​and a more just future.

... the TITLE TRACK is actually a popular folk song that goes straight back to the peasant uprising. "Nokdu Flower" actually means 'blossom of the mung beans', but here it refers to the nickname of Jeon Bong-jun, leader of the peasant rebellion.

"Bird, bird, blue bird,
bird, bird, blue bird,
Don't sit in the mung bean fields.
When the blossom falls
the farmer goes to cry.

Bird, bird, blue bird,
Jeonju Gobu Nokdu bird,
why don't you fly away
The pines and bamboos are green.
We thought it was summer
yet it's bitterly cold and snowy."

The blue bird refers to the Japanese - they shouldn´t have any business in Joseon and should go away. Joenju and Gobu are legendary places of the uprising. Nokdu refers to Jeon Bong-jun´s nickname and the riot. However, Nokdu, the mung bean, also refers to an important agricultural product and food. Falling blossoms indicate a bad harvest. The 'summer' stands for the first uprising, the 'cold winter' for the second. The song was probably born during the execution of the leader Jeon Bong-jun and has since become a nationwide folk song in several different versions.

Read More

If you´re in the mood for divertingly wasting your time in (retro-)style...

If you´re in the mood for divertingly wasting your time in style (retro-style to be precise).
With a lightweight story, lots of action and some fun, too, this will perfectly do.
Its professionally done. You won´t regret it.

Other than that:
Too fast to be substantial or something that lasts or give something that remains. The focus here is on visual and acoustic effects. Storytelling is secondary. At least there was no saving on top-class actors. And, yes, they are in a good mood.

Recipe:
-top-class cast
-action with car chases
-hip scenery locations in the look of the 80s
-speed
-fancy retro styling - cool retro fashion (if you´re into it)
-all sorts of retro cars - styling and tuning (and noises, too)
-light and camera effects
-deliberately/supposedly ´cool as cool can be´

Final remark:
Never mind the drop of truth behind the backstory - corruption and money laundry in the context of the 1988 Olympics in SK. The bad (and good) guys could be anyone, anywhere. That's just the hook to give an interchangeable action movie at least a coating of its own: a Seoul-Vibe - here in an 80s retro look. (However, even this particular ´SEOUL´ Vibe shown could actually be anywhere - It´s more about an ´80s´ Vibe)

Overall, the movie comes across as a solid action movie production for an international audience.
Don´t expect unique Korean-style. (Except for the cast and their acting of course ... and even they can usually do much better, too...)

Read More

Gripping, intense, a success all round

"The Glory" comes with a drum roll at the turn of the year 2022/23. With a high-end production team in every instance, "The Glory" cleverly intertwines the burning subject of bullying with the long-running topic ´revenge campaign´. The result is gripping, intense, a success all round. (However, one major criticism: Netflix cuts the story in half with a long break in between.)

In 2022, for the sad issue of bullying, streaming services cleared the stage several times with their own productions (e.g. "Weak Hero Class 1" and "Revenge of Others"). All of these stories are unbelievable in their brutality and cruelty - teenagers against teenagers! No mercy. Without pity. Without scruples. Without any feeling of guilt. For once, I don't want to blame the streaming providers for the shown cruelty, on the contrary. Maybe the topic is in better hands with them because they have no problem with such radical scenes (compared to TV stations). Isn´t it simply scandalous that such unbelievable violent abuse - and may it be only half as drastic - is part of everyday life in (i.e. South Korean) schools and among young people? Even more scandalous: parents and teachers tolerate it or actively support it and even act up themselves.

"The Glory" swings back and forth between past and present and thus draws a complex picture of the individual characters. Back then the perpetrators, they are becoming victims today. Back then the victim, she finally wants to get out of her role and also make life hell for her abusers. The painful past provides the moral framework, allowing the audience to nod off the plans for vigilantism. Eventually, the protagonist also gains helpers on her way.

Sad enough, in "The Glory" no one is truly happy with their life except for the perpetrator's (still) innocent little daughter.
The bullies of that time live bored and/or stoned and still trapped in their bullying role. Still tangled up in their clique from back then in uneasy ties. None of them found ´true´ friends. Trust and love are words without substance in their life, which rather appears as a shiny variation of Hell disguised with silk and glamourous accessories.
The victim of that time, on the other hand, has found meaning, direction and grounding in her life, no matter how sad the circumstances. Coincidentally, she even made trustworthy friends. Since she has experienced firsthand what hell is like, she can at least distinguish it, as other experiences of brief moments of happiness are also indicated in between. This experience (how happiness actually feels compared to suffering) puts her ahead of her opponents, who aren't even aware that they're living in a hell of emotional emptiness. They only suspect it when Moon-Dong-eun threatens to shake their house of cards and they have to face the illusions of their self-satisfied lives.

The story isn´t completely told yet - after 8 episodes. We will see, how things actually turn out for Moon Dong-eun, as she is indeed messing with someone, who is not willing to give in, whatsoever...

---------- EDIT after finishing the SECOND SEASON: -------------------
Well. Second season is definitely on the revenge-side. Some may say revenge is sweet. In any case it is drastic. And "the Glory" made sure, the mean-spirited deserved it... Among them is so much violence and exorbitant abuse. Almost too much to bear at times. A bit overdone maybe with unnecessary Netflix ruction here and there. Nevertheless suspenseful. Certainly with a coherent ending.
-------------------------------------------------------------------------------





PS.:
Actually, the screenwriter is herself mother of a high school student...)


----------------------------------------------------
SIDE NOTE: ---- Fiction and reality are not that far apart ---

Some might say that the bullying brutality in "The Glory" - such as the curling wand scene - was exaggerated.
In fact, in South Korea in 2006, there was just such a case.

At a middle school in Cheongju, a student was bullied for money by three classmates. For not delivering, she was beaten with a baseball bat, tormented with a barrette, kicked, hit with fists, and burned on her arms with a hot curling wand. The burns didn't even have time to heal because the girls checked the temperature of the curling iron on the victim's arms again and again every few days. On the contrary, healing blisters were specifically removed by the bullies with their fingernails. The brutal beating also resulted in an injury to the tailbone, which resulted in a six-week hospital stay.

In fact, in this actual case in Cheongju, the perpetrators were apparently officially punished after the victim, despite threats, reported the perpetrators by name. And not only the perpetrators, but also the school administration and teachers were apparently sort of admonished. (However, with that the police report ends. We do not know how the victim, the perpetrators and the school dealt with each other afterwards).
--------------------------------------------------------

Read More

Ambitious & powerful historical epic done with perfection - right down to the supporting roles

Wow! Historical epic. Visually stunning. Magnificent. What starts out harmless is caught up in the merciless story. Please buckle up. "My Dearest" goes all out. Thrilling! Moving! Intoxicating.

The excursion leads into a painful chapter of Joseon's past, its historical cornerstones being emotionally successfully captured in striking scenes. Already after the third episode one may have forgotten the harmlessly rocking swings... back when everything was right with the world. On the other hand, the worst at times brings out the best in people. This may certainly be true for our protagonists, because the more hopeless the circumstances, the more persistent their personal commitment.

A dramatic story. A moving love story. An excellent historical drama. Definitely worth seeing. The time around the Qing invasion on the Joseon Peninsula will remain unforgettable for everyone... and the epic relationship of our protagonists too!
What a couple - in the course of their encounters, Namgoong Min and Ahn Eun-jin develop a strong, charismatic attraction for their ambivalent and baffling, yet complex and nuanced characters. All this is visually perfectly staged. Perfection applies overall to the dramaturgical layout of the intertwined personal and political processes. "My Dearest" offers differentiated, touching character portraits right down to the supporting roles. Powerful!

Unfortunately, after the tenth episode, we're stuck for a while before we continue with the second season... But until then, as far as I am concerned, "My Dearest" has been a complete success!






-----------------------------------------------------------------------

SIDE NOTE --- the Qing invasion 1636 ---
The historical context of “My Dearest” is quite an issue for Joseon history! For the Korean national self-image the impact of the Qing invasion of 1636 can be reckoned even more traumatic, shameful and dramatic than the unparalleled Japanese invasions of the Imjin Wars in 1592 and 1598. This is because Joseon finally had to ignominiously submit to the Qing and eventually remained their vassal state until the First Sino-Japanese War end of the 19th century. (With Imjin Wars, Joseon was actually able to repel their invaders - at that time with the help of the Ming - and thus could preserve the grandeur of sovereignty.) That second Qing invasion in 1636 went down in history as a truly disastrous defeat. Who likes to remember such a 'weak' king and such unspeakably embarrassing humiliation?

Apart from its touching epic love story, "My Dearest" thus also deals with the narrative of the people of Joseon back in the 17th century - their different positions, either pragmatic or idealistic. That time of the invasion is well documented in diaries of contemporary witnesses. Historical scholars to date, however, have discussed the Qing invasions in Joseon mostly from the perspective of the Qing against the Ming and the political power struggles concerning the Chinese empire. In “My Dearest” the Joseon perspective is given its own emotional narrative. And this is characterized by personalities, ideals, value systems, symbolic gestures, as well as those small and large deeds and sacrifices of inconspicuous people who often fall through the cracks of historiography. So "My Dearest" isn't just heartfelt entertainment. To a certain extent, the KDrama has an identity-forming, great mission and takes it very seriously and right into mass consciousness. Its intention is to be suitably great. It offers portraits of the people at that time an how they were processing historically questionable/questioned decisions, too. It brings us close to the dilemma of that time. And greatly so.

-------------------------------------------------------------------------

Read More

Nonchalant, sassy, intelligent - a solid enrichment among law&order dramas

"May it Please the Court" is one of my favorite series amid the flood of Law & Order series 2022. I appreciate its witty and grounded touch. I also appreciate the playful, sassy and natural at ease dynamic between the two leads. You get wit without silliness and on top of that an exciting story. In addition, the question (which is obviously burning at the moment in South Korea) about the solid handling of the rule of law in the face of apparently overpowering forces that control politics, the executive and the judiciary, is intelligently incorporated into the network of relationships and case processing.

The story is based on a book with real cases, written by public defender Jeong Hye-jin ("Let Me Start the Argument"). This makes the Disney production a solid enrichment for current courtroom dramas. In addition, this KDrama doesn´t try to downplay its KDrama roots in favour of international streaming market standards. The KDrama remains true to itself and doesn't rely on more violence or sex than usual It rather builds on proven emotional storytelling with an excellent cast and a loving eye for the nuances.

The intro offers an impressive, brilliantly cool stylization of the KDrama orbit, in which the one percent of society is always involved: the fircely quarreling, shaken by internal intrigues and secrets, outrageously rich family clan, in which everything is about the best law firm, the greatest impact on the prosecutor's office or the fat contract. Here you have to be clean, untouched, respectable (which you rarely are). The profession of choice is a lawyer and/or sooner or later assemblyman and ideally a presidential candidate.

So far, so good... we´ve seen it many times. Now, however, the story is driven by a new powerful perspective: the world of public defenders who handle legal cases from the world of ordinary, often destitute people at the bottom of society. Worlds clash - worlds both with people involved. The interface is incorporated by No Chak-hee, who has lived in either. As the number 1 in the law firm, in which she has just been promoted to the youngest partner, she is being transferred to the mandatory public defense. What she doesn't know: this is mere political calculation of her very esteemed superior. What she also doesn't know: the encounter with her new colleague and the world of public defense will unhinge her worldview and give her work new direction and grounding.

Suspense has the central characters fatefully under control. A series of murders occur. Crimes emerge behind old, long solved and forgotten cases. No Chak-hee realizes that even she can no longer wash her hands in innocence. Guilt. Innocence. Right. Wrong. Culprit. Victim. Justice. Injustice. The perspectives get a bit out of the sounding line.

KDrama at its finest. Good entertainment, while also being socially critical and up to date. Pithy. Nonchalant. Intelligent. Exciting. Romantic vibes included.

Read More