Lee Jung Eun will reportedly star alongside Kim Ji Won in 'Doctor X: Age of the White Mafia' - Português (Portugal)
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- Título original: 악귀
- Também conhecido como: Aggwi , Akkwi , O Diabo , Revenant: Le Démon , The Demon , The Devil , Демон , Примарний демон
- Roteirista: Kim Eun Hee
- Diretor: Lee Jung Rim, Kim Jae Hong
- Gêneros: Thriller, Mistério, Terror, Sobrenatural
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Elenco e Créditos
- Kim Tae Ri Papel Principal
- Oh Jung Se Papel Principal
- Hong Kyung Papel Principal
- Kim Won HaeSeo Mun Chun [Detective]Papel Secundário
- Park Ji YoungYoon Kyeong Moon [San Young's mother]Papel Secundário
- Yang Hye JiBaek Se Mi [San Young's friend]Papel Secundário
Resenhas
The world-building that lacks the necessary detail.
I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.
Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.
Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.
What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.
For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.
All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.
Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.
Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.
The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.
I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.
Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.
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Before getting into the review, I would first like to commend Kim Taeri's acting. She is simply phenomenal in portraying essentially 2 different characters. This is my first time watching her (have been meaning to get around to watching The handmaiden...) and I'm simply blown away. Now on to the plot, I would say it's pretty innovative of the writer to craft a horror story based on traditional Korean folklore. I'm not Korean, and I found it quite educational to learn about the different traditions and how they compare with the traditions from my culture. With that being said, I'm not quite a fan of how plot-driven this show is - it resulted in a lack of character development for everyone except the FL and ML. This series is only 12 episodes; 4 less than the usual length of a standard Kdrama but the showrunners still decided to be ambitious and squeezed in other minor sub plots in the first few episodes. Some of them ended up being rushed through and inadequately explained (the case involving parents abusing and keeping the existence of their daughter for no reason). it also resulted in the minor characters being severely under-developed. For instance, it was never explained why haesang's grandma was so obsessed with becoming rich. She was never shown using her money and spent her days reading books. And godd, don't get me started on Hongsae. He had a RBF throughout the show and an attitude worse than a teenager going through puberty. I would have rather he died instead of Munchun. Oh, and Sanyeong's mother as well. I guessed she was supposed to be portrayed as a weakling so the audience would feel more for Sanyeong's suffering but lord it was overdone. I ended up hoping she would just kick the bucket because she was not helping at all. It was never really explained why she ended up the way she is - only briefly implied that she might have been traumatised from having a miscarriage and then finding out her mother died right after. But I wished she would have been written in a more sympathetic way.
Honestly, I would have given this series a 9 if not for the ending. The acting is great all around (even for the poorly developed side characters, their actors did all they could) and the cinematography, directing and sound design were great. But the ending... to me it came on too strongly as some anti-suicide PSA peppered with cliches of how important it is to love yourself. With the context of Korea's high suicide rate, I guess this makes sense but I can't help but feel like korean audiences would see through the hypocrisy. The only reason why Sanyeong was able to "love herself" and "want to live" was because she was finally free of her capitalistic burdens. With her huge inheritance from her dead grandma and father, she was free to finally do whatever she wanted to do in life. And all of this would not have been possible without the help of the ghost, who gave her the riches through exploiting her weakness and killing those she hated. Without the ghost, she would have still been stuck doing manual labour part time jobs! In fact, she would be blind, poor, and stuck with her lousy-ass mother. Hell, without the ghost, she would not even have known of the existence of her father and grandmother, and criminals such as Haesang's grandma and the voice phishing guys would still be alive. So that whole spiel about preventing the ghost from exploiting her weakness seems through loving herself more while trying to kill the very thing that enabled you to remove the weakness from your life seems very ungrateful and hypocritical.
The other reviews for this show are quite positive and I think I'm the only who gets the "ick" from the cheery ass ending. Oh well, but its on par of the course for kdramas which usually start off strong but end poorly. I do still think this is worth a watch though, especially if you're a Kim Taeri fan.
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