Revenant (2023)

Before getting into the review, I would first like to commend Kim Taeri's acting. She is simply phenomenal in portraying essentially 2 different characters. This is my first time watching her (have been meaning to get around to watching The handmaiden...) and I'm simply blown away.

Now on to the plot, I would say it's pretty innovative of the writer to craft a horror story based on traditional Korean folklore. I'm not Korean, and I found it quite educational to learn about the different traditions and how they compare with the traditions from my culture. With that being said, I'm not quite a fan of how plot-driven this show is - it resulted in a lack of character development for everyone except the FL and ML. This series is only 12 episodes; 4 less than the usual length of a standard Kdrama but the showrunners still decided to be ambitious and squeezed in other minor sub plots in the first few episodes. Some of them ended up being rushed through and inadequately explained (the case involving parents abusing and keeping the existence of their daughter for no reason). it also resulted in the minor characters being severely under-developed. For instance, it was never explained why haesang's grandma was so obsessed with becoming rich. She was never shown using her money and spent her days reading books. And godd, don't get me started on Hongsae. He had a RBF throughout the show and an attitude worse than a teenager going through puberty. I would have rather he died instead of Munchun. Oh, and Sanyeong's mother as well. I guessed she was supposed to be portrayed as a weakling so the audience would feel more for Sanyeong's suffering but lord it was overdone. I ended up hoping she would just kick the bucket because she was not helping at all. It was never really explained why she ended up the way she is - only briefly implied that she might have been traumatised from having a miscarriage and then finding out her mother died right after. But I wished she would have been written in a more sympathetic way.

Honestly, I would have given this series a 9 if not for the ending. The acting is great all around (even for the poorly developed side characters, their actors did all they could) and the cinematography, directing and sound design were great. But the ending... to me it came on too strongly as some anti-suicide PSA peppered with cliches of how important it is to love yourself. With the context of Korea's high suicide rate, I guess this makes sense but I can't help but feel like korean audiences would see through the hypocrisy. The only reason why Sanyeong was able to "love herself" and "want to live" was because she was finally free of her capitalistic burdens. With her huge inheritance from her dead grandma and father, she was free to finally do whatever she wanted to do in life. And all of this would not have been possible without the help of the ghost, who gave her the riches through exploiting her weakness and killing those she hated. Without the ghost, she would have still been stuck doing manual labour part time jobs! In fact, she would be blind, poor, and stuck with her lousy-ass mother. Hell, without the ghost, she would not even have known of the existence of her father and grandmother, and criminals such as Haesang's grandma and the voice phishing guys would still be alive. So that whole spiel about preventing the ghost from exploiting her weakness seems through loving herself more while trying to kill the very thing that enabled you to remove the weakness from your life seems very ungrateful and hypocritical.

The other reviews for this show are quite positive and I think I'm the only who gets the "ick" from the cheery ass ending. Oh well, but its on par of the course for kdramas which usually start off strong but end poorly. I do still think this is worth a watch though, especially if you're a Kim Taeri fan.

Read More

Jealousy and greed attract very unwanted attention.

I thoroughly enjoyed this twisty-turny story, with not a few butt clenching moments ;D
Oh Jung-se really suited the role of Yeom Hae-sang and the more I see of him in such diverse roles, the more I love him (his autistic character in It's OK to Not Be OK is still a favourite).
Kim Tae-ri is always good and I loved Hong-kyung as the young Detective.
The entire cast were actually very good and there are several well known supporting actors I always enjoy watching, which helps!
The characters' journeys to discovering the mysteries surrounding an academic's investigation into crimes with a supernatural base and spanning many decades, are gripping.
There are shocks, tragedies and a very dark and brutal catalyst to everything that happens subsequent.
There are, unfortunately, also the usual issues of characters not listening, acting alone, making decisions for others and just not communicating in instances when 99.999999% recurring, of people would.
It's a drama and the story needs that to move forward I suppose, but the writer could have thought of more engaging alternatives in those instances.
I also found Kim Tae-ri's character's attitude towards Oh Jung-se's, later in the drama, to be utterly ridiculous, given everything they'd gone through upto that point and given her own predicament.
I wasn't scared by this drama (although it takes a lot to frighten me), but, as said, it did have its moments.
Cases of people that are already wicked or bad in some way, attracting angry/hungry spirits to them, seems to be becoming a trope (that's not a complaint).
There are instances of child abuse, however, so anyone for whom that's a trigger, needs to be forewarned.
I probably wouldn't watch it again, but am by no means sorry I picked it.
It is worth watching.

Read More