Twinkling Watermelon

A drama I didn't know I needed

I don't watch shows until they are completely available to watch. I've been burned too many times by sad/terrible/rushed endings. I skulked around daily under the comments for this show, reading everyone wax eloquent about how wonderful it was. That's normally the kiss of death for me. If everyone thinks it's the best thing in the world, I'm usually meh about it. Then, add to that my aversion to time travel movies (they always raise more questions than answers for me) and that this sounded exactly like Back to the Future, I wasn't holding out much hope. My hand is raised here, I admit it, I was wrong.

I won't reiterate the storyline, but I will say this didn't reach out to me as a romance so much as a family/friend-fest. I didn't even feel that the focus was so much on the school aspect of it, but the kids themselves, which I loved. This show had so much heart. I laughed a lot, I cried quite a bit, and I vacillated back and forth between "hurry up and show me what's going to happen next" and "slow down, because I really want to savor this." The story was great, but the characters themselves, and the actors portraying them, were what kept me coming back for more. I really liked the direction they took with two people going to the past, one to save a life and one to end a life.

Ryeoun as Ha Eun Gyeol. This was a teenager that was old for his years, by necessity, as he was the mouthpiece for the whole family. That's a lot of responsibility to have from a very young age. Ryeoun was excellent, and I felt his wonder at meeting his younger father and finding him completely different than he imagined. Most of the scenes that made me cry involved Eun Gyeol. He was trying so hard to make things right, time after time. I could feel his desperation, as well as his sense of being unsuccessful. This story arc spoke a lot to destiny - are certain things that happen in our lives fixed? If you change something in one direction, does the river of destiny re-route itself to make it happen anyway?

Choi Hyun Wook as Ha Yi Chan had the gangly puppy/bouncy behavior going for him, moving from one thing to another quickly. If you are going, you run, if you are talking, you yell, if you don't know how to react to someone, you put them in a headlock. He was very immature, which was a perfect foil for Eun Gyeol, who had to switch places and become the father in the past. I did struggle with the length of time that he liked Sy Keong, so when he switched to Cheon Ah, it was kind of sudden and didn't necessarily flow well.

Seol In Ah as Choi Sy Kyeong/On Eun Yu. I had difficulty with this character. First, her voice is so distinctive, I kept flashing A Business Proposal when she talked. Other than that, my difficulties were more character related. Eun Yu was a totally repressed young woman, being driven by her mother's wishes. I don't feel that she would have been able to have the personality change that she did in the past. And, to me, there was something not always very nice about her, like she thought she was better than everyone else. And we didn't get to see any difficulties with her adapting to the past.

Shin Eun Soo as Yoon Cheon Ah. She was the standout for me. Eyes wide with sadness, living in silence, being betrayed by those that were supposed to take care of her, the character of Cheon Ah had a strength about her. I was so glad they didn't make her a doormat. It is really hard to act without using your voice, and Eun Soo was wonderful.

Go Doo Shim as Lee Chan's grandmother - she was terrific. She surrounded herself with students, cared for everyone and kept everyone fed. I love how she didn't baby Lee Chan, but was raising him to be a responsible adult, supporting him in every way she could.

The band mates were fun to watch, full of pen-up energy, running here and there. It was like they were all amped on caffeine, then I remember that's what it was like as a teenager. The Master was mysterious and brought levity to a lot of the scenes. I loved when he'd throw random English words in. Cheong Ah's step-mother - don't even get me started.

The soundtrack was very good and, of course, went along with the theme of the show.

BONUS - the lengthy BTS reference was a hoot!

Small nit-picky things:
I would have liked to have seen Yi Chan and Cheon Ah together for a longer period of time in the past, and watch their relationship develop.
So much bullying by so many people. And what about Yeom Byung Ho and his mother? They made a big deal about them and then they disappeared.
All the past band members, in 2023, thought Eun Gyeol "looked familiar". Did everyone get amnesia or something?
It was very vague as to whether his father remember him from the past as well.

Bottom line? Watch it!

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A High Quality Drama But The Emotional Weight Is Not As Consistently Strong As You Would Hope.

I’ll start by saying I put off watching this one. I purposely did not watch it while it was airing. There are certain dramas that I know I won’t get the most out of them if I don’t watch them at a time I am most receptive to them.

Disclaimer * I don’t think this was the most receptive time either, even though I enjoyed watching it. I plan to watch it again in the future to see if I can get more out of it.

That said, for now I think it is a 9/10 drama and not a 9.5 or a 10/10 drama. The positives for me are what makes it a 9/10 and not the usual 8.5/10 that I give to solid k-dramas is that it is a heartfelt story, the plot is pretty solid and the acting is pretty good. The reason I won’t elaborate on the positives is because I’ll be honest; apart from recognising it as a solid production, this story did not get me as deep as it ought to have. I’ll go into why I think this was.

Starting from episode 2, although I was aware that time travelling was involved, the abrupt introduction of the time traveling element at the end of ep 2 felt like a sharp turn transition wise. It was not smooth at all. It was like being in a race car and suddenly making an extreme turn with little to no preparation, except this was done with the theme. Usually in dramas that include fantasy, they sprinkle a little bit of the fantasy elements in the lead up to the full blown reveal of the fantastical part of the drama. With this one, it was almost two full hours of a slice of life family drama that seemed rudely interrupted by the fantasy element suddenly being dropped in. And this was my reaction as someone who WAS waiting and expecting the fantasy element.

Another thing was, I couldn’t help but feel like this drama was an amalgamation of several movies, music and popular culture storylines and references, all pieced together. It made a huge chunk of the drama feel like a knock-off, ensuring that I could never really get into it as all I could think was, “they’re copying so and so”. I don’t mind things serving as an inspiration for others but you really have to make it your own and create something new with it, but with this drama, a lot of the concepts and scenes seemed borrowed. Whenever I was drawn into the drama, I’d notice that a scene or concept resembled something else and it would immediately take me out of the scene.

I have a minor point to make about the way the scenes were cut/edited together. It didn’t affect the majority of the drama much, as it fit that youth-indie style type of visual aesthetic but when it came to the emotional scenes, it felt somewhat choppy aka not-so-smooth transitions. It meant that the emotions didn’t hit fully 100% because the viewers weren’t able to sit with those scenes and absorb the depths of emotions before it suddenly changed to another scene. Typically for emotional scenes to work best, there needs to be a build up of emotional tension that is finally released and the cameras should not cut away in the middle of that emotion being expressed. For example, the cameras should not cut away in the middle of someone’s heartbreaking crying scene as it’s like cutting off the climax of emotion right at the top, which results in an immediate plateauing of the emotional weight built up when our focus is shifted to another scene. Instead it should be like a hill with a slow rise to the climatic top and a smooth decent to the other side of that intense emotion. This must be done in order to properly build and sustain the emotional weight of what the characters are experiencing and their plight, to help forge the bond between the viewer and the character and to allow the viewer to really connect to what the character is feeling.

This fourth reason was the most jarring for me. I have to preface this by saying I’m not trying to assume what’s best for the hearing impaired community, I’m coming at this solely from the perspective of someone who knows what storytelling mechanisms resonate with an audience. That being said, the thing about this drama that made it the hardest for me to get into it was the fact that they dubbed the deaf characters. I can understand from a practical pov why this was done but surely someone in the creative chair should have known how much of the connection and the power of the performances of the actors playing the deaf characters would have been lost by doing this. If you don’t understand what I mean, go watch CODA and tell me that by having the focus of communication solely on the deaf characters’ facial expressions, the movements of their hands and only the silence to convey their ‘lines’; you didn’t feel everything they signed just a little more deeply. That you didn’t feel the frantic and the hard hitting angry signing or the soft signing in tender moments that much more. That you couldn’t feel the frustration of the characters through their hands more than with a dubbed voice overlayed on top to explain what they are saying. I’m sure it was useful for Korean viewers to not have to read subtitles but I’d argue they lost some of the power of the performance by doing this. Of course, I’m not saying you shouldn’t have dubbing. I understand that having dubbed dramas makes it more accessible for different types of audiences such as vision impaired viewers. I’m not saying dubbing should not be available. Just like I’m not saying subtitles should not be available. I know these are both very useful features for making dramas more accessible to others. What I’m saying is that these should have been optional and the drama should have been released un-dubbed with the option to select dubbing as needed, as you do with subtitles.

If at the end of this you are wondering why I rated it so highly if I had so many critiques. It’s because of three things. One, this drama had excellent characterisation. Like truly excellent (especially the father and son). Two, I did enjoy watching it. It won’t make it on my favourites list but I really did enjoy it. And three, I like to give dramas and movies their dues. Even if I don’t fall in love with a drama, I still rate them objectively by what they have to offer and what they do well. This drama was a solid, above average and at times, truly above average, drama.

If you ask me what could have made it a 10/10, I’d say, not rushing past the emotional scenes too quickly, not dubbing the deaf characters and finally; trusting the foundation of the story more - which was a story about a boy’s love for his father and vice versa, while grappling with the difficulties of being a CODA. If they did this without trying to borrow from other films, dramas, music or American popular culture; it could have been a 10/10 drama that stayed with me.

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Quite a refreshing plot

I did not expect to enjoy this drama as much as I did. The title sounded comedic, while the entire cast looked very young, but it was not really a comedy.

It was a drama on love – family love, relationships between family members and just a small portion on the usual love between man and woman. It was a rather refreshing plot to me. Simply put, it was mainly about a boy who travelled back in time to when his parents were at his age. He was able to see for himself the things that happened to them and what led them to become the persons they were. Seizing the opportunities to control his family's future, he tried to prevent all the bad happenings and hoped to eventually change his parents' destinies.

As in all Korean dramas, the pace was on the fast side. Things happened quickly, so there was never a boring moment. The first half was a little slow, but come the second half, you will want to keep watching till the end.

There were loopholes here and there, but I was still able to overlook them for the story and the acting. *Like in most Korean dramas, the leads were always able to run to one another’s houses in minutes, as though they were all living on the same street lol, not a major loophole, but still not very realistic after a while.

I give kudos to the main cast for their acting. The four main leads were young, in their twenties, in fact two of them were only 21 years old. However, their acting was convincing enough. I would not say impressive but it was sufficient for the roles in this drama.

The OSTs were melodious. The fast ones were catchy and full of life while the slow sad ones were touching and good enough to bring tears to my eyes.

All in all, it was one of those dramas I would not re-watch, not because it was bad but because I already know the story, the meaning of their actions and the ending, so I do not see the point of re-watching, but I think it was one of those dramas that was worth at least watching once.

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Viva La Vida! ✨

This was my first time travel drama, and it surely did not disappoint!

I thought it would be a simple story of a boy travelling back to the past to meet his parents with a bunch of crackhead moments, but this was a tearjerker. :')

Things I loved:
- I SOOOO LOVEEE both the female leads. Both have such strong characters !!!
- The chaotic relationship between Eun Gyeol and his father!
- The family dynamic between the bandmates!
The friendship that was made even if it started out as a chaos between them
- Episode 15!
- The OSTs! Chef's kiss! Shining was so good!
- RYEOUN! He got my heart tbh.

Even though he wasn't able to change the fact that his father lost his hearing, he absolutely changed how he viewed life from then on and got him to enjoy what he actually loved. He also helped his mother which was my favorite scene, by the way.

Everything about this drama was seriously worth the hype despite its minimal flaws.

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Kindred To A Time Called Us!

January 2024
07th/8th

I liked ALMOST everything about this drama except:

a: The casting of one of the main female leads despite the fact she has always been amazing in other drama series. Had always hoped to see her in a main role - just not as a high school student.

b: The music on the most part is okay - maybe just a few songs were better than okay. Really loved the bass and guitar battle! I was really hoping for music that stays with you for a long time after - nope!

c: Didn't appreciate Eric Clapton's "Tears In Heaven" song referred to as a "chick magnet" - like it is a "romantic love song" or something.

It could be that the translation was incorrect and hoping that is the case.

It isn't a love song in the sense that someone's heart is broken by someone else (romance) - it is a song about the loss of someone deeply loved (Clapton's son) and them being in heaven.

d: The son in 1995 (from 2023) should have spent more time with his mother rather than the girl from 2023 - there were times she really could have done with his intervention and he just wasn't there.

Even his "dad" more so than the 2023 teen female, but I do get that they were both there for a reason.

What I did LIKE:

a: Seeing what would happen and develop between the "mother and father " in 1995 more so than the 2023 teens.

b: The bromance and friendships.

c: The story with it being similar to "A Time Called Us" with the time travel and trying to change the past to save someone in the future or future for the better only "Twinkling Watermelon" wasn't as dark.

Highly recommended! A+

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If Back to the Future Was Made in Korea...

I know Twinkling Watermelon is a highly rated K-drama. It's even branded as one of the best K-dramas ever made. But frankly, I think it's just above-average good. Probably one of the better ones out there but definitely not flawless or even close to being up there with the best, imho. It's still pretty good and worth the watch, though.

First off, this is a Koreanized version of Back to the Future. Yes, yes, they are not completely the same. I'm not saying it's a Korean remake of this Hollywood classic nor do I think it's a copycat. But they did take the plot of the first Back to the Future film, tweaked it, mixed in some undeniable Korean flavors (gochujang and sesame oil and everything), and then added a social commentary about physical disabilities to make a family oriented drama that's moving and heartwarming with memorable characters and wonderful life lessons. Yes, I did like this drama to an extent. But it was more because of the characters. Despite its flaws, it was an entertaining watch.

Let's talk about the things I disliked first. If you've seen the Back to the Future films, you'd recognize the similarities, from the time travel aspect (the main character meeting his parents and getting them to date because he messed things up) to literally changing their lives for the better. There's also a Doc Brown character who takes him back to the past and becomes his mentor. Plus, he happens to be a talented guitarist like Marty McFly and also plays rock 'n roll music that sounds either like the 1950's-60's classic rock featured in BTTF or modern-day K-pop, which sucks because this was set in 1995 when alternative music ruled the airwaves. Sure, they did mention Kurt Cobain, made references to Nirvana, and showed posters of Bon Jovi and album covers of Radiohead's Pablo Honey. But they're no more than just cosmetic add-ons to remind people that the drama is set in the 90's. It doesn't really feel authentic, though. Apart from the pagers, cassette tapes, and vintage computers, it felt like any other K-drama set in the present. I thought maybe they just wrote a script and had to pick a timeline based on the ages of the main characters and their parents when they were teens. Nothing about the plot screamed original to me and I felt that little to no research was done about that era because none of the music they chose for this drama fit the setting. Not to mention they kept talking about Kurt Cobain as if he was still alive. He committed suicide in 1994 due to depression, and he was even rumored to have been murdered by his own wife. So for them to say that they want to be like Kurt who can get all the pretty girls was downright insensitive and ignorant. Also, by 1995, the bands that were making waves worldwide were Smashing Pumpkins and Pearl Jam. Kurt's death ended the grunge era and made way to alternative and post-grunge music. I know because I lived through this era. I'm the same age as the parents in this drama and I was a huge rock fan back in the day. So the musical aspect and overall atmosphere really disappointed me because the setting just felt like a studio instead of an actual place, and the vibe just didn't feel like the 90's at all. I also wished they had made Eun Gyeol more skilled at playing the guitar because for a supposed musical genius, his skills weren't very extraordinary. For someone who started playing the guitar at a young age and continued to improve over the years, he should've sounded way better.

Another thing I disliked is the way they handled the time travel. In theory, you can't alter your past by traveling through time and go back to a changed present, rather you'll end up creating an alternate timeline or a different dimension. But since they borrowed the concept from BTTF, the main character ends up changing the past and creating a new future for himself and his loved ones. I don't mind this as much. But they should've corrected what BTTF got wrong, which is making the parents remember Eun Gyeol and putting two and two together. After all, they spent a good amount of time with him, even had pictures of him lying around. They should've seen the resemblance between their son and the guy they used to know, and how they're so alike in personality. That's the part where I had to try hard to suspend my disbelief. Unlike Marty who only spent a few days with his parents, Eun Gyeol actually lived with them, bonded with them, and played a huge part in their lives. He formed a band with his own dad and his friends, and became his mom's savior. How could they have forgotten him? None of them even looked for him when he left? Not even one mention of the Eun Gyeol they knew as teens.

I also think the drama could've been shorter. There were far too many unnecessary scenes and music video-ish montages that are very typical of K-dramas. This is the biggest downside of implementing hour-long 16-episode dramas instead of just choosing the optimum length for a drama depending on the story content. I'm glad that other dramas are dropping this format and going for shorter episodes and run time, it makes the drama more compact and the pacing faster.

But those are the only ones I have complaints about, the rest I actually really enjoyed. The cast, for the most part, are excellent. They played their roles to a tee. Although I thought Choi Hyun Wook as Yi Chan was a bit too extra. I mean, I think he acted great in this but did he have to shout all the time? It was driving me nuts! lol My favorite was the ex-gang member bass player, though. I actually loved the side characters, they were so much fun! And the kid who played young Eun Gyeol really stood out to me. When he cried, I cried. Really good child actor! I hope to see him in future projects.

Even though the story closely resembles that of BTTF, I like that they put their own spin on it and made it obviously Korean. I also appreciate the fact that they pushed the social commentary about prejudism against people with disabilities. I don't think any K-drama has tackled that issue before, so I'm glad they made it an integral part of the plot. We need more social awareness for these kinds of topics. I wasn't too fond of the romance but that's just me. Romance is just not my thing. But I did find myself wanting to watch one episode after another. If I wasn't so busy with work that I only had time to watch a couple of episodes before bed time, I would've binged the whole thing. All in all, this was an enjoyable drama that left me feeling great after completing it. It's a great feel-good family oriented drama that can bring you to tears, but also make you laugh and take you back to a more carefree time.

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I wish everyone’s youth twinkles and shines!!

I loved everything about this drama be it cast, acting, storyline and music. The idea that we all want our youth to shine and be full if great memories is what made this drama very endearing. I then thought that my parents were also a kid once, who had their own dreams and desires, who wanted to enjoy their youth and fall in love with life. But the responsibility of growing up made most of their dreams to be locked up in their heart. Yi chan and Cheong ah had to sacrifice a-lot to keep their children safe and happy. On the other hand, both Eungyeol and Eun Ho were understanding and kind hearted children. I really loved how they portrayed all characters as positive even though life gave them so many tough events.

Cast and acting: Hyun Wook is an exceptional actor. You can feel every emotion that he is trying to convey like sadness, happiness, love, denial and acceptance. All the other cast were also exceptional in delivering their dialogues and emotions. Moreover, the chemistry between each cast is so good. It made me attached to watermelon sugar. Also loved the relationship between 1995 Yi chan and Eun gyeol.

Story: Although time travel plot is nothing new in kdrama world, I would say the story is definitely unique. I had gotten some spoilers from SNS, so some plot twists were not jawdropping for me, but for those who haven’t seen any spoilers, I’m sure you will be shocked. I really liked the whole setting of the drama which was in 1995. To be able to see your parents youth where something major in their life happens would be so cool. I cried ugly tears while watching the last episode because I got really attached to every characters. To see how all the band mates were still together in 2023 and how it transitioned to their youth days made me weep so hard. I also thought about how my youth will go someday and all I’ll have is memories of it to reminisce.
I wouldn’t say that romance is the main theme of this drama, since it mainly revolves around Eun gyeol trying to fix his parents destiny, but nonetheless the love story of both leads is really adorable. I wish we got to see more in depth about Eun gyeol and Se gyeong’s relationship in 2023 and how things patched up between Yichan and Cheong ah after the accident.

So to all those who are debating whether to watch this drama or not, I strongly recommend you to give this drama a try. I love that this drama has all the elements like romance, slice of life, comedy, family love, friendship and brotherhood. You will really love this drama.

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You will binge watch it in a day #Guaranteed

It's one of those shows you cannot put down and it satisfies you completely by the end too.

I would definitely be putting this in my top 5 list among my fav including cloy,hometown cha cha cha, 18 again etc.
Now the show is such a great and i mean by far the best genre blend without a single loophole or inconsistency in story.
Everything just finds balance from mystery to comedy , everything is consistent and the direction is next level.
Not your typical rom com kdrama but something uniquely intresting.

The show has not completely ignored logic if you are concerned since it involves time travel but the places where logic is near 0 or very low the show carries that part so beautifully (you just don't care) and anyone would be 100% stupid if they don't like this show for this reason. It is not meant for that, it is not a serious thriller based mystery with sci fi logic.

Ignore the music rating if your into that, i personally am not a huge music guy and it mostly runs on the bg of my brain but they werent bad i would say that.

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I was expecting a different ending-SPOILERS****

****SPOILERS AHEAD***


Since the whole show deals with the value of family and understanding that your parents were also young once, I really didnt expect the ending to be so based on career "success". The main character ends up being famous but he doesnt even know how he got there, hasnt even lived through it, Also, his parents would be completely different people since their lives have been different so i wonder, wouldnt that be disappointing for the main character? how is that a happy ending? I wish they had focused more on whats important: love, family and not on materialistic stuff

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Viva La Vida!

Likes
1. One of the most satisfying ending i've watched in recent years. I was crying and smiling in the last two episodes.
2. The strongest part of the drama is the close relationship between the father Yi Chan and son Eun Gyeol in whatever timeline they were in. Pre time slip, during time slip and post time slip.
3. High school love story of Han Yi Chan and Yoon Chung Ah was so cute.
4. The Watermelon Sugar band and the band mates. Plus the cameos as adult versions. And their songs.
5. Eun Gyeol and Chung Ah didnt have a lot of scenes because Eu Gyeol was always with Yichan or Eunyu but he did best thing to his mom, which is to get rid of the evil stepmom and let her be free to live her life.

Dislikes
1. I didnt like Seol Inah's character. I dont know if it was the actress or the character itself. But she kinda grew on me in the end. Im curious to find out what happened when she wentback to the present. Is her family still together? Did Segyeong become happier?
2. I think we needed an extended 15-20 mins to see what other changes happened to the present or maybe i just couldnt believe it was all over.

Rating: 9/10

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