Regeneration

An In-Depth Character Study

Please don't read this review unless you've finished the series! The show is so much better going in blind!

This series is a very unique take on a character study. The main genres are thriller and mystery and they take you on a wild ride as you try to understand who Fei Ke really was. What were his goals, motives, and what made him into the person that he was? That question is never answered, because he himself never got to find out.

The series plays as each character takes a turn describing their own story with Fei Ke. Each person describes a different personality, a different type of manipulation, and a indescribable pull towards him.

But this is not a story of a man, evil, intent on on gaining money or power. He is not some master manipulator. Though, his intentions can be subjective, I think it's clear that he didn't set out to scam people. When opportunities arose, when he was betrayed, when the victim created and walked into their own trap, he pushed forward. He was oddly sincere and kind, searching for genuine connection and treating others as meaningful to him, but also preparing for the worst. As soon as they betrayed him, he did so back double fold. The story is more so about a man who continues to make the wrong choice, meet the wrong people, and push away the only person that stayed on his side, honest and good Shen.

The one and only chance he had at escaping his dark childhood, becoming the person he was meant to be, when he was given the choice, he chose revenge. From the moment he chose revenge, he set his life on a course of lies that led him to twisted people, further twisting himself until he became a "fake" version of himself. Rather than actualize the person he was going to become, bright and clever and kind, he chose to hurt those that had hurt him. This moment destroys him and that is where the story truly began and where Li Zenrui's ended.

The ending was truly heartbreaking and brought my score up from an 8 to a 9.5.
It ends with each person returning to their happiest self or their truest forms of themselves. For Fei Ke, only after his death did he regain his name. Only in his last moments, did he do something that was true of himself, returning to his innocent self still full of hopes and dreams. Only once before his death, did he get to hear someone call him by his real name, only once...only once.

Only one person remembered who he once was, Shen was his only lifeline. And in his final moments, he chose to save that lifeline, the last remaining piece of his hope.

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A little gem

I started this drama expecting a fast thriller with plenty of action. What I found instead was something even better: a mystery that also works as a sharp character study, one that left me thinking after almost every episode.

The production is strong, with beautiful dark visuals and actors who are allowed to look like real human beings with skin texture, free from the usual smoothing filters.

What makes Regeneration stand out is its ensemble of morally grey characters. No one in this story is completely innocent or straightforward, and the same person can look entirely different depending on how you interpret the events. There’s no romance here, or at least nothing swoony or sentimental. But the characters aren’t desexualized either, they feel like adults with real lives behind them.

After a very effective twist, the story slows down a little, and the final episode may leave a slightly odd aftertaste. Still, this show does more in 10 episodes than most dramas manage in 40.

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Unique show that leaves a lasting impression

Regeneration is a complex, multi dimensional show with no hero or villain. It may sound unrealistic but the main hero is somewhat of an anti-hero playing with everyone while the victims are somewhat the villain but with reasons. It is understandable and reasonable for every character to act in the way they do and that is what makes a show relatable yet remaining a fantasy and a mystery.

The show changes genre quite a lot but mystery remains the core of it all. While the main character is established as dead and shrouded in mystery it is quite clear after a while that most if not everyone had knowledge of what they were doing and it is them that failed to make use of the main character where they got outsmarted while trying to play him. The show is smart, logical while not being overbearing to the audience.

The actions of the main hero is somewhat psychopathic and I would have loved the guy to have thought about his future more than trying to hurt others. I just didn't find the reason for most actions as there was no reason for him to hurt himself in trying to cheat for his brother. As he was going to cheat for his brother and he intentionally made him fail he could have just not given the exam. It felt quite dumb on his part while being a top student. Again he got out of jail and had plenty of opportunity to make use of his brain to do something with his life but he decided to go to university anyway and act like a student and got caught being involved way too much. It was not that obvious what his end goal was. As people go to university to learn and to get a degree, however, he was not learning much apart from business ideas from the finance club and he was surely not gonna get a degree.

Another gripe is his psychopathic girl friend. That girl seemed odd from the start and as time went by it was quite clear she was not in her right mind and he dumped her or she dumped him. But whatever it was it did not seem relevant to the story of why she was called into question and asked to come in his funeral.

Everyone tried to use him and failed while he used everyone and failed to make use of anything. I wish the show had a proper reason to why anything happened. It seemed it was a true story and I would not have minded if the director took some liberty in changing things to make some things more interesting.

Real life crime stories are interesting, however, it is not often satisfying. The same goes for here. Every story ends on a cliffhanger where we know what happened and why it happened but we desperately want to know more and want the hero to say why he did what he did and if he had any reasonable explanation to what he did. It is generally better to give some plot armor to the main character and give him a reasonable love interest that we all can relate to. I understand a true story has its limits and what we got is not something I would say is unfinished just it is unfulfilling to some degree.

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Frustrante

Vou explicar por que esse drama me deixou tão frustrada.

A história gira em torno de um grupo de pessoas que não têm nada em comum além de terem sido enganadas pelo mesmo estelionatário, o protagonista. O começo é bobo, a forma como juntam essas pessoas tão diferentes é clichê, pouco crível e, sinceramente, meio preguiçosa. Só que, ao mesmo tempo, você sente que há algo oculto, que não pode ser tão raso assim.

A trama então começa a alternar entre presente e passado. No presente, cada personagem conta como foi enganado, e aí mergulhamos no passado e as cenas são espetaculares, sem exagero. O protagonista é carismático, sedutor, extremamente inteligente, manipula sem remorso, com uma confiança quase hipnótica. O ator é fenomenal e a cada cena você quer mais e mais. Como ele fez isso? Por quê? O que o motiva? Ele é interessante demais para não ser assistido.

O problema começa quando voltamos ao presente. O ritmo quebra de forma insuportável. Eu simplesmente não consegui maratonar por mais que tentasse. O presente é chato, arrastado, e os personagens não inspiram empatia. Tudo o que queremos é saber como foram enganados e o roteiro claramente quer que gostemos do protagonista, não das vítimas.

Até aí tudo bem.

Mas então vem a reta final e tudo desmorona com muita força e de forma abrupta. Surge a revelação de que nem tudo é o que parece. Essa é uma arma muito poderosa para thrillers quando bem usada. O problema é que aqui os roteiristas não souberam o que fazer com ela. Em vez de construir pistas sutis ao longo da narrativa, de modo que a descoberta complementasse a história e preenchesse lacunas, eles simplesmente mentiram.

Metade do drama nos faz apaixonar por um personagem que no fim praticamente não existiu, pelo menos não da forma como foi mostrado. Ou seja, tudo aquilo que vimos e admiramos, todo o impacto das cenas do passado, simplesmente não valeu de nada. É uma quebra imensa de roteiro, um balde de água fria que destrói justamente a parte mais interessante da história.

Descobri que havia quatro roteiristas envolvidos no projeto, e chega a ser perceptível qual parte cada um assumiu. Um escreveu o passado (perfeito), outro cuidou do presente (arrastado), outro inventou esse plot twist mal aproveitado, e outro ficou responsável pela pior personagem do drama: a jornalista. Ela não tem personalidade, não existe para a trama, só para explicar tudo para o telespectador. Sinto como se ela estivesse lá apenas para mastigar a história e cuspir na boca do telespectador para ficar mais fácil de engolir. Cada diálogo dela é expositivo, artificial, mastigando as mensagens que o diretor quer passar, inclusive a lição de moral final e aquela redenção apressada e forçada do protagonista.

Quando um diretor faz isso, sinto como se ele estivesse chamando o público dele de burro, e foi exatamente essa a sensação que tive. E eu de verdade me senti ofendida.

É uma história com potencial, um protagonista fascinante e um elenco muito bom, principalmente o ator principal que é gigantesco, mas o presente é mal desenvolvido, a narrativa se perde e a reviravolta destrói a própria trama. Os dois últimos episódios ainda conseguem brilhar um pouco ao retomar o passado e mostrar a adolescência e o início da fase adulta do protagonista, mas já é tarde demais, o estrago já tinha sido feito.

No fim, não dá pra dizer que é um drama inteiramente ruim. As cenas do passado são um primor, a cinematografia impressiona e o protagonista é irresistível (muito irresistível). Mas também não dá pra dizer que é bom. As quebras de ritmo, os diálogos expositivos, o presente arrastado, a reviravolta mal construída e o final clichê tornaram a experiência frustrante. A sensação que fica é de ter investido tempo em algo que no fim não aconteceu.

É uma pena. Esse drama poderia ter sido incrível, mas escolheu se sabotar. Saí da experiência me sentindo meio idiota, meio roubada.

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不斷翻轉真實，多面費可，多種fake

本以為類似劇本殺、推理劇，還原事實的真相——騙錢害人的費可是什麼樣的人，然而看到結局才知道原來沒有客觀的真相，看似最完善的視角（何姍），卻也是文過飾非的版本。

以導演拍攝來說，整部劇稍嫌虎頭蛇尾，結尾要揭露的是「何姍也僅僅是一面之詞」，卻僅有他在書寫費可故事的畫面，沒有費可本人打臉或者何姍版本與事實不符合等與何姍版本敘事的對立物，使得觀眾很難悟出何姍的狡獪，只能相信他真的是為了公平正義，舉報和揭穿了費可，並且為費可還原真相。

在倒數三集中，還原費可的人物本色。費可（李澤瑞）的家境其實並沒有那麼糟，據演員井柏然所說，若是費可沒有替考的話，他的人生可能不會走到這步境地。也是因為替考被檢舉，他為了圓夢，又與家庭決裂，冒充成江大學學生上學，復又受揭穿，父親身亡，流氓纏身等等。在這樣的背景下，他走上了絕世騙子的路線，動機為何，或可擱置，又或者劇裡是故意把這裡挖空的（其實還是給了個不像樣的答案）。

這種做法很像海明威的極短篇小說，把動機、因果關係抽離，只有人物、畫面、對話，需要讀者自行拼湊出來。放在影視裡面，是頗燒腦。看到中國網友留言說：「中國人一生都在作情意理解題」，蠻好笑的。

另外也有將費可孤零的身世與井寶（他一直給我的印象就是很會演戲，這部的演繹我也很喜歡，基本上他要演兩個不同性格的人）比附的，然而他們不同的際遇和條件走上人生完全不同的道路，一個成為騙子，另一個成為演員（而且他出道以來幾乎每年都有戲耶）。人在絕境中，是否真的那麼無路可走？但誰都有誰的辛苦，誰也不能輕易評斷另一個人。

是說，意外看見《風犬少年的天空》裡的大力嬌（周依然），滿驚嚇的，形象差異很大，演員真的挺百變的。

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