Aizawa Naoya is happily married to his colleague Kana but faces temptation to cheat on his wife when a new employee Tachibana Noa joins his branch and seduces him repeatedly with all sorts of antics. (Source: doramaworld Twitter) ~~ Adapted from the manga series "Anata wa Watashi ni Otosaretai" (あなたは私におとされたい) written by Miyaguchi Jun (宮口ジュン) and illustrated by Umesuzu (梅涼). Edit Translation
- English
- Français
- magyar / magyar nyelv
- עברית / עִבְרִית
- Native Title: あなたは私におとされたい
- Also Known As: Anata wa Watashi ni Otosaretai , You Want to Be Fall in Love Me
- Director: Kato Ayaka
- Screenwriter: Suzuki Ayako
- Genres: Thriller, Drama
Cast & Credits
- Tsurushima NoaTachibana NoaMain Role
- Murai RyotaAizawa NaoyaMain Role
- Ugaki MisatoAizawa KanaSupport Role
- Naito ShuichiroHirano KyosukeSupport Role
- Sato YusukeMinaki AoiSupport Role
- Marsh AyaOmura YurikaSupport Role
Reviews
This review may contain spoilers
I for one just really hate stories about infidelity. Yes I have watched numerous, it can’t be helped because I’d have few choices as infidelity is a favorite component of storytelling for some reason. As long as there’s a good redemption arc, I’m happy. So this story here, the key takeaway is how not to lose yourself in your marriage. That is my only advice after watching this. A Healthy marriage is never losing sight of what hooked you to each other. The foundation is set, added various discoveries, sharing everything, lows and highs, should be the continuing roots that binds a solid relationship.At least this is short and the main couple were able to sustain their relationship.
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This review may contain spoilers
Falling in Love, Falling Apart
I really liked this. It portrays reality well—how a relationship can fade over time. The story captures the growing distance between them, along with her struggles at work, in a subtle and believable way. That one confrontation between them is particularly well written, with sharp dialogue, strong performances, and a palpable sense of tension.The female lead comes across as almost sociopathic—not in a purely villainous sense, but in her detached curiosity about human nature, which makes her fascinating to watch. The second male lead is genuinely endearing, and the drama weaves in understated societal themes, as you’d expect from a J-drama.
In the end, the characters reflect on their mistakes, revisit how they met, and remember why they fell in love in the first place. The climax, underscored by classical music, is especially striking. The final scene then settles into a quieter note, as they exchange a simple “good morning” and look at each other with a mixture of regret and affection. It all comes together for a deeply satisfying conclusion.
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