Castaway Diva

A balanced mix of pleasant feel-good with sad life challenges and social grievances

"Castaway Diva" tells the story of a musically talented young girl with a very deep passion for a particular South Korean singer and her nationally acclaimed songs. “Castaway Diva” also tells the story of a lifelong childhood friendship.

The plot summary implies a survival challenge with the promising scenario 'lonely girl for 15 years on a desert island'. Survival challenge may be the topic, but as far as the protagonist´s years alone on the island is concerned, the KDrama spends only a comparably short time on that aspect. It is rather about the (lifelong) challenge of ´some´ to survive their family burden...

'15 years on a lonely island' (however - don´t be mistaken - not in the South Seas or anything like that...) is a nice, original hook that once again introduces us to an attractive side of South Korea (in you like, there is a see side note below). Those years on the island basically form the cleverly knitted background for a firm, characteristically differing profile of a young woman who is intelligent, but comparatively not as consistently socialized in South Korean society and its strong traditions as the rest of the population. Due to her youth, which was for 15 years free of parental upbringing, school instruction and social comparison, yet inevitably well-grounded in everyday survival in the great outdoors, the protagonist brings refreshing clarity, simplicity and directness back to the modern lives of those around her in South Korea 2023. With her almost at the same time naïve and outrageous freedom in thinking and acting, the FL conveys independence and self-reliance in the midst of a society dominated by class, hierarchies and patriarchal family structures. In the midst of modern South Korean society, she hasn´t lost her authentic, creative spirit along the tiring path of competitive education while growing up. She is not, like so many others, gagged by acquired decency, and certainly not disillusioned or frustrated. She impulsively acts on instinct and follows her heart. This has worked for her so far, e.g. surviving her time on the island (and largely overcoming her childhood experiences, too.)

Within this framework, the KDrama is embedding the issue of domestic violence. In fact, this unfortunately still quite widespread, extremely sad problem is dramaturgically tackled in a resolute, rather offensive manner. This topic in its frighteningly powerful might is actually the source of the story´s suspension that runs through all 16 episodes in a tirelessly consistent, incredibly sticky manner…

And the music... yes, the music... This always becomes a balm for the soul. Even if competition in the music business might interfere here and there, music as such inevitably brings heart and soul together. The music brings light into the darkness. For the story overall it becomes the source of life force and healing, too. (Regardless, whether I personally dearly like the songs or not.)

So actually, “Castaway Diva” has quite something to offer. A KDrama that (for a change) isn´t set within the world of the fashionable upper class, and doesn't target the usual RomCom style (however, doesn´t dare to do without it either... well.). Instead, “Castaway Diva” is facing common life with its socially problematic issues in a fairly grounded way and in the process tells a likeable, bright story.

In would recommend "Castaway Diva", if you do not want it to be that intense, yet nonetheless some (easy to digest) profoundness is desired, too. Despite the commotion, with this KDrama an overall positive radiation prevails, i.e. thanks to the consistently positive charisma and straightforward demeanor of Park Eun-bin (- as well as Lee Re as young FL.)

I consider the heartfelt development dynamic of the relationship between the two women - the fan and her star – to be quite felicitous. As is the affectionate patch work family vibe. And always inspiring, the cheerfully thrown in bits and pieces of wisdom that life in nature (as opposed to school education) has taught the FL...

Overall, a balanced mix of pleasant feel-good with sad life challenges and social grievances.










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SIDE NOTE:
--- Stranded on one of the 1,000 islands in the southwest of South Korea (and NOT somewhere in the South Seas...) ---

In the Yellow Sea in the southwest of the South Korean peninsula, there are well over 1,000 islands of different sizes. Many of them are downright mini and not even inhabited. It might happen that no one sets foot on one of them for decades.

In recent years, between some of the larger inhabited islands bridges have increasingly been built. Yet, many of them can still only be reached by water. On the islands you can find an ecosystem with virgin forests, wetlands and mudflats that has remained largely untouched by modern human life to this day. Accordingly, this region of 1,000 islands, which extends to over 3,000 km², is now listed as a UNESCO biosphere reserve.

Life between ebb and flow is determined by agriculture and fishing. Thus life is simple, slow, and for some people rather boring. Accordingly, the young are leaving... and the region is overaging.

However, the gifts of nature offer pure abundance. Fishing is often done with bare hands. Mussels and crabs can be collected from the mudflats. Mung beans, soybeans, sweet potatoes, rice, chili and sesame grow abundantly. There are also a variety of findings you can collect on the beaches. You might literally stumble upon small and large treasures. For several centuries, trade with the West took the route through the Yellow Sea. After heavy thunderstorms, many ships have capsized over time up to this day. This is why the maritime region has now been officially listed as a historical site. Deep sea diving for treasures from the Song and Won dynasties of the Chinese Empire, which have been well preserved in shipwrecks in the salty mudflats, has therefore become quite popular. (The FL in "Castaway Diva", however, is more interested in the very mundane, modern flotsam that keep washing up on shore after thunderstorms...)

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One of the Best Music Themed Drama — but it has more

The best elements of this drama is music. Park Eunbin kill it with her voice. She and Lee Re performs one of the best non singer playing a singer in any K-drama ever. They really sound like diva and show their emotion through singing really well. Every singing casts also sound so good, the songs are good, the soundtracks are perfect. For me, it is the best music themed K-drama after Dream High, but it's even crazier because no professional singer cast as singer in this drama!

The casting are perfect. Similarity between the teen casts and the adult casts are insane. They look similar, have similar gazes and smile, they even sound similar! Just by seeing the first episode I can know who they will become in their adult version. Lee Re and Moon Woo Jin are spectacular actors. They build a very strong base for this drama. Their adult story become significant and rich in emotion because of the story presented by them so genuinely and tastefully.

Lots of parallels and foreshadows used in this drama. So much detail but not everything are mentioned blatantly, it's subtle. It's make some people who miss the detail read the story in different ways. Especially during the arc of "finding Kiho". (Personally I enjoy the healthy discussion and debate it brings during the airing of the show. It's a conversation starter.)

From all cast, I think Jong Hyeop's acting shining through. How can a person talking using his eyes? He definitely do that. Every longing, love, pain, joy, he monologing using his eyes. His emotional scenes are impactful. His laugh is infectious.

The things I'm not really like is the lowkey triangle love. I feel that unnecessary. Even if Woohak love Mokha as best friend only, the story still goes well. Another element is the props and makeup they use in the island, they're highly unrealistic. I can accept they are sea trash, but the quality is not consistent. Sometimes Mokha is dirty, tanned, with still good clothes. Other times she wear her old teens clothes with fair and good skin condition. But I love the other part of this drama. So I easily pass these elements as, "Well, it's a K-drama."

Important to know, this drama has so many elements, from dream, romance, music, family, crime, friendship, mentor-pupil, lil bit mystery and suspense. In my opinion it has nice balance. Just don't hoping too much on only one or two elements, you will disapointed. It has many elements with only 12 episode, so the time for each element is limited. And every characters are important. They will get their share of screentime.

At the end, this is a good drama, made with care, with good production, good actors, interesting story. I left this drama with a big smile in my face.

And I know, that I will listen to the songs from this drama for a long-long time ❤

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Regret watching this

Pros:
- soundtrack
- the strong love between the Kang parents and sons
- the strong love between the Kang brothers
- the kids escaping abuse
- the endearing and comedic moments with Woo-Hak
- 90% of the dialogue is foreshadowing, not just filler
- metaphors with the island
- extremely caring and selfless characters
- interesting concept for the plot

Cons
- the love triangle
- infinite plot holes:
- doesn't make sense that Ki-Ho's attempts to run away fail for months. not that expensive to buy a ticket and hide on a ferry to get away
- doesn't make sense why Ki-Ho and Mok-Ha didn't just hide on the boat
- they try to play it off that abuse was seen as more acceptable, but doesn't make any sense to have a guy beating a kid senseless in public, then chasing daughter like maniac, and no one does anything
- should have explained how the dad got on a boat that already left
- made no sense how she could have washed ashore some random remote island when they're so close to populated areas
- made no sense how all that trash ended up on the island, yet no boats or Ki-Ho could find her for 15 years
- can definitely still recognize people after only 15 years, especially your own sons
- the Kangs endangering Mok-Ha and Woo-Hak by not telling them there's a psychopath
- Bo-Geol is supposed to love Mok-Ha, yet literally causes his brother to fall in love with her
- doesn't make sense for Bo-Geol to pine over Mok-Ha for 15 years and then cruelly hide his identity, "protecting her" puts her in way more danger, if she resented him that would be an understandable excuse, but she clearly doesn't. no matter how good his intentions, he acts undeniably cruel
- Bo-Geol being adamant on concealing their identities and preventing Mok-Ha from getting famous, then out of nowhere changing his mind, stairway reveal was the worst scene in the show
- the childhood lovers trope feels out of place here, shouldn't romanticize two kids trying to escape abuse
- Mok-Ha's mannerisms feel out of place, no hate for autism, but living in isolation doesn't make you act autistic

For me, the cons outweighed the pros, so I regret watching this. I can even forgive some aspects, but overall I just can NOT recommend it. What would have made it good:
- cut any romantic feelings until the present day, don't romanticize kids running away from abuse
- cut the love triangle, make either Kiho's or WooHak's feelings platonic
- cut the secrets
- cut the amnesia trope
- add an episode towards the beginning showing her time on the island
- add an episode with her readapting to society to create more comedic moments
- fix at least some of the plot holes mentioned above

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PEB and fellow actors make it through despite a contrived screenplay

First, I would like to apologize if I will hurt the feelings of some Park Eun-bin's fans. Basically, I am a PEB's fan too, but a kind of weird fan who allows himself to be critical about the productions where she leads in. Second, as concerns "Castaway Diva", I want to say from the start that my criticisms are not concerning the acting but the screenplay. PEB is sincere and expressive in her acting as expected, and the other actors are sincere too, but the screenplay is contrived and does not provide a sound basis for an outstanding performance. The spectator hardly knows what is the main direction, the main issue this series is aimed to, so many things are mixed up.
Apparently the main message the series intends to convey is that one must always stay focused and optimistic in order to attain one's goals. The message is right but does one really need all this overcomplicated and overemotional story to express such a straightforward idea? In order to deliver a positive message there is no need for big effects like being stranded on a deserted island, pursuing an idol career, or facing a psychopath. Positive thinking can also be transmitted by a drama about problems of ordinary people in ordinary life.
The series has also the ambition of addressing domestic violence. It is a very important societal issue and it is worth bringing it to the large audience. But does one need all this musical and romantic packaging to deal with this issue, is the improbable story of Seo Mokha a proper ground for that? Or does the caricaturally bad character as that of the pathological father provide the necessary sobriety and authenticity? I don't think so.
Another potentially interesting aspect of the series is the re-integration of a person who has been isolated for a long time. The struggle of such a person to regain a place in the society may be a very good story line. But the story has to sound true and not made-up. Is pursuing the ambition to become a pop star actually convincing? Is falling from a ferry and having been stranded on an deserted island compelling? Is an ex-fan and fallen-idol relationship appealing? For young people following today's pop culture, maybe. For me, from the elder generation, it is not.
In fact, in my opinion, the screenplay of "Diva" is not following a consistent scheme but simply pulls on all possible strings, including a story of a come-back of an idol, family pathologies, singing of the star actress, romance, in order to get the strongest emotional impact possible and to attract the widest audience possible. The series is overloaded with melodramatic situations, the weakest part being the love triangle, the hidden identities and the revengeful father. Nevertheless, PEB and her fellow actors were able to transform this mere entertainment product into a touching and audience gathering show.
I willingly admit that among the nowadays films and series, where the most popular are thrillers, horrors, violent crime or war stories, heartwarming and positive series like "Diva" are truly needed. However, I think that PEB, at this stage of her career, desserves better scripts or simply another type of scripts. She said in an interview that she would like to try different genres of films. I hope that her next production will not be a romantic comedy, but rather a psychological drama. I would like something more subtle, contemplative, introspective, even melancholic, without any excessive melodramatic effects.

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Wow! What a soundtrack and story!

This is a tale of survival that took me on a journey, serving up a platter of diverse emotions. There were moments of uproarious laughter, loud enough for all my neighbors to hear, and times when I held my breath as tears flowed. The story and characters had me completely engrossed. I eagerly anticipated each episode and, by the end, found myself wishing for more than the allotted 12 episodes. I yearned to delve deeper into the lives of the main characters who proved both fascinating and relatable.

And let's talk about the music—it was as impactful as the story itself! The music felt like an additional cast member, bringing power, inspiration, and beauty to the series.

Now, this series has earned a spot on my all-time favorites list. My only gripe is that I wish it were longer.

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Good Introduction till Episode 6, but average in mid and later parts.

Meh, overall average drama. Mannerisms of Park Eun Bin seemed like she was trying to relive extraordinary attorney woo days with jelloa do accent. ML was totally absent from whole drama and his brother (SML) seemed more prominent to the story, maybe he was overshadowed by his own younger self. One-time watch.
The whole struggle of FL seemed lacking with the addition of Kim Hyo Jin. Amidst the whole different storylines the writer should have given more time and emotions in each and every aspect of struggle from FL being above age, FL's struggle on Island(which should have been given a whole episode), Hyo Jin with her voice and ML with his family. Writer tried to tackle too much in too little detail and overall execution seemed bland and suffered from emotional disconnect. Finally the biggest weak point is in trying to lift up FL so much the casting of ML should have been better. He lacked so much screen presence in front of Eun Bin, guy should work in more dramas as Second lead or take more male centric parts to hone up his presence. I watched another of his drama Unlock my boss and it suffered from same problem.
Lastly, point of appreciation for high school parts played by teenage actors , they rocked their parts.

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I wished for a good drama, and this delivered in an unexpected way

Just finished watching it and will definitely rewatch it again. Yes, it was THAT satisfying. By the end, even though there were still unlikeable characters, they were at the very least understandable. I also felt that the songs used to propel the drama forward were appropriate for the scenes where they were used. My favorites were Someday, Dream us, and Night and day.

This drama was not perfect by any means. There were some things that were irrational if you examine them closely but then again if you do, then it will lose the emotional edge. Since the drama gave a balanced reality and fantasy I felt it deserved a perfect rating.

To be honest, I only watched this after about half of the series had already aired because I thought a story of an "old" singer would be boring. But since I really liked Park Eunbin in her earlier works, I gave this a go and ended up chasing the drama.

This is about Seo Mokha. Accompanied by her friend, Kiho, she set out to audition for Roo Ranjoo, her favorite singer. Unfortunately, she got separated from him and was stranded on a deserted island for 15 years before she was finally rescued. Can she meet Kiho again? Can she still go after her dream when so much time has passed?

The kids that played Mokha and Kiho nailed their roles. They seemed vulnerable yet resolute. I look forward to their future projects. The side characters and their stories were also a nice touch. I also liked the 'who is Kiho' mystery though it was pretty obvious. The Kiho reveal and their reunion was one of the show's highlights for me. The girl bonding between Mokha and Ranjoo was also good. I think there were 2 castaway divas in this story, one was Mokha who was physically stranded and the other was Ranjoo who was emotionally cast away. Both became overcomers.

Just a touch of caution, this tackled domestic abuse. Also, there may be times that you can see Extraordinary Woo Young Woo since Eunbin is playing a society awkward person. If those are non-issues for you then I definitely recommend watching this drama.

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The story gets blurred in the middle

Before i'm complaining this drama, i would to say about the good aspect of this drama,
Good aspect:
1. They build base of this story so good, come from child abuse, childhood trauma from each father, but one still getting the positive mind meanwhile the other trying to swallow bitter reality. They empathize their feeling and helping each other. I fall in love with this drama because this background.

2. The positivity seo mok ha have, impossible one's have positive minds like mok ha, but they add reality to mok ha minds so it became possible about mok ha character, she know her dream is so unstable but she still want to try because the hardship of her 15 years will be nothing. Many people want her to stop imagine and pursuing her dream but ALWAYS male lead always being her supporter number one ^^

3. Mysterious Jung Ki Ho, after separated for 15 years, seo mok ha trying to find jung ki ho, a boy that encourage her to pursue her dream, also help her to set her free from her father. How the audience have to guess who ki ho is, with all the hint that seo mok ha get, it's so exciting ^^ I've waited each week just to know about who jung ki ho is.

That's it, that are 3 charming points for me

NOW, time for revealing lacking points + my complain.....

1. The chemistry of leads, actually i can't feel romance feeling in Jung ki ho and Seo mok ha, their feeling comes from empathy right? sharing same hurt feeling from their trauma, guilty, and comfort. But how they falling in love with each other I DO NOT feel that at all, suddenly Jung ki ho said he still loves her for 15 years and Seo mok ha feel same, ikr who is the crazy that still wait for ones if it's not love but HOW?? HOW THEY FALLING IN LOVE?? THEY FALLING IN LOVE BECAUSE THEIR ABUSIVE FATHER?? THEY FALLING IN LOVE BECAUSE THEY WILL RUNAWAY TOGETHER?? THEY FALLING IN LOVE BECAUSE MISSING EACH OTHER?? WHYYYY..... I can't feel at all, this is the most dissapointed part for me T_T

2. Screentime of the leads, scene ki ho and mok ha together to be lovey dovey couple OHMYGOD i can count it with my fingers T_T Indeed, this drama about how mok ha pursuing her dream BUT she have loveline with ki ho, i craving their lovey dovey scene, how they develop each other feeling from teenager's love to adult's love, they didn't explain this at all T_T

3. Love triangle with Woo Hak, i know it will be disgusting shit if brothers fight for a woman, but how woo hak falling love with mok ha, how he know his feeling is dangerous, and how he conclude his feeling is just like a flash, they explained woo hak's feeling in some scene :( i want it to be more little dramatic hahahaha it will be interesting though hahahahaha (ignore this point)

4. I don't know about this, but people made me realize, in the middle of the story, the story move to yoon ran joo, Seo mok ha just to get her dream via yoon ran joo, seo mok ha admire yoon ran joo is undeniable but how seo mok ha is depending to yoon ran joo is just not right, although i enjoyed yoon ran joo story too, but many people not satisfied about this point. the story get blurred about the lead character. Also seo mok ha had struggle about her debut, but she doesn't have struggle after that? climbing chart one by one is normal for rookie artist, i mean why her rival is just eun mo rae? i want more drama about her struggle after debut but nothing, she straight to the top.

Overall, i can conclude the story like this, these 12 episode were divided in 3 part, seo mok ha getting used from 15 years in desserted island to pursuing her dream, revealing Kang Bo Geol and his family identity also his problem with his father, Yoon ran joo achieve 20 million album selling, still the most disappointed part is lacking of lovey dovey part ki ho and mok ha :(

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I Gave This a 10 Rating Even Though It Has Its Flaws

Just to reiterate, I absolutely love this series so far but it does have its drawbacks.

I won't go into details about what this show is about because there are already many reviews explaining that thoroughly.

I'm a huge fan of actress Park Eun Bin (main lead) and teen actor Moon Woo Jin, (who plays the young Ki-Ho). I'm also a fan of screenwriter Park Hye Ryun's works.

I could rave on and on about why I love this show but I'm only going to talk about some of the things that I wasn't too fond of.

Another review explained how young Ki-Ho was getting beaten in public and no one came to help. Then soon after, we had to watch Seo Mok-Ha (FL) get chased around the ferry and again, there was no help. While I agree that the lack of help seemed ridiculous, at the same time, when you think about how society is today, it actually may not be too far off the mark. While I personally would like to think the best of people, the "bystander effect" is real. Some people just do not want to get involved. Sad but true.

What bothered me the most so far, was the storyline regarding adults and domestic violence. I think this is where I feel the writers missed the mark when it comes to protecting children. Another person claimed that this wasn't an "advocacy show", that it is just a "drama". Of course it is, but IMO, writers can be powerful influencers. While they were able to write about the issue of domestic violence, there wasn't any real "ray of hope" so to speak. All was lost by the first episode. I found it especially disappointing when Seo Mok-ha goes back to the island and speaks to the two men who took over Mok-ha's father's shop. The men speak unkindly about Ki-Ho. Even though they knew that Ki-Ho reported his father for domestic abuse, they referred to him as being "insolent" and "the worst son ever" and of Ki-Ho breaking down mentally. The only saving grace from that scene was learning that Ki-Ho's father was fired from his job. But then the men go on to talk about how Ki-Ho's father still loves him and went to Seoul to look for him because "that's what parents do."

What a bunch of crockery. Lol! I say that only because there were a lot of ways that conversation could've gone differently without changing the storyline. Like maybe NOT taking the father's side and being understanding of Ki-Ho's situation and why he fled. Would've been nice if that one guy actually realized that he had caused problems for Ki-Ho and was regretful. That they tried to convince Ki-Ho's father not to leave and look for his son. That maybe perhaps they hoped Ki-ho wouldn't get discovered.

But of course, it's a "drama". But this is my version of how I wished that scene had unfolded because we shouldn't gloss over abusers' actions. As a viewer, I can only hope that for young child or teenager, who may be suffering from domestic abuse, if they're watching this show, finds some hope and solace. That there are adults out there who will believe them, take their side, and help them. This is why I say writers can be powerful influencers. They can change the narrative and influence public opinion and offer hope, even if it is just a "drama".

Moving on, another thing I greatly disliked was Yan Ran Joo reliving her glory days when it was really Mok-ha was doing all the singing. The way Ran Joo is acting all happy about the raving articles about her and yet, she was lip-synching. Seriously? I would understand if she was happy because she hopes to sell some albums but it wasn't portrayed like that. Of course, I'm sure things are going to get better later on, and with Ran Joo's help, Mok-ha will be able to become a diva.

Despite all this, I really, really love this show. The actors are amazing. I've always been a fan of Park Eun Bin and especially, Moon Woo Jin. Woo Jin's earlier works were always so amazing especially in "What's Wrong with Secretary Kim". He's growing up to be just as good as Eun Bin. Rooting for this kid all the way. I also want to give a shout-out to Lee Re who plays the younger version of Moh-ka. She was so amazing too! Her acting chops are like a mini-version of Eun Bin! Even her big, beautiful smile was the same. These two teen actors hit it out of the park! I was so moved to tears with these two. I adore Park Eun Bin as always. and as for screenwriter Park Hye Ryun, I still love her works especially, "While You Were Sleeping"! One of my fave dramas!!

On Ep4 as of writing. May update later if necessary!

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It's really all about the correct fit, which this did not have

Edit - I recently was listening to a podcast that talked about the current situation in South Koreas for actors. There seems to be diminishing amount of work available even for the best of actors. My review hit Park Eun Bin pretty hard in her portrayal of the FL. One question I kept asking was why would Park Eun Bin take on a role like Mok Ha? Well with the amount of work for South Korean actors decreasing, that answers my question. I hope with the popularity of Kdramas, there will be plenty of work available for these talented actors.

In watching this series, I can sum up my impression with one word...disconnect. Let's first talk about the disconnect with the lead role.

Probably like most other viewers, I watched this series for actor Park Eun Bin. Her stellar performances in The King's Affection and Extraordinary Attorney Woo brought me back for more. The expectations were high, maybe too high, as this performance did not deliver like her two previous series. Eun Bin is a gifted and talented character actress, and I'm not sure the role of Mok Ha needed what she brought to it. Maybe that is why I always felt at odds with Mok Ha when watching her storyline unfold. I never really felt there was a good fit between this talented actress and the character she was playing. However, the rest of the cast seemed to gel nicely with their characters. I especially enjoyed the actors who played young Ki Ho and young Mok Ha.

Next was the disconnect between my expectations of the series (based on the marketing) and the reality. It came across as a light-hearted, funny, musical-type of series. But from the very beginning, it had this dark side that carried the viewer through all kinds of torture with hellish family abuse, violence, attempted murder, suicide, business sabotage, and let's not forget trying to survive on a deserted island. I realize this adds layers and complexity to a storyline, but the execution of lighthearted contrasted with violence was a little too extreme for one story, and for me, made it unbelievable. I also had a hard time believing in Mok Ha's journey both on the island and once she was rescued. I know this is fiction, and anything can happen in fiction, but building a hut? How and where did those wood slats come from? The nails? The tools? I remember hearing an interview of Tom Hanks and Robert Zemekis when the 2000 movie Castaway came out in theaters. They spoke how they constantly debated on how far they would let Hank's deserted island character show the utter reality of surviving. If they showed complete reality, it would drive the viewer away as it would be too depressing to watch. I realize that same thing applied to this series, but it seemed they went a little too far as sometimes it just seemed everyday was a great day on the island.

Mok Ha's transition back into civilization was another disconnect. First of all, trauma is her middle name. She has an abusive father, runs away, is chased into the sea by this abusive father, washes ashore, sees her dead father in the waves, and has to survive by herself for 15 years. Yet, with all of this trauma, when she does come back to civilization, she immediately dons her fan-girling hat, blows up balloons, cheers for her favorite idol as the most balanced and stable human being on the planet. It just is way too unbelievable. I also have to say that I find this somewhat offensive. If a person actually went through what Mok Ha went through, there would be years of therapy to work through the trauma and re-enter life. The way the writers completely ignored this is great disservice to abuse and trauma victims. Not only was it ignored, but when Mok Ha is rescued, all the focus goes to the selfish, self-serving celebrity hitting her alcoholic bottom lamenting her lost career, and how Mok Ha takes care of her! This is what I least liked about the series.

My advice to someone thinking about watching this series is to treat it like a fairytale. There is a hero, heroine, villain, and the stuff that happens to them is a bit on the "magical" side, but it's done to get them to that happily-ever after.

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