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High Reviews and Low Reviews
I fell somewhere in between - although I guess a six is on the low side.Read many of the reviews - a lot of comments about the toxicity of this series. First of all, like everything I watch, I don't try to dig too deep - most shows have things you don't like, and things you do. BL's are no different, but I feel like the viewers are more critical. If the show was a Male Female relationship would it be labelled toxic?
There was no plot? This isn't a mystery or an action series, it's a love story... that's the plot. Was it over dramatized, maybe, but if it hadn't been, it would be labelled as boring!
I mainly rated it low because I didn't like the ending, it felt very open ended - and I can't see a second season being necessary.
I also didn't feel this should be rated R. There is no violence, the love scenes were shirts off and kissing, and then cut off. I don't mind that, I just think the rating hints at something more.
I try to watch every bl that comes out. I have a whole list just from 2023 that I would give an -0 rating, at least this one was watchable.
P.S. The good looking male was Yoh, just my opinion of course. Enjoy!
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So unique and fresh!
I love love loveee the vibe of this series! It's so unique!And the chemistry between the actors? Honestly so smooth and real you can't get enough of it.
It's like from the very first moment you know they both care for each other but simply don't know how to show it and are not so good in communicating their own emotions.
Everything's wrapped in that very specific vibe to it and while some may hate it and feel like there's so many things in plot that are missing, I'm a big fan of it.
So many things left unspoken but shown by their actions.
Sometimes you don't need to say something out loud - you can show it in many other ways and I feel like this series is all about it. All about two people so misunderstood by words that they no longer trust them. They have trust only in actions and that's what they're doing. Showing love in this specific way that only they themselves can understand.
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Such a good show
This is one of those shows in which you really have to know the culture to appreciate properly. A lot of people watching it are watching it with a western mindset, which very much impacts the enjoyment of it. The importance that amae, as well as cultural interdependence, plays on this show is huge, and it needs to be in your frame of reference to understand some of the characters' more... questionable actions.Now, I'm not saying that their miscommunication nor their more toxic traits were okay, but it is important to have the Japanese culture in mind as a reference while watching. If you want to go into more of a deep dive into this, I can suggest a post by notfreetoday on Tumblr (feel free to ask me for it).
Now, into my own reaction of the show: I loved it. This show reminded me of my early manga-reading days, when the only translations available were fan translations of really blurry scans. Both actors were amazing at portraying their emotions, and the chemistry between the two was off the charts.
Segasaki's insecurity whenever Yoh wouldn't treat their relationship as seriously as he did was portrayed wonderfully and expertly, and whenever Yoh couldn't pick up on the amae that Segasaki was putting out, you could tell how hurt Segasaki was. Conversely, Yoh's confusion about what their relationship is and his desire for Segasaki to be more straightforward with him was also beautifully portrayed.
I enjoyed watching their relationship develop and both of them growing and clueing in to what the other's communication style was (a bit, haha. They definitely still have work to do there). The last episode was very satisfying for their relationship, and made me wish for more episodes with them. However, I do think it ended very well and that the episodes they had were perfect for the story they were trying to convey.
I recommend this to those who watch a lot of Japanese shows and/or are familiar with the culture. Yes, there are some questionable aspects, but watch it more with an open mind! (Also, let's remember: this is fantasy! It's not a real relationship, so we're allowed to enjoy it for what it is.)
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This review may contain spoilers
This has rewatch value because of the subtle clues.
We meet Yoh a stay at home, self confessed slave to the handsome Mizuki. Yoh is trying to become accepted as a manga writer so has very little of his own income and is dependent on Mizuki's wage. This was the deal offered to Yoh in exchange for all the domestic duties, sexual benefits and submission to Mizuki's requests.The dominant Mizuki does not impose too many rules and as the drama unfolds depicting their daily interactions it becomes apparent that Yoh is very enamored with Mizuki and quite thrilled to be with him, although he hides this by acting gentle and submissive.
Mizuki also enjoys the power play and shows very little daily affection remaining aloof and somewhat inaccessible to Yoh.
Cracks appear in their love game when Yoh is fired from his current publisher and his feelings of unworthiness send him onto depression. Mizuki breaks his usual role and becomes the carer causing confusion for Yoh and misunderstanding. Yoh's reaction in wanting to prove himself and his worth creates confusion for Mizuki and brings out his insecurities and fear of losing Yoh.
Both have the type of personality where very little is spoken and they rely on actions, They seem incapable of opening up a dialogue to discuss or analyse their feelings. This is the drama aspect of this story and it has some sadly comedic elements; Yoh hiding behind a sheer curtain, buying additional sets of sheets to encourage more sexual activity and getting drunk and clingy. Mizuki panicking and then confessing in the rain, reacting dramatically when he thinks Yoh is being hugged by another man, binding Yoh's wrists in an attempt to discipline him.
Kudos to the director for this interpretation of a manga. Both actors do a terrific job and are convincing in their depiction of intense sexual chemistry.
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It didn't stick the landing
Boy oh boy but do I have some conflicting feelings about this show!I went into it with some pretty strong reservations given how viscerally uncomfortable power imbalance and consent issues in relationships (no matter how fictional) make me, but I decided to give it a go anyway because of the screenwriter and directors' involvement in shows like Jack o' Frost and Old Fashion Cupcake, both series that I absolutely adore.
Given that initial hesitancy I have to say I was both positively and negatively surprised by Taikan Yoho.
On the one hand it is technically excellent - the cinematography is brilliant, the editing and pacing are well though-out and cohesive, and the performances are stellar.
There is also the fact that the main characters' relationship, unhealthy and co-dependent as it may start out, seems to improve significantly as the show goes on, so much so that I became genuinely invested and was even sold on the idea that yeah, these two do love each other in their own, confused way don't they.
The intimacy the two share feels natural and believable even when set against the backdrop of so much emotional turmoil and denial.
On the other hand, all that promising build-up pretty much goes out the window with the final episode.
To explain:
I was surprised by how many similarities Taikan Yoho has to Utsukushii Kare, at least where the main characters' dynamic is concerned.
It's clear from the start how terrible both Mizuki and Yoh are at communicating (Yoh being especially guilty of this) and how much of their issues stem from the deep insecurities both of them seem to harbour about their relationship. But instead of making use of this premise and actually developing the characters (rather than just explaining their motivations), the show completely shoots itself in the foot by veering in distinctly the wrong direction, in my opinion.
Because rather than showing the characters taking steps towards a more even footing with one another, which is exactly what makes Utsukushii Kare work so well, they settle even more into their respective roles with Mizuki becoming uncomfortably domineering and essentially none of their misunderstandings cleared up, which makes any progress the two previously made feel completely inconsequential.
And kind of heartbreaking, too, given how Mizuki previously indicates he loves it when Yoh doesn't simply obey blindly but also shows his wants and needs.
Putting that aside, I don't even think the show works properly as a depiction of a healthy D/S dynamic.
Granted, I am not particularly well-versed in the subject so take what I say with a grain of salt (a much more reliable and in-depth analysis on the topic can be found here, should you be interested: https://www.tumblr.com/lutawolf/725726059919736832/my-person-weatherman-or-taikan-yoho?source=share), but I do know that what's most important in such relationships is communication and clearly drawn boundaries. And while Yoh's and Mizuki's relationship does bear many strong resemblances to certain types of D/S relationships, those vital features are clearly missing from their dynamic.
I don't regret having watched the show, nor would I discourage anyone else from watching it, but I do think it's important to be aware of the series' short-comings, especially where delicate but highly important topics like consent and power are concerned.
I also can't help feeling disappointed that the story didn't live up to its potential but rather falls prey to some of the most egregious cliches of the genre, especially with such a talented production team and cast .
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This review may contain spoilers
I like!
I’ve rewatched this show a lot and I KNOW there’s bad things but I honestly don’t care? Like, I love the story and it just so so AUGH. I’m a 17 yr old alright, so give me grace and reason to explain.. :)First, The beginning of episode 1 gets you hooked. Giving you a little sneak peak of Yo from the past in the 6 seconds just made me want to watch more.
When Yoh is talking to his best friends Kanami about this weather forecast show called Everyday Weather and how she LOOOOVVEESS Mizuki… The weatherman. Yo then tells Kanami about how he doesn’t like him, at all except for his facial structure the most out of EVERYONE ELSE in the world… THEN WE FIND OUT YO LIVES WITH MIZUKI! (Shock face)
We figure out Yo is basically a maid towards Mizuki and makes him do all the house chores, and makes dinner. WAIT, Yo is a Manga artist btw.. and his friends is also! Anyway, Mizuki is REALLY OBSESSED with Yo but Yo is also obsessed with him soooo equals out. 😗
ANYWAY, I don’t want to over explain but I just love how good this show is.. I do know they’re bads in this show but it just makes it so much better. The chemistry between the actors IS AMAZING. I love it (smirk) I especially loved episode 5 😊 soo cute!
okayy byee
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The relationship between Mizuki Segasaki, a charismatic TV weatherman, and Yoh Tanada, a struggling mangaka barely holding things together, is anything but balanced. Yoh lives with Segasaki rent-free, but in exchange he must follow his rules… even the most intimate ones.
And somewhere between obedience, longing, and lowered eyes, an intense dynamic takes shape, one that doesn’t fit any typical definition of “couple.”
What truly stands out in the series is the overwhelming chemistry between the leads: physical, emotional, and sometimes even disconcerting. The intimate scenes aren’t there just for shock value; they function as an emotional language, one the characters rely on because neither knows how to express themselves with words.
The drama also plays beautifully with the theme of masks:
Segasaki, flawless on camera, becomes someone possessive and closed-off at home.
Yoh, always trembling between doubt and affection, finds in his art the only safe place to express what he can’t bring himself to say.
In short, this BL is perfect for viewers who want:
Strong sexual tension and well-executed sensual scenes
Conflicts rooted in silence, emotional dependency, and power imbalance
Characters torn between what they show, what they feel, and what they fear
An intense, gripping, and emotionally chaotic story that may feel fascinating or uncomfortable depending on the viewer’s sensitivity.
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The server and his lover
We have a weird but unique storyline out here. The main couple living in one roof wherein one serves while the other one pays the bill, is quite intriguing. Subjectively speaking, not a big fan of this genre and feel way too questionable but the drama itself is good enough to emphasize the romance and intimacy that the characters have with each other.The main cast is just okay, nothing extraordinary, or either one of them stood the best. But I found it cute how nerdy yet hotty the side character is, the husband of the girl manga author.
I don’t have much to say in this drama; all I can say is that it is average for me. Not too bad and not too impactful for a show in general. I just wished that somehow, they tried to build a different character development to the weatherman, in a genuine and soft kind of attitude towards the manga artist.
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as clouds disperse, love emerges.
Japanese BL writers undoubtedly know how to use literary devices, predominantly symbolism and pathetic fallacy, and I'm just zooming in on this particular drama, combined with the directors 加藤綾佳 (Kato Ayaka) and 安村栄美 (Yasumura Emi)'s many cinematic choices to highlight those techniques. Speaking more generally, I really think it works.And that's exactly what I want to highlight in this review, because I think it was executed most successfully.
Disclaimer: I have not read the original source material manga.
There's nothing like an opening episode that knows how to throw you into the thick of it, setting up a compelling premise of mystery, desire, and possession between one very unlikely pairing, coupled with alluring imagery to keep you going into the next. 『体感予報』 (My Personal Weatherman, 2023) continues to hold its ground with audiences even three years later because of its blend of dynamic storytelling and beautiful cinematography, and that just hit the right spot for me.
From start to finish, I enjoyed the complexities of each character, from their introductions to their development later in the drama, and watching the relationship between them grow into something that they both eventually come to realize they needed most: to be understood, and to be loved for it. Our two rival protagonists 瀬ヶ崎 瑞貴 (Segasaki Mizuki) and 棚田 葉 (Tanada Yoh) have quite the history together that does get room to breathe as we watch them mature into their present selves, and that history becomes the central, and often misunderstood, conflict of the story. However, I will disclose that I generally don't enjoy most misunderstanding tropes and arcs of the like, but viewers should note that this is essential for driving these characters toward understanding themselves and each other, as well as the reason this theme appears so frequently in Japanese media.
Segasaki's love language reflects Japan's culture of indirectness and how easily it can misrepresent one's intentions. On the other hand, Tanada's more direct love language contrasts as words of affirmation. And here is where the "opposites attract" dynamic truly blossoms. While the push-and-pull and constant misinterpretations can be exhausting, I couldn't help but root for them (and kick my feet while doing so) to make it work and continue putting in the effort for each other. Slowly but surely, they did, and I didn't expect this to be the kind of drama that would leave you on a sour note; it does have its mellow (but tender) moments though.
Don't think I've gotten so lost in the appealing characterization that I've forgotten the whole point of this review, so let me digress for a moment. My Personal Weatherman does this enchanting thing with weather and color by correlating them with the characters' emotional states and desires, using different weather conditions to represent each of them. I will be honest, after watching this drama, I will never be able to think of sunny days the same way ever again. Each weather condition is given a beat before the next and with that, so do we with the characters themselves, watching as they discover something new about themselves or each other, confess, or act upon a new emotion. You can trust that the story guides both the viewer's emotions and their interpretation of each moment through every hiccup by what the condition of the weather is, so I think it was such a fantastic choice in the storytelling to make one of the characters a weatherman and use that occupation to drive the story. I know this sounds like such a minuscule, unimportant decision, but it shone the brightest (no pun intended.)
As always, among the strongest points that kept me watching were also some of its weaker ones. I must admit, I don't have much "bad" commentary to provide for this drama, while I also don't take much pleasure in dwelling on that, there is just one thing that kept this drama from being a home run to my own standards. There is no denying that I felt there was a slight lack of depth in some of the story's arcs and characterization, even though I emphasized how much I loved it. Probably much to no one's surprise, if you've read a few reviews already, the characters do begin to fall a bit flat and one-dimensional as the episodes progress. I often observed that the story led a couple of steps ahead of the characters themselves, but they caught up quickly enough that it never took me out of the story. Structurally, though, it wasn't particularly stable.
If I can provide any unsolicited constructive criticism, it would be to allow the characters to grow actively together rather than passively through one another, so that the pacing and development of the story support the characters, not the other way around. There were too many instances where the characters would come to an understanding under one of three circumstances: in bed, from the sidelines, or through another character. This altered how I viewed their chemistry and the foundation of their relationship, often stopping to ask myself, "What was it that brought them together like this again? Why do they like each other?" And honestly, the answer to that question appears way too late by the time a viewer would choose to keep watching or walk away.
I want to end this on a high by saying this is a drama I would, and already have, recommended a few times. I find myself thinking about these characters and appreciating what makes them who they are, the cute and spicy moments they shared together, and overall the idea that a more shy, soft-spoken person can really come to terms with who they are, their emotions, learn more about the person they adore, and express themselves through the art that they create. That is such a warm message that deeply resonates with me as a writer. So, if you're thinking about giving this drama a try, I'd encourage you to.
Because at the end of the day, after a season of rainfall, love always finds a way to bloom.
And it's waiting for you too.
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nice but not worth rewatching
i was planning to stay single my whole life. but also i the relationship in this series irl bad.anyways i dont think i will ever rewatch it. it was not bad but also not good.
it looked like half of the problems were created by the main leads themselves.
the acting was good.
but a bit miss in the plot.
idk about the music as i watched it without sound.
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Old fashioned dynamics in a BL relationship
My Weatherman is not a conventional romance, and it’s not trying to be. Its relationship is deliberately lopsided, almost old-fashioned: one partner who expresses affection through control and protectiveness, and another who endures, adapts, and keeps the peace. The dynamic reminded me strongly of the so-called “normal marriages” of the past, where one person led and the other adjusted — not necessarily healthy, but familiar.It’s an uncomfortable story, yet underneath the imbalance both characters slowly reveal their fears and vulnerabilities. Not for everyone, but quietly interesting.
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girl what
the actors were just about the only good thing in this show. i have 2 major complaints:1. the romanticism of mizuki’s sexual coercion is horrendous. i know that’s pretty common in bls but that doesn’t make it any better, plus it’s not even used as a form of “character development” here because he keeps it up til the very end. i firmly believe they could’ve made the plot just as, if not way more, compelling by removing the whole obligatory sex thing and all the scenes where mizuki forces himself onto yoh.
2. the plot goes absolutely nowhere, in fact it goes in circles. every time it seems like they’ve communicated their feelings and things are looking up, one of them (usually mizuki) overreacts about a misunderstanding and then they’re back to square one. even by the end they haven’t communicated their feelings properly and are just in another lull phase whilst misunderstandings continue to brew underneath.
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