Daybreak

"Why did you have to come to this place?"

The silent film Daybreak aka Tianming was a political melodrama from 1933. Li Lili, one of the brightest stars at the time led the cast as the wholesome heroine done wrong by the big city and warlords. Ling Ling would seek her revenge through the coming revolution.

Ling Ling and her beau Zhang leave the countryside for Shanghai hoping to make a better life for themselves. They move into the same building as her cousin and her husband, “Fatty.” At first everything is going their way as they happily work at the factory. When the factory bosses notice Ling Ling’s beauty she is assigned to night duty. Zhang takes exception to their actions and is fired. He ends up working on a ship and later joins the revolution. Ling Ling’s cousin sets her up unknowingly on a “date” with the boss. From there Ling Ling’s fortunes take a downward turn. After a tragedy she learns to use her body and her wits to help the workers and revolution.

The countryside was shown as idyllic and alternately as devastated by taxation and war. The big city and its modern ways was an inherently evil place while the countryside was considered uncontaminated by modern ways. Not for the first time the squeaky-clean country girl was sullied for daring to leave home. Unashamedly a propaganda film, it leaned in hard and used a sledge hammer to drive its points home. Happiness, the individual, and life were meaningless, only the revolution mattered. Only the revolution would bring the solutions for their problems.

Li Lili’s life played out much like one of these films. Her childhood was traumatic. And while she became famous from starring in Sun Yu’s films she drew the ire of Mao’s jealous wife Jiang Qing. Li and her husband Luo Jing Yu were jailed and tortured during the Cultural Revolution. Her husband did not survive the experience.

I’ve watched several of these old silent films. The acting was more overwrought than usual in Daybreak. The makeup might be recognized today as heroin chic or maybe consumption chic. Through no fault of the film makers, the film was off center at times, the frames would freeze and there was significant pocking on various frames.

While I could appreciate the political fervor during a volatile time, the exaggerated acting and martyr complex of the heroine dimmed its impact for me. Despite being historically relevant, the well-worn trope even by this time of the country girl soiled by the big city was less than compelling for me.

2 June 2025

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