Dominant Yakuza and Wimpy Corporate Slave

Gangster ML. BL, great chemistry between the MC leads. More violence than Ora-sama Yakuza. The gangster mains are both good guys with bad jobs. LTNS has more twists than Ora-sama Yakuza. LTNS has the same insta-attraction between leads as Ora-sama Yakuza. Both short series.

Yang, what they call a corporate slave who was transferred to the Japanese branch of his company, one day witnesses the Yakuza Yuma fighting a gang in the downtown area and is fascinated by his strength. After a chance reunion with Yuma, Yang is gradually drawn to him, despite his awkwardness. Yuma also begins to open up to Yang and the two of them gradually connect to one another through their shared loneliness.

Gangster ML. BL, great chemistry between the MC leads. More violence than Ora-sama Yakuza. Kiseki has more twists than Ora-sama Yakuza. Age-gap more obvious in Kiseki. The main leads have time spent a part but for very different reasons.

Yang, what they call a corporate slave who was transferred to the Japanese branch of his company, one day witnesses the Yakuza Yuma fighting a gang in the downtown area and is fascinated by his strength. After a chance reunion with Yuma, Yang is gradually drawn to him, despite his awkwardness. Yuma also begins to open up to Yang and the two of them gradually connect to one another through their shared loneliness.

Gangster ML. BL, great chemistry between the MC leads. More focus on gangster life than Ora-sama Yakuza. MDGO has hidden identity trope. The main leads have time spent a part but for very different reasons. MDGO is a bit fluffier and less mature.

Yang, what they call a corporate slave who was transferred to the Japanese branch of his company, one day witnesses the Yakuza Yuma fighting a gang in the downtown area and is fascinated by his strength. After a chance reunion with Yuma, Yang is gradually drawn to him, despite his awkwardness. Yuma also begins to open up to Yang and the two of them gradually connect to one another through their shared loneliness.

Gangster ML. BL. More disjointed story telling than Ora-sama Yakuza. GLMGAB is vertically filmed. Similar dominant MC vibes. Forced prox trope in GLMGAB.

Yang, what they call a corporate slave who was transferred to the Japanese branch of his company, one day witnesses the Yakuza Yuma fighting a gang in the downtown area and is fascinated by his strength. After a chance reunion with Yuma, Yang is gradually drawn to him, despite his awkwardness. Yuma also begins to open up to Yang and the two of them gradually connect to one another through their shared loneliness.

Yang, what they call a corporate slave who was transferred to the Japanese branch of his company, one day witnesses the Yakuza Yuma fighting a gang in the downtown area and is fascinated by his strength. After a chance reunion with Yuma, Yang is gradually drawn to him, despite his awkwardness. Yuma also begins to open up to Yang and the two of them gradually connect to one another through their shared loneliness.