Wu

Ignore the weird haters, this show was legitimately *fantastic*!

Some people were calling this 'bromance' (as if that would be a bad thing even if it were true, although the relationship depicted in this show actually goes far beyond that, so it's not even true anyway) or even 'queerbait' and hating on it for literally no reason other than the fact that actors Sky and Nani have (so far) simply chosen not to kiss each other in their series, nor perform some of the typical physical-fanservice activities outside of filming that most other Thai branded-pairs tend to do (which is all well within their rights to choose, by the way). Never mind the fact that there are literally multiple other 'actual' (marketed-as) BL media in existence where there is no kissing or physical intimacy at all other than just some hand-touches or hugs, just like here, yet I hear no one arguing that THOSE shows are 'bromance' or 'queerbait'! 🙄🤦 (Certain reactions to this show have also felt a bit like acephobia or aromantic/asexual {aro/ace} erasure-- as if they believe that a partnership 'has' to have physical intimacy or romance to be 'real.' Uh, no, it most definitely does *not,* as a whole host of aroace-spectrum people in real life can confirm...)

In reality, "Wu" is actually quite a queer series (which is made rather-explicitly clear via some dialogue, too, even if you somehow manage to miss all of the directing and acting cues), with both a real-life trans actress portraying an important trans character in-universe who is taken very seriously and respectfully, and a partnership between the two main characters that is (from my personal perspective as someone who is on the aroace spectrum myself) an absolutely beautiful, shining, and unfortunately-*far*-too-rare example of a queerplatonic partnership (a real-world term for any committed non-romantic relationship that is a true partnership, which falls outside of standard societal 'romantic' norms).

Anyone with any media literacy at all should be able to tell that the two main characters were absolutely being portrayed as life-partners. Yes, there were some jokes and some lampshading about it at first (along with some clearly-panicked denials in the 'doth-protest-too-much' vein, lol). But anyone who has consumed as much fictional media as I have over the course of my life can spot all the tropes, as well as all the nuances in the acting, and ALL of that pointed *very* clearly to these two characters being true queerplatonic partners. Not only did they do every single standard trope for couples (including couples in non-romance-focused works), and neither had any hint of (nor any interest in) any other partners, but the characters themselves are literally bound by life, death, soul, heart, and traditional jewelry; they canonically love each other; and it is outright stated multiple times in the show that they are partners! I'm sorry, but seriously, how much more proof does one need? That is not 'friendship,' that is so far beyond 'friendship' that to claim so is just absurd, lol. So, yes, despite them not kissing/etc. nor using any traditional 'romantic' labels for themselves in the series, they are partners. And this was one of the most beautiful depictions of queerplatonic partnership that I have ever seen. (Please let content creators make more media with QPP's like this! 🙏)

Now, all that said, let's finally talk about the rest of the show, lol:

The music (and I mean all of it-- the instrumental score {which is available on music platforms!} as well as the vocal OST's), direction, cinematography, and production were surprisingly excellent. (I mean, it certainly wasn't as high-budget as, say, a Domundi production or something, but I knew going into this that it was from GMMTV, so I wasn't expecting that anyway, lol. It looks great, sounds great, and was very well-directed, so that's really all that matters there. 👍)

And the acting was *brilliant.* Nothing was over-exaggerated, yet you could still read every single thought and emotion on the main characters' faces (and through their eyes), and even comic-relief side characters were taken seriously.

As for the plot, I loved how much the fantasy/mythology elements felt so much like a manga yet still also so grounded, as well as how at the same time it incorporated some excellent political commentary. 🔥 I also really loved how well-written the internal character growth journey for the 2 main characters was. (My only one small quibble with the plot was the slightly weird, apparently-ableist take on Deafness that was briefly mentioned twice 😅, but not being Thai myself, there might be some kind of cultural nuance I'm missing there? Regardless, that was a very minor ding against an otherwise absolutely-fantastic show, so I did not let those 2 small moments affect my overall rating.) (EDIT: And the show also has really great rewatch value-- upon a rewatch, there were so many great little details that were now noticeable and new layers revealed to be already present after knowledge that was gained later in the series the first time through! 👍 )

Finally, please note that every episode contains a mid-credits scene, and all of them are important!

TL;DR: This was top-tier, easily one of my all-time favorite Thai shows, and one I greatly look forward to rewatching. Absolutely recommended!

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We are the WU

Ever since GMMTV unveiled the pilot trailer for WU nearly two years ago, this was one of my most anticipated projects. Sky Wongravee and Nani Hirunkit had already proven their remarkable on-screen chemistry in High School Frenemy, so the prospect of seeing them reunite in a completely different genre was exciting. When the official trailer arrived, it became clear that this wasn't simply another follow-up project built around a popular pairing—it was aiming to be one of GMMTV's most ambitious productions to date. After watching the series, I can confidently say those ambitions were fully realised.

WU is a striking blend of fantasy, supernatural horror, mystery, action and emotional drama, but what makes it truly special is how naturally these genres coexist. Rather than relying on spectacle alone, the series grounds its supernatural mythology in deeply human stories about grief, loneliness, sacrifice, destiny and the relationships that shape who we become. It explores ideas of fate and free will through emotionally compelling characters instead of treating mythology as nothing more than visual decoration.

As someone who has always enjoyed stories centred around magic, folklore, shamans and supernatural worlds, WU immediately appealed to me. However, what impressed me most wasn't simply the fantasy itself—it was the confidence with which the series built its mythology. Drawing heavily from Chinese folklore while seamlessly incorporating Thai storytelling, WU creates a world that feels rich, coherent and culturally authentic. The natural alternation between Thai and Mandarin dialogue adds another layer of immersion, reinforcing that the mythology extends beyond aesthetics into the very fabric of the narrative.

The first episode wastes no time establishing its emotional core. Pete's frustration with a life filled with relentless misfortune resonated with me almost instantly. His quiet reflection about working hard, trying to be kind and still feeling as though life continues to deal him losing cards is painfully relatable. It's an emotionally honest introduction that transforms Pete from a fantasy protagonist into someone profoundly human. That single scene immediately invested me in his journey because it captures a feeling many people have experienced but rarely see portrayed so sincerely.

Sky and Nani once again demonstrate why they are among GMMTV's strongest performers. Their chemistry is extraordinary—not because the series forces dramatic romantic tension, but because it allows trust, vulnerability and emotional dependence to develop gradually. Their relationship evolves naturally as the story progresses, becoming the emotional backbone of the entire series.

Nani delivers one of the strongest performances of his career. Pete constantly balances emotional vulnerability with quiet resilience, and Nani communicates those contradictions beautifully. His performance is remarkably expressive even during moments of silence. Small facial movements, subtle eye expressions and restrained body language communicate just as much as dialogue, making Pete's emotional struggles feel authentic rather than melodramatic.

Sky surprised me even more. I initially expected Niran to be the lighter, more playful character based on the promotional material, but Sky instead portrays him with quiet restraint, melancholy and emotional exhaustion. Beneath Niran's calm exterior lies someone carrying enormous emotional burdens, and Sky allows those layers to emerge gradually without ever overplaying them. Watching his emotional walls slowly break down became one of the most rewarding aspects of the series.

The supporting cast deserves equal recognition. Every character contributes meaningfully to the world rather than existing simply to support the leads. P'Godji brings warmth and emotional stability as Fei, Great convincingly portrays Tong's internal conflict and uncertainty, while Palang delivers an entertaining yet surprisingly nuanced performance as the jaded Jia Hao. Krist Perawat's transformation into the antagonist Li Pou was perhaps the biggest surprise. Having rarely seen him play such a sinister role, his performance demonstrates impressive range and establishes Li Pou as a genuinely intimidating villain. Guest appearances from Sea Tawinan and Phuwin also integrate naturally into the story without feeling like fan-service.

Technically, WU is among GMMTV's most accomplished productions. The cinematography consistently enhances the atmosphere, while thoughtful colour grading reinforces the darker supernatural tone without becoming visually overwhelming. The production design deserves particular praise. From costumes and props to filming locations and set decoration, every detail contributes to making this hidden supernatural world feel tangible and believable.

The visual effects are equally impressive. Thai fantasy productions have often struggled with CGI limitations, but WU demonstrates significant progress. The effects complement the storytelling instead of distracting from it, creating action sequences that feel cinematic while maintaining emotional stakes.

Equally important is the pacing. Every episode remains focused, avoiding unnecessary filler and ensuring that each scene either develops character relationships or expands the mythology. Even early in the series, the supernatural lore surrounding the Wu and the Yao feels compelling enough to keep viewers constantly wanting answers without becoming unnecessarily convoluted.

Perhaps what impressed me most is how much care is evident throughout the entire production. This is exactly how a highly anticipated reunion project should be handled. Rather than relying on the popularity of its lead actors, the creative team invested in strong writing, thoughtful direction, meticulous production design and meaningful character development. Every department clearly understood that audiences deserved more than fan service—they deserved an excellent story.

Although WU is officially presented as a bromance, Sky and Nani's chemistry is so compelling that their emotional connection rivals many romantic pairings. Their relationship never feels manufactured because it is built upon mutual trust, shared trauma and emotional vulnerability. Whether viewers interpret their bond as friendship or something deeper, it remains one of the strongest character dynamics GMMTV has produced.

No series is completely flawless, and WU has a few minor imperfections. However, none of them meaningfully diminished my enjoyment because the strengths consistently outweigh the weaknesses. The series balances humour, action, horror, emotion and philosophical themes with remarkable confidence, creating an experience that remains engaging from beginning to end.

Some series entertain you. Others impress you technically. Very few genuinely stay with you after the credits roll.

WU belongs firmly in that final category.

It made me laugh, broke my heart, kept me invested in its mysteries and left me emotionally attached to nearly every major character. The emotional arcs feel earned, the mythology remains fascinating throughout, and the performances elevate an already exceptional script. It also rewards repeat viewings, with subtle foreshadowing and character moments becoming even more meaningful once the larger narrative comes into focus.

For me, WU represents not only the finest work Sky and Nani have delivered together, but also one of GMMTV's most mature, ambitious and artistically confident productions. It demonstrates that commercial popularity and thoughtful storytelling do not have to exist separately—they can strengthen one another when handled with genuine care.

If you appreciate supernatural fantasy, emotionally driven storytelling, rich mythology, exceptional performances and production values that consistently exceed expectations, WU deserves a place at the very top of your watchlist.

Quite simply, it isn't just one of the best Thai series I've watched.

It's one of the best fantasy dramas GMMTV has ever produced.

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Lacking Something Deeper

Wu could have been so good if it committed to something a little more than it had. While it had good bones, it felt like we had very little time to get invested in the characters before they're thrown into trying to stop a demon which, as the viewer, we are really only told why they need to do this, not shown it - which was my main issue with a lot of this show I think. It seemed like the characters kept telling me why they needed to do things/how they were feeling/etc instead of SHOWING me these things. It seemed like a show that needed to be longer to really get to delve into the feelings of the characters and their motivations. While I love a supernatural story, this one missed the mark for me. I wanted a little more from the big bad evil demon AND a little more of Pete's internal struggle with his own demon.

Also, I am totally cool with a story that doesn't have romance in it.....until you use every slow-mo zoom in, romantic music, pull him in until he's two inches from your face type move in the How to Make A Romance Show Book! For a company like GMM, who has made the vast majority of their money on queer media, to make a show that is this queer-coded only to make sure there's no queer romance feels like a slap in the face. And like I said - I do not need this media to be queer/romantic! But there are ways to make a show not a romance that truly make the show not a romance.....this was not the way. If you know GMM, you know that Sky and Nani are not a BL pairing, so I knew going into this that it was not a romance. HOWEVER! I have never felt so frustrated by a queer-baity show before. This isn't a show coming from somewhere that censors queer media, nor is it coming from a company that doesn't support queer media - in fact, it's actively using the profits of queer media to make a show that is 100% intentionally avoiding real queer representation.

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—tight, cinematic, and clearly crafted with care

I’m currently on episode 4 of WU, and I already think it’s one of the strongest series I’ve watched this year. It easily competes with shows like Khemjira in terms of quality and impact, even this early in the run.

The performances from Sky and Nani are superb—both bring a lot of depth and nuance to their characters, making every scene feel grounded and emotionally charged. Even though this isn’t a BL series, there’s definitely a subtle “BL scent” in their bromance that adds an extra layer of tension and chemistry without taking away from the main narrative.

What really stands out is how well-prepared and intentional the storytelling feels. Even as an ongoing series, the execution is already impressive—tight, cinematic, and clearly crafted with care. The emotional tone hits hard, giving it that high-budget, premium production feel.

So far, it’s gripping, well-acted, and genuinely addictive. I’m definitely locked in for the rest of the episodes.

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BESTEST THAI SERIES

I really really want people to watch this series, just because it has a bromance tag people purposely avoiding this series, pls don't hesitate just give a shot just one ep I can guarantee that you will hooked on the series.The story was moving fast yet steady,not boring at all each ep will give u an surprise am in LOVE WITH THIS SERIES, BESTEST THAI SERIES EVER MADE, This is a kind of series you can't just watch and move on, it has so many details and Deep meanings. One flaw i found in this series that it kinda rushed they could have added 2 more eps so we can explore more about other characters. Over all such a thrilling series to watch

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WU EP7

The thing about Niran is that he's not quiet for no reason. He navigated his life constantly questioning whether he deserved to be a "Wu" or not because of his grandfather. The way he's been living every day feels so meaningless that he doesn't even want to leave the Life Spirit Realm. He doesn't care if nobody comes to save him because he can't see the difference between the void and the real world.

He said he's always been dreaming and chasing after a butterfly, but he never catches it because the butterfly is the shadow of himself—the version of himself he's been running from all along.

I feel like he's passively suicidal. The numbness is too overwhelming for him to feel anything. The fact that he chooses not to leave because he believes there's nothing more to life is so sad. Even the love from the people around him can't save him, and he thinks it's too late for him to return.

The older Niran gave up on his life, but the younger Niran chose to trust Pete because he still had some hope. In this case, Pete actually heals Niran's inner child.

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I currently watching "Wu" and honestly, GMMTV and Parbdee absolutely knocked it out of the park with this one.
The plot is honestly so refreshing. It’s a supernatural fantasy thriller about Pete (Nani), who can detect dangerous spirits called Yao, and Niran (Sky), a mysterious guy who can alter destiny. The universe they built here is incredible. It’s not just random ghost hunting. the way the supernatural elements tie into real world politics and social issues makes the whole story feel grounded and smart. The pacing is perfect, every episode leaves you wanting more.
Can we talk about Sky and Nani? Their chemistry is the absolute heart of the show. The cinematography and VFX are top-tier. Honestly, it feels like watching a high-budget movie rather than a weekly series. The lighting is moody and stunning, and the CGI for the Yao monsters actually looks realistic and creepy.

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