New Employee Chairman Kang (2026)

Chaebol Guide for Dummies

Your drama is brought to you by Maserati (long live the rich) and Eggdrop (long live the poor).

How should you perceive this drama?
Are you a K-drama expert who’s had enough of increasingly absurd makjangs? Do you dream of a credible storyline, coherent characters, well-built twists, and a hint of romance? Do you hate being treated like an idiot by a drama? Then you’re in the wrong place: run. Run far away! On the other hand, are you just stepping into the world of K-dramas, unfamiliar with its codes and references? Or do logic and consistency simply not matter to you? Are you ready to switch your brain off for twelve hours and accept whatever the script throws at your face? Then yes, this might actually interest you—and even entertain you. Or maybe you’re like me: you know all the mechanisms by heart, but you still take a perverse pleasure in analyzing everything. Deep down, it’s so ridiculous it becomes funny at times. A bit masochistic on the edges, enjoying watching how far a screenwriter can push your tolerance for nonsense? Then sit back comfortably. Here, we don’t just push the envelope—we launch it into orbit. We’re once again aiming for the stars of mediocrity. You start wondering if the script was written by Bozo the Clown.

Kang Yong-ho (Son Hyun-joo) is the powerful chairman and founder of the massive Choiseong conglomerate. He is a ruthless man, obsessed with control and the success of his empire. On the other side, Hwang Jun-hyeon (Lee Jun-young) is a young football prodigy who has just signed his first professional contract with a first-division club owned by the chaebol. Unfortunately, his fate takes a turn the day he is hit by the boss’s Maserati—but he wasn’t the driver. Miraculously surviving, his career is nonetheless over. Seeking justice inside Choiseong’s headquarters, the two men get caught in an improbable accident. When they wake up, the shock is total: Yong-ho’s soul ends up in Jun-hyeon’s body, while Jun-hyeon lies in a coma inside the chairman’s body. Taking advantage of the fact that everyone believes him to be on the brink of death (and unable to rule), and discovering internal conspiracies led by his own twin children to seize his empire, Chairman Kang decides to strike back from the shadows. Armed with his business genius but trapped in a 20-year-old body, he infiltrates his own company by starting from the bottom as a simple intern (rookie).

This story inevitably brings Reborn Rich to mind. Why? Because it’s written by the same author. One might have hoped for a pleasant surprise. The premise—blending corporate thriller with a soul-swap fantasy—offered a compelling dynamic: the forced immersion of a young footballer into the complex, ruthless world of a family conglomerate. The generational clash, financial stakes, and latent succession war formed an ideal launchpad, supported by a fast pace that immediately hooked the viewer. Unfortunately, this well-oiled machine doesn’t last. After the two-thirds mark, the script abandons whatever little rigor it had and collapses into exaggerated twists and heavy-handed makjang devices. My verdict is clear: the story has absolutely no backbone. Another issue is the relationship that develops, reminiscent of a “Marty McFly syndrome” (Back to the Future), since the romance between Jun-hyeon (inhabited by Yong-ho) and the chaebol’s youngest daughter Kang Bang-geul (Lee Joo-myung) is fundamentally impossible—which, of course, makes sense. One last note: the tone constantly swings between light comedy and heavy drama, but without any nuance.

To wrap up its many plotlines, the script chooses the easy way out, relying on artificial shortcuts. The most basic rules of logic—medical, legal, corporate, or even physical—are regularly ignored just to force the story forward. It completely sacrifices credibility for immediate narrative efficiency. Characters are discarded for the sake of twists that pile up in the final third of the drama and make little to no sense. This lack of rigor inevitably affects character psychology, leading to sudden 180-degree turns with no believable transition. Unlike Reborn Rich, which had a structured narrative, Reborn Rookie treats the viewer like an idiot from start to finish. One key point: no one is even remotely shocked that a simple footballer magically possesses the business and financial knowledge of someone with 30 years of experience.

Between forced redemption arcs and constant plot reversals, restraint simply does not exist in this drama—it would almost be considered a sin. I do have to acknowledge that the main actors do their job well, with a special mention to Jeon Hye-jin, a well-established figure who no longer has anything to prove. She is very convincing as the main antagonist (there are several). Son Hyun-joo appears only briefly (at the beginning and end) and mainly serves as moral justification. Lee Jun-young carries the drama with his usual conviction, even though he is not responsible for the nonsense his character is put through. Most situations are neither realistic nor credible. We are constantly dealing with exaggeration and narrative overreach, because in reality, the “rookies” behind this are actually the director/screenwriter duo. The writer has already delivered a string of underwhelming works, despite her reputation boost from The Penthouse, a reference in makjang drama. And you can clearly see the same tricks being reused here, clumsily. There is rhythm, yes, but only because everything is pushed into an escalation of increasingly ridiculous twists. In terms of tropes and clichés, it’s fully maxed out. For newcomers it might work; for me, I’ve had my fill.

So if you also want to learn how to become a chaebol CEO in six months starting from the bottom—and understand why no one will ever question your suddenly acquired “out-of-nowhere” skills—sit down and take notes. I was originally going to give it a 6, since I did enjoy dissecting all the absurd situations you can see coming from a mile away, especially when everything inevitably falls back into place. But the ending is so stupid, lazy, and predictable that I deduct a point. Of course, expect a moral code that pretends to reward resilience, where everyone gets the punishment they deserve… Just kidding. We’re in chaebol land—where conscience is bought like a luxury car. Nothing truly new under the sun of Korean fiction: this drama recycles overused tropes without ever trying to make them coherent. However, it remains a dynamic series that is easy to watch, especially if taken with a sense of irony as a catalogue of narrative absurdities. A flawed work, but one that still fulfills its entertainment purpose… or not.

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hidden gem alert

i genuinely think the past couple of months have been one of the best kdrama eras we've had in a while because why is every drama suddenly so GOOD again?? and then there's reborn rookie, a drama i found completely by accident while doomscrolling. i clicked because the synopsis sounded fun, expecting nothing more than a silly body-swap comedy. little did i know i was about to find one of the biggest hidden gems of the year. this drama perfectly balances comedy with corporate politics, family drama, mystery, and just a tiny pinch of romance at the very end. every week i kept asking myself, "okay... but how are they gonna land this ending?" because body-swap stories can go downhill REAL fast. but nope. they actually pulled it off. i know it's adapted from a popular webtoon, but after hearing people's say about the original ending... yeah, i think the drama version is way better. the changes just make more sense and give everyone a much more satisfying conclusion.

the story follows kang young ho, the chairman of chaesong, who suddenly swaps bodies with young football player hwang jun hyeon after a car accident secretly caused by his own twin sons. and honestly? watching this old chairman casually speedrun rookie office life inside a young athlete's body was comedy gold. but underneath all the laughs, the drama slowly uncovers how terrifyingly greedy and cruel his own children have become, and that part hit harder than i expected. my biggest concern was definitely kang bang geul's crush on hwang jun hyeon because... WE knew that was technically her dad inside that body. i was stressing so bad wondering how the writers were gonna fix that without making it weird. thankfully, they cooked. after everyone returned to their original bodies, it turned out the real hwang jun hyeon had already fallen for bang geul while visiting kang young ho during his coma, so their relationship still worked naturally. and PLEASE... those last two minutes??? i was fully ready for the credits, then suddenly ITZY's Ryujin showed up out of nowhere and hwang jun hyeon ended up swapping bodies AGAIN. i actually laughed out loud. what an unserious way to end such a satisfying finale.

and can we PLEASE give lee jun young his flowers?? because wow. he wasn't just playing two characters—he was playing two completely different souls, and i could immediately tell who was who just from his expressions, body language, and the way he talked. that's insane. everyone else delivered too, from the main cast to the supporting characters, and even the villains were so good at making my blood boil. the writing stayed solid for all six weeks, the directing never lost its momentum, and every episode was just... FUN

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