At the fifth anniversary celebration of Xiao Xu and Qi Jing Luo's wedding, Qi Jing Luo's half-sister, Qi Tong Tong, suddenly appeared and shocked the audience by asking Qi Jing Luo to return her fiancé to her. Qi Tong Tong deliberately pushed Qi Jing Luo down, causing her to have a miscarriage, but Xiao Xu left first, holding Qi Tong Tong. This made Qi Jing Luo realize her mistake and decide to divorce Xiao Xu. (Source: Chinese = iQiyi || Translation = Google Translate) Edit Translation
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Where to Watch Ruler of My Heart
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Cast & Credits
- Yuan Yu HanQi Jing LuoMain Role
- Liu Xiao XuXiao XuMain Role
- Liu Han YangZhang QiaoSupport Role
- Fang Xin YueQi Tong TongSupport Role
- Su Xiao ChenXiao YuSupport Role
Reviews
This review may contain spoilers
Sensational performance by Liu Xiao Xu
Hmmm. Sometimes it takes a single performance to make you pause and realize how far an industry has come. Liu 萧旭’s turn in 全世界最爱我的她 is one of those performances — a reminder that the short-drama format, once dismissed as fleeting entertainment, can carry the kind of layered emotional weight that lingers long after the screen goes dark. His acting doesn’t rely on the theatrics of melodrama, but on carefully measured silences and subtle expressions that feel startlingly human. It’s no wonder audiences on Bilibili confess simply, “看完会哭” (“you’ll cry after watching”).What’s striking is how, while compact, mirrors the storytelling strength found in mainstream long-form dramas. Industry outlets note its ability to “细腻刻画人物内心世界” — to delicately sketch the inner lives of its characters — and Liu’s performance embodies exactly that. Watching him navigate grief, denial, and stubborn love feels not only personal but also emblematic of where Chinese dramas are heading: sharper pacing, emotionally immediate, and carried by actors who can do more with less.
In that sense, 全世界最爱我的她 is more than just a hit on domestic charts. It’s part of a wave pulling short dramas into international conversations, showing that the format can hold its own beside longer series and even films. If this is what actors like Liu 萧旭 can deliver within such constraints, then perhaps the question is no longer whether Chinese short dramas deserve the mainstream stage — but when global audiences will fully embrace them.
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