Someone else can pick.

11. At a distance, spring is green


Sorry, I was editing

10 dramas where SFL/SML seem to be as important as FL/ML (no comparison among SFL and ML and vice versa) 

Two titles I believe are even debatable on who is the ML and who is the SML.

1. Surplus Princess

2. Nail Shop Paris

3. All That We Loved - hard to say if there is a ML and SML, if there is it isn't revealed til the end

5. Just an Encore - Some viewers are confused as who is ML and who is 2ML

6. Bad and crazy - It is supposed you never have two ML. Here we have them and the purpose of the writer is unclear about who is the main main.

8. Dear Mayang Street - one drama that for me not clear who the ML from the beginning. One is FL love interest the other is the narrator of the drama

9. Discovery Romance - 2 man Fight over 1 woman

10. Start Up - writers seemed to be confused who's ML... 


Bonus: Cheese in the Trap - drama had second lead syndrome itself

10 titles where FL finds out her bf/fiance is already married/engaged/has a long-term partner and therefore she's a mistress

It also can happen to her in the past and be shown as a flashback

1. Doom at your service

2. Mad for each other

3. Call it love

4.How to Be Thirty (2021)

5.The Hymn of Death


9. She would never know

10.  A thousand day's promise

Next one;

10 titles where a mystery (like an unexplained phenomena, unsolved crime case...) from the past connects with the future/plot of the present day of the show/movie

1. Beyond Evil

2. Train

3. Blind

4. Chimera

5.Link: Eat, Love, Kill