Panda-san wrote: It's actually quite common in Japan for women to stay in the home after marriage. I read a statistic that said as much as 70% of women stay at home. Plus companies aren't willing to hire women, because it is traditional to quit their job after marriage, and married women may quit or go on maternity leave after having a child. Also, companies tend not to be accommodating to women who've had children while still employed; it isn't uncommon for them to be terminated. So companies avoid this by not hiring women in the first place. Saeko not being employed might be a cultural thing instead of her husband being an ass...but yeah it's unfortunate that he forbids her from seeking work outside the home. Japanese society seems to be rooted in traditional gender roles.
Panda-san wrote: It's actually quite common in Japan for women to stay in the home after marriage. I read a statistic that said as much as 70% of women stay at home. Plus companies aren't willing to hire women, because it is traditional to quit their job after marriage, and married women may quit or go on maternity leave after having a child. Also, companies tend not to be accommodating to women who've had children while still employed; it isn't uncommon for them to be terminated. So companies avoid this by not hiring women in the first place. Saeko not being employed might be a cultural thing instead of her husband being an ass...but yeah it's unfortunate that he forbids her from seeking work outside the home. Japanese society seems to be rooted in traditional gender roles.
lily_b wrote: I liked episode four. I do feel sorry for Saeko because her husband doesn't seem to be very nice (the little that we've seen of him - and yes, this is not the first drama where a married woman does not work, but it's sad that the husband says he forbids her to do things), but on the other hand, she seems to have gotten married on a whim... like, "yeah, marriage seems like fun and appropriate"... I don't really know what to think about her, except that she is not happy.
Sota though, he doesn't know this about her. Actually, I sort of like how his lovely fairy, his pretty muse, actually makes him happier by being unavailable. He's making her even more into an idol, an image. (Suffering makes his art better...) So in a way, he's getting farther and farther away from Saeko as a woman, sort of replacing her with the image of her. All the time when he was in France, she was just a dream, but now that she actually does want him as a woman (because she does, right?), he barely feels anymore that he wants to try to get her. It's not "I have to make chocolate because I love her", but "I have to love her because I make chocolate". I like it...
...And I don't feel like I know where I want this to end! Except for Olivier/Matsuri. They'll make a good couple. Right now, I suspect that there's something going on with that boyfriend of hers. More than him being together with her friend, I mean!
There was not a lot of Erena in this episode. I had expected, I don't know, something more, somehow, to come out of the meeting with her crush. Also, I feel a bit sorry for Rikudou, because he seems to think Sota is gay. :(
SumiTheCat wrote:
@Panda-san : about the Japanese society being rooted in its tradition, I cannot agree more. I was surprised last year reading a poll where 51% of high school girls were planning of becoming housewives and breeding their children instead of studying. No offense meant there, but I was expecting a far higher rate of girls wanting to have a professionnal life.