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This review may contain spoilers
Beauty, Brains, and a Third Act That Blinked
I can’t believe I’m writing this review again after accidentally deleting the first one, but maybe that’s fitting— this is the kind of drama that makes you want to revisit your thoughts anyway.
Let’s start with what ''Glory'' does exceptionally well.
- Visually, this drama is an absolute feast. The tone, the narrative style, the color palette, the costumes—every frame feels deliberate. The attention to detail pulls you straight into its world, and the OST doesn’t just accompany the story, it elevates it. This is one of those shows where aesthetics aren’t decoration; they’re part of the storytelling.
- The cast deserves genuine applause. Supporting characters aren’t just fillers here—they all have agendas, motives, and secrets. At various points, I found myself rooting for them, distrusting them, or doing both simultaneously. No one feels entirely safe, not even the characters who initially present as innocent. My naturally suspicious heart was on high alert from early on. Bonus joy: spotting so many familiar faces from short dramas felt like a delightful little Easter egg hunt.
- Plot-wise, the first two-thirds are rich, layered, and genuinely gripping. Tea cultivation heritage, a powerful family monopolizing an industry, murder mysteries, abductions, reverse harem undertones, and multiple no-nonsense female characters—it’s a dense mix, but one that mostly works. The Rong family arc in Linji, in particular, is where the drama truly shines. That stretch is confident, immersive, and sharply written.
- And then there’s the female lead. A queen, frankly. Cool-headed, scheming, razor-smart, and always ten steps ahead while chaos unfolds around her. She had me fully sold at the very first slap. What I admired most is her consistency—she never bends her core personality to appease the plot. I know the comment sections were in full meltdown mode over her “overly cool” demeanor, especially in romance, but you don’t get to ask for a strong, calculating woman and then complain when she’s emotionally composed. The traits that make her formidable are the same ones that make her restrained in matters of the heart. Personally, I loved her throughout and found myself applauding like a proud stage mom every time she outplayed everyone.
Now, where did I struggle?
- The male lead. HMH is endlessly charming on screen, and his portrayal of LJL—scheming, mischievous, shameless and morally grounded when it truly matters—was a joy, especially early on. He’s justice-driven, devoted, and willing to burn the world down for the woman he loves. That’s the good stuff. I genuinely enjoyed the leads’ dynamic up until around episode 20ish.
But in the final third, his character veers into insecurity and emotional neediness that didn’t quite work for me. This is entirely personal taste, but I tend to adore strong female leads paired with unwavering male leads. Watching him oscillate between fierce devotion and emotional instability left me conflicted—swooning one moment, mildly annoyed the next. HMH handled the role amazingly and made the character’s emotional arc believable, even when the writing choices didn’t fully work for me, and full transparency: I probably wouldn’t have picked up this drama if not for him. Still, I wish the writers had taken his character in a steadier direction.
- The final third of the drama also suffers in comparison to what came before. After spending around 30 episodes deeply invested in the Rong family arc, the Capital storyline—compressed into roughly six episodes—feels rushed. The pacing wobbles, the editing becomes uneven, and the overall narrative polish drops. You can feel the story sprinting toward the finish line instead of arriving with confidence.
That said, I still consider this a good drama, especially when viewed through a female-centric lens. From that perspective, it succeeds more often than it falters.
The romance is… fine. Enjoyable, but restrained. The chemistry is there, the kisses (though few) are undeniably fire, yet there’s a lingering sense that something is missing—more spark, more heat, more emotional payoff. Again, very much a personal take.
So, would I recommend ''Glory''? Yes, absolutely—especially if you go in knowing what kind of story it wants to tell.
Will I be rewatching it? Probably not. But am I glad I watched it? Definitely. It’s flawed, stylish, ambitious, and anchored by a female lead who refuses to dim her brilliance—and that alone makes it worth the journey.
Let’s start with what ''Glory'' does exceptionally well.
- Visually, this drama is an absolute feast. The tone, the narrative style, the color palette, the costumes—every frame feels deliberate. The attention to detail pulls you straight into its world, and the OST doesn’t just accompany the story, it elevates it. This is one of those shows where aesthetics aren’t decoration; they’re part of the storytelling.
- The cast deserves genuine applause. Supporting characters aren’t just fillers here—they all have agendas, motives, and secrets. At various points, I found myself rooting for them, distrusting them, or doing both simultaneously. No one feels entirely safe, not even the characters who initially present as innocent. My naturally suspicious heart was on high alert from early on. Bonus joy: spotting so many familiar faces from short dramas felt like a delightful little Easter egg hunt.
- Plot-wise, the first two-thirds are rich, layered, and genuinely gripping. Tea cultivation heritage, a powerful family monopolizing an industry, murder mysteries, abductions, reverse harem undertones, and multiple no-nonsense female characters—it’s a dense mix, but one that mostly works. The Rong family arc in Linji, in particular, is where the drama truly shines. That stretch is confident, immersive, and sharply written.
- And then there’s the female lead. A queen, frankly. Cool-headed, scheming, razor-smart, and always ten steps ahead while chaos unfolds around her. She had me fully sold at the very first slap. What I admired most is her consistency—she never bends her core personality to appease the plot. I know the comment sections were in full meltdown mode over her “overly cool” demeanor, especially in romance, but you don’t get to ask for a strong, calculating woman and then complain when she’s emotionally composed. The traits that make her formidable are the same ones that make her restrained in matters of the heart. Personally, I loved her throughout and found myself applauding like a proud stage mom every time she outplayed everyone.
Now, where did I struggle?
- The male lead. HMH is endlessly charming on screen, and his portrayal of LJL—scheming, mischievous, shameless and morally grounded when it truly matters—was a joy, especially early on. He’s justice-driven, devoted, and willing to burn the world down for the woman he loves. That’s the good stuff. I genuinely enjoyed the leads’ dynamic up until around episode 20ish.
But in the final third, his character veers into insecurity and emotional neediness that didn’t quite work for me. This is entirely personal taste, but I tend to adore strong female leads paired with unwavering male leads. Watching him oscillate between fierce devotion and emotional instability left me conflicted—swooning one moment, mildly annoyed the next. HMH handled the role amazingly and made the character’s emotional arc believable, even when the writing choices didn’t fully work for me, and full transparency: I probably wouldn’t have picked up this drama if not for him. Still, I wish the writers had taken his character in a steadier direction.
- The final third of the drama also suffers in comparison to what came before. After spending around 30 episodes deeply invested in the Rong family arc, the Capital storyline—compressed into roughly six episodes—feels rushed. The pacing wobbles, the editing becomes uneven, and the overall narrative polish drops. You can feel the story sprinting toward the finish line instead of arriving with confidence.
That said, I still consider this a good drama, especially when viewed through a female-centric lens. From that perspective, it succeeds more often than it falters.
The romance is… fine. Enjoyable, but restrained. The chemistry is there, the kisses (though few) are undeniably fire, yet there’s a lingering sense that something is missing—more spark, more heat, more emotional payoff. Again, very much a personal take.
So, would I recommend ''Glory''? Yes, absolutely—especially if you go in knowing what kind of story it wants to tell.
Will I be rewatching it? Probably not. But am I glad I watched it? Definitely. It’s flawed, stylish, ambitious, and anchored by a female lead who refuses to dim her brilliance—and that alone makes it worth the journey.
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