Editorials 
A drama this expensive, and support from the internal platform. Even han
Zhang Linghe’s Stiff Acting: Failing to Bring a Multidimensional Character to Life
The most significant criticism is directed at Zhang Linghe’s performance as Murong Qingyi. As the son of a warlord burdened by past trauma, the character should possess complex emotional layers—a blend of vengeance, love, and vulnerability. Unfortunately, Zhang Linghe’s portrayal is remarkably stiff; a sly smirk is simply not enough.
• Flat & Monotonous Expressions: When faced with intense internal conflict, his facial expressions often appear blank and lifeless.
• Inability to Match His Co-star: His lackluster acting becomes even more glaring when sharing the screen with Wang Churan. Instead of radiating an intense "love-hate" chemistry, his rigid demeanor makes their romantic interactions feel forced and cold.
2. Bizarre Camera Movement That Disrupts the Aesthetic
The direction and cinematography in *Overdo* amount to a form of "visual malpractice." Many have complained about the highly unconventional camera movements, which distract from the story—reminiscent of low-budget, vertical "micro-dramas," further exacerbated by excessive "beauty" filters.
• "Short-Drama" Style Angles: The camera often moves in a hurried, erratic fashion, utilizing jarring transitions. Far from looking cinematic, the visuals evoke the feel of a low-budget, vertical-format micro-drama. At one point, the camera even focuses on the back of a character’s neck while Wang Churan is speaking—a truly absurd choice.
• Illogical Focus: The director frequently forces extreme close-ups on characters' faces or, conversely, zooms in inexplicably on their feet or the ground, with no clear narrative justification. This creates a disjointed visual flow that becomes exhausting to watch.
The story itself is good, but I wouldn't recommend it to anyone prone to dizziness; the production quality is, in my view, visually jarring.
The most significant criticism is directed at Zhang Linghe’s performance as Murong Qingyi. As the son of a warlord burdened by past trauma, the character should possess complex emotional layers—a blend of vengeance, love, and vulnerability. Unfortunately, Zhang Linghe’s portrayal is remarkably stiff; a sly smirk is simply not enough.
• Flat & Monotonous Expressions: When faced with intense internal conflict, his facial expressions often appear blank and lifeless.
• Inability to Match His Co-star: His lackluster acting becomes even more glaring when sharing the screen with Wang Churan. Instead of radiating an intense "love-hate" chemistry, his rigid demeanor makes their romantic interactions feel forced and cold.
2. Bizarre Camera Movement That Disrupts the Aesthetic
The direction and cinematography in *Overdo* amount to a form of "visual malpractice." Many have complained about the highly unconventional camera movements, which distract from the story—reminiscent of low-budget, vertical "micro-dramas," further exacerbated by excessive "beauty" filters.
• "Short-Drama" Style Angles: The camera often moves in a hurried, erratic fashion, utilizing jarring transitions. Far from looking cinematic, the visuals evoke the feel of a low-budget, vertical-format micro-drama. At one point, the camera even focuses on the back of a character’s neck while Wang Churan is speaking—a truly absurd choice.
• Illogical Focus: The director frequently forces extreme close-ups on characters' faces or, conversely, zooms in inexplicably on their feet or the ground, with no clear narrative justification. This creates a disjointed visual flow that becomes exhausting to watch.
The story itself is good, but I wouldn't recommend it to anyone prone to dizziness; the production quality is, in my view, visually jarring.
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