This review may contain spoilers
not for you if you can't see things for what they truly are
shot entirely on an iPhone, the visual storytelling is outstanding. what particularly intrigued me was the use of long takes and prolonged silences which isn’t just stylistic, it’s emotionally resonant. these lingering moments, compelled me to sit in the discomfort and watch the characters’ inner emotional shifts unfold in real time. absolutely captivating.
Set against the vibrant Siam Square and graffiti-laced alleys, the show thrives in spaces that scream youth, rebellion, and unfiltered self-expression. And that makes me wonder that these settings aren’t just aesthetic choices, they reflect the internal landscapes of the characters, the rawness of adolescence and the turbulence of finding oneself.
ITSAY was lovely but i daresay this might just be kuno’s finest work yet.
Set against the vibrant Siam Square and graffiti-laced alleys, the show thrives in spaces that scream youth, rebellion, and unfiltered self-expression. And that makes me wonder that these settings aren’t just aesthetic choices, they reflect the internal landscapes of the characters, the rawness of adolescence and the turbulence of finding oneself.
ITSAY was lovely but i daresay this might just be kuno’s finest work yet.
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