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Here is one blogger's video link
https://weibo.com/1573919467/5346744093118323
She says: "“In a Bowl of Spring,” Xu Kai’s portrayal of Shen Run is absolutely outstanding… Though his screen time is limited, every scene he’s in is a standout. His nuanced eye work and subtle facial expressions are simply mesmerizing—so captivating… Xu Kai’s delivery breathes life into the character Yan Rui, delivering the sharpest lines with an air of nonchalance that perfectly suits the archetype of a powerful courtier. #一瓯春##电视剧一瓯春[超话]##一分钟精选视频扶持计划##微博二创视频创作季#
It's a reel it's so fun😀. If you can open weibo click this link https://weibo.com/5945154468/5345964194792382
Even now lot of bloggers mention Fucha Fuheng.That means he must have gotten wide appreciation back then. After that GuYanzhen and Wang lu, later on Yao Zhiming and Han Ting .He is repeatedly praised for these roles even now . Chen Hui is totally on another level and if I am not wrong it attracted many drama critics and they praised him a lot.
Chen Hui made him step up to the next level in acting and explore even more wider range. I hope Shen Run will become another iconic character.
What I noticed recently either on weibo or rednote is that he is getting praised a lot for his acting! On rednote I found some comments from casual viewers about how handsome and how good his acting in MR. During the broadcast people were critisising but now so many people praise MZY character and xukai acting.
My another guess is that he gained a lot of respect as an 'actor' after 800, so many people appreciated his acting in 800. On weibo I read some bloggers /critics praising him. Many of his fans shared that on X too.
Just want to know from you guys who have been a long time fan of him, that did these boggers wrote anything good about his acting before MR era or it started recently after 800.l?
Just now I came across another blogger praising xukai, am attaching it here.
Copy/paste:
I feel like Xu Kai has had a pretty good eye for choosing scripts these past few years. Not only is it not limited to a certain type, it can be controlled from ancient costume to realism to modern drama; more importantly, he is also constantly digging into himself, the more he can perform gray scale in the characters, the performance belongs to the game sense of human nature.
You know, a lot of actors have misjudged themselves. They want to challenge the possibility of actors and seek the boundaries of types. This kind of horizontal expansion can increase the breadth, but it does not necessarily deepen the performance. Width is “I can play anything”; depth is “how deeply can I portray a character?” These are two separate matters. Xu Kai’s acting pursuits are clearer. What he cares about is not human design, but what depth his energy can take the character.
Of course, the premise of everything is that he does not need to prove his actor expansiveness. In the early days, Fu Heng, the gentleman Bai Yueguang who was pure and forbearing in "Story of Yanxi Palace", seemed monotonous but performed a tragic performance. In "Le You Yuan", Li Yi, a rebellious general, the affectionate crying play makes people feel differently. There was also Wang Lu in "Once upon a time there was a mountain of spiritual swords", a cunning teenager with an anti-routine, poisonous tongue, and he also performed a balance between red purity and light comedy.
These roles give us more types of play space and let us see his control ability, but in recent years, Xu Kai has not stopped here. He began to head in a more difficult direction. For example, Yao Zhiming in "Chenghuan Ji", the business people who climbed up from the bottom, are rational and have a strong sense of purpose, and are used to weighing the pros and cons. Family of origin brings great trauma, sharp appearance and extreme desire for warmth in heart. In this character, the sense of game begins to go inward. It's not a game with others, it's a game with yourself.
But what really makes me think he is very tough is Chen Hui in "800 meters around. This role is the gray abyss of ordinary people. Conscience and desire continue to pull, take the initiative to choose to step into the mire. The game is not a court battle, but an inner struggle between family, kinship and jurisprudence.
The key is that Xu Kai's handling here is very life-like, but life-like is another layer of camouflage. He speaks well, but his eyes are dodging, weighing, and calculating quickly. The surface is calm, and the bottom has been weighing the pros and cons. Of course, the most rare measure is that he performed Chen Hui's involuntary performance. The audience could see his painful struggle and knew clearly that his choice had crossed the line. This is much harder than playing a purely evil character. Because the bad guys have a clear logic of behavior, and the grayscale characters don't. He is choosing every step, wavering, but every step is wrong. Xu Kai's sense of powerlessness is gradually magnified, and the manslaughter play is a good proof.
Therefore, because of these, I am curious about Shen Run in "One Ou Spring", because I think this will be another form of game feeling. Chaotang files, power-seeking confrontation, male and female masters test each other and pull. The object of the game is the bureaucratic group, the old case hatred, and the position confrontation with the female owner's love and hatred. This time I feel that Xu Kai will make this sense of game the background of the performance, not the plot setting. In the past, the script wrote "this person is very dark". Now Xu Kai will put the balance, vigilance and psychological attack and defense into the pause of each opponent's play. The more silent, the more immersive and powerful.
This is what has changed in the past few years. He is not an actor who merely follows the crowd in the industry. Instead of forcibly pursuing type diversity, he focuses more on human nature. He stopped pursuing "what can I play", he began to pursue "how deep can I play people". And this kind of deep digging depends not on explosive force but on control. Including many times he played the game sense, not confrontational, is hidden. It is hidden under the daily life, hidden in the proper and comprehensive speech, hidden in the eyes to dodge the second to penetrate the hearts of the people.
With Xu Kai like this, there’s definitely more to look forward to. When he treats each role as a deep dive. Dive to the bottom of humanity and touch the reefs and gravel. Then it floats up and gives the audience a wet sense of reality, and you know that such an actor is far from reaching his upper limit.#我在微博聊电影#
You guess positively for Zhoeye and all negetive for xukai, Why?
For others you give benefit of doubt like here Zhoeye is not promoting because she is 'shooting'. You are defending her but
not xukai . Your statement- xukai is attending because he is free,.....thats what zhoeye fans were saying on weibo when Bangkok schedule was released.
A true fan will never degrade their idol.
Drama promotion needs both leads whether they are
busy or not
and I am looking forward to their chemistry and ofcourse some promotion together.