Sensual, Forbidden Love Drama That I Loved Way Too Much
Love in the Moonlight is a gorgeous, emotional, sometimes over-the-top dramatic love story between a prince and a musician set against the political turmoil of the 60s. This couple that will undoubtedly linger with you long after the credits roll.
The plot is nothing new but the drama left me speechless simply because of its execution. I wouldn’t say it’s particularly high-budget, and yes, it has some sound issues, but the way it’s shot—and the creators’ attempts to recreate that old-school lakorn feel—actually adds an interesting flavor to the overall packaging.
The story revolves around an extremely complicated love triangle (but not quite a triangle) between a young woman Pin, Prince Saenkaew, and Pin’s cousin Sasin.
Pin and Saenkaew are engaged (or rather forced to) for their families’ mutual benefit. Saenkaew’s family is running away from the new political regime and needs to have a family is running away from the new political regime and needs to have a Thai relative to transfer their assets to to avoid confiscation. Pin’s family is broke. So the parents get together and decide that marriage is the best option for each family to get what they need.
And while Pin likes Saenkaew, he doesn’t see her more than her little sister. Not because there’s something wrong with her—no, she is very wifey material—but simply because he doesn’t like women.
Enter Pin’s cousin, Sasin. The sparks fly right away, even if characters are clueless in the first few episodes.
This a tension filled forbidden love trope set against the political turmoil of the early 60s, a time when same-sex relationships were frowned upon and people faced judgment for their feelings. This is especially complicated for a royal family. With the political regime changing, dignity and respect is all Saenkaew’s father thinks their family has left as they are on the run from the new regime that does not recognizing royalty. He does not want anyone to find out that his only son is gay, so whether Saenkaew wants to get married or not the poor guy has to. It’s the only way for his father to ensure his son is safe. But his father really does it in such a roundabout way, using every method available to him, including violence.
Poor prince Saenkaew is stuck in a hopeless situation. He is caring the legacy of his entire family on his shoulders. The stakes get higher when Sasin turns into more than just Pin’s cousin. He eve irritates Saenkaew's planned out life, throwing his world into chaos.
Let’s be real: the characters aren’t perfect. In fact, they’re far from it. Saenkaew and Sasin pull some morally questionable stunts—not particularly in terms of loving one another but in their efforts to shield others, especially Pin, from the truth. They are trying to solve the problem without taking into account that it’s not just the two of them, but their respective families in the picture. Yet, toward the end of the drama they are redeemable because they come to terms with their flaws. That includes Pin, who probably shouldn’t have done what she did. But I could actually understand why she did it. I think many women in such situation would do exactly the same thing. There wasn’t much time for them to think anything through before the wedding.
The acting is superb, especially the intimate moments between Sasin and Saenkaew; they feel natural and genuine rather than acted out. And the music? Absolutely amazing! It enhances the overall emotional and melancholic vibe of the drama.
Sure, you'll find yourself hating the characters at times. There are some truly unredeemable individuals in this drama, but, spoiler alert, they get what’s coming to them. While there's a sprinkle of comic relief, don't expect the lighthearted banter typical of K-dramas. For the most part, Love in the Moonlight is dramatically over-the-top, which works well to ground viewers in the era the creators are depicting.
There are episodes, like the heart-wrenching sixth one, that reveal the depths of the character's struggles, it hits hard.
I truly loved this drama. I've been on a bit of a bad streak with new BL dramas lately—trying out several—and only one was decent. But Love in the Moonlight turned out absolutely amazing! I doubt anything can top it from 2025, except maybe Top Form, but that’s a whole different kettle of fish. I’m mostly talking about the emotional depth, the complexity of the characters, and how intimacy is portrayed on screen.
If you like dramas that rip your heart before putting it back together, this one’s for you. The on-screen chemistry is truly remarkable. You may need to suspend your disbelief a little, but that's par for the course in any romance drama. Definitely give this one a watch!
The plot is nothing new but the drama left me speechless simply because of its execution. I wouldn’t say it’s particularly high-budget, and yes, it has some sound issues, but the way it’s shot—and the creators’ attempts to recreate that old-school lakorn feel—actually adds an interesting flavor to the overall packaging.
The story revolves around an extremely complicated love triangle (but not quite a triangle) between a young woman Pin, Prince Saenkaew, and Pin’s cousin Sasin.
Pin and Saenkaew are engaged (or rather forced to) for their families’ mutual benefit. Saenkaew’s family is running away from the new political regime and needs to have a family is running away from the new political regime and needs to have a Thai relative to transfer their assets to to avoid confiscation. Pin’s family is broke. So the parents get together and decide that marriage is the best option for each family to get what they need.
And while Pin likes Saenkaew, he doesn’t see her more than her little sister. Not because there’s something wrong with her—no, she is very wifey material—but simply because he doesn’t like women.
Enter Pin’s cousin, Sasin. The sparks fly right away, even if characters are clueless in the first few episodes.
This a tension filled forbidden love trope set against the political turmoil of the early 60s, a time when same-sex relationships were frowned upon and people faced judgment for their feelings. This is especially complicated for a royal family. With the political regime changing, dignity and respect is all Saenkaew’s father thinks their family has left as they are on the run from the new regime that does not recognizing royalty. He does not want anyone to find out that his only son is gay, so whether Saenkaew wants to get married or not the poor guy has to. It’s the only way for his father to ensure his son is safe. But his father really does it in such a roundabout way, using every method available to him, including violence.
Poor prince Saenkaew is stuck in a hopeless situation. He is caring the legacy of his entire family on his shoulders. The stakes get higher when Sasin turns into more than just Pin’s cousin. He eve irritates Saenkaew's planned out life, throwing his world into chaos.
Let’s be real: the characters aren’t perfect. In fact, they’re far from it. Saenkaew and Sasin pull some morally questionable stunts—not particularly in terms of loving one another but in their efforts to shield others, especially Pin, from the truth. They are trying to solve the problem without taking into account that it’s not just the two of them, but their respective families in the picture. Yet, toward the end of the drama they are redeemable because they come to terms with their flaws. That includes Pin, who probably shouldn’t have done what she did. But I could actually understand why she did it. I think many women in such situation would do exactly the same thing. There wasn’t much time for them to think anything through before the wedding.
The acting is superb, especially the intimate moments between Sasin and Saenkaew; they feel natural and genuine rather than acted out. And the music? Absolutely amazing! It enhances the overall emotional and melancholic vibe of the drama.
Sure, you'll find yourself hating the characters at times. There are some truly unredeemable individuals in this drama, but, spoiler alert, they get what’s coming to them. While there's a sprinkle of comic relief, don't expect the lighthearted banter typical of K-dramas. For the most part, Love in the Moonlight is dramatically over-the-top, which works well to ground viewers in the era the creators are depicting.
There are episodes, like the heart-wrenching sixth one, that reveal the depths of the character's struggles, it hits hard.
I truly loved this drama. I've been on a bit of a bad streak with new BL dramas lately—trying out several—and only one was decent. But Love in the Moonlight turned out absolutely amazing! I doubt anything can top it from 2025, except maybe Top Form, but that’s a whole different kettle of fish. I’m mostly talking about the emotional depth, the complexity of the characters, and how intimacy is portrayed on screen.
If you like dramas that rip your heart before putting it back together, this one’s for you. The on-screen chemistry is truly remarkable. You may need to suspend your disbelief a little, but that's par for the course in any romance drama. Definitely give this one a watch!
Was this review helpful to you?
