Nat

I must be honest: I do not like palace-intrigue historical C-dramas unless there is a decent amount of fantasy elements or romance takes up over 60% of the plot. That’s my baseline.

I started The Princess Royal several times but couldn’t get past episode 1. Now that I have finally finished it, I don’t understand why I couldn’t continue earlier. Maybe it’s because I went into it after watching xianxia—xianxias and historicals have a very different vibe. So perhaps the switch from one subgenre to another did not work at a time.

But this drama actually surprised me in a good way.

Production values and action

- Very high budget production. Everything from the costumes to the fight choreography felt top notch.
- I particularly liked the action scene in the first episode and there was a stunning sequence in the last episode.

There were additional strong action beats in between, but those two stood out.

Plot (brief, non-spoilery recap)

I’m not the kind of person to recap the plot — most people reading reviews already know the premise. They basically want to know if the drama is worth watching. But for anyone who doesn’t: it’s story about a married couple (who die) traveling back in time to the period before they got married. They get a second chance at life and must decide whether to repeat the same path or choose something else.

Pacing and storytelling

If you like palace intrigue, it’s absolutely worth watching — one of the better ones I’ve seen. The story moves pretty fast in terms of development. Yes, there are long dialogue-heavy scenes, but they don’t drag the plot. Most of them are fairly meaningful and easy to watch. There were only a handful of draggy scenes toward the end, but not nearly as many as in other historical dramas I’ve seen.

Acting and characters

The acting is superb. I particularly liked Zhao Jin Mai in this role. I didn’t like her in Shine on Me — she wasn’t convincing in that one for some reason (maybe direction). In The Princess Royal she was perfect.

There’s a love-triangle situation that settles halfway through. The tension between Pei Wen Xuan and Su Rong Qing is amazing and holds up until the end. This is one of those rare dramas where the tension between male characters vying for one woman is convincing and the second male lead doesn’t just exist for a trope — he has meaningful presence and development and actually is a worthy opponent.

A lot of characters were interesting and had good storylines. That’s rare for me in historical dramas; I usually skip a lot when it comes to supporting characters, but I didn’t here.

Lead couple: Li Rong and Pei Wen Xuan

Their relationship is complicated because they lived as half-enemies in the previous life—existing on opposite edges of the same circle. In their second life they get a chance to change things. The dynamic is enemies-to-lovers at first: they bicker, scheme against each other, and then marry again because despite their animosity they love each other deep down. Even if they don’t understand it just yet. Their relationship gets crazy and toxic, and very sweet eventually.

I liked the power dynamics a lot. Li Rong is a princess who’s a force to be reckoned with and is the dominant one in the relationship from the beginning and throughout.

Pei Wen Xuan isn’t always the guy to save the girl. She saves him plenty of times too. He’s shown vulnerable in many scenes (the punishment scene at his family’s place, fainting in the court session), though he still saves her too and gets injured doing so.

The best part I liked about his character is that he has learned his past life mistakes. He lets Li Rong take the lead often; he saves her but also allows her agency. I liked that balance.

Palace intrigue and supporting arcs

Reason why I said that this drama surprised me a lot being the palace intrigue drama is because romance is not as prevalent in here as I would like. It seems to be woven evenly into the main story arc which involves the struggle between the noble families and people who are opposing them. Despite my occasional dislike of palace intrigue, I liked the way it was handled here.

Many supporting characters and their storylines were compelling — a rare win for a historical for me.

Around episode 30 the emperor’s character/background comes in heavily, which is where many C-dramas suffer with long torturing scenes that could be trimmed. This drama does have some of that, but it isn’t as bad as usual.

Episode 33 has pretty sick plot twists that help keep the pace going.

Favorite scenes/episodes

Episode 20: the sequence where Pei Wen Xuan catches Li Rong in the flower field — I watched that sequence and the minutes before it several times. The cinematography and the execution and direction are amazing.

Episode 23: the banquet hole performance between the royal siblings, Su Rong Qing and Pei Wen Xuan — stunning.

First episode action and the stunning sequence in the last episode (already mentioned) are also standouts.

Specific dislikes/emotional beats

I hate how Su Rong Qing’s confession affected Li Rong after the cliff fall. It’s understandable Li Rong reacted that way after learning who truly killed her, but it was disheartening to watch her determination to care for her little brother disappear. I’m glad that in the end she allowed herself to believe in humanity again.

Ending and final impressions

The last three episodes were pretty good, with the exception of a couple of draggy scenes — but those dragged scenes made sense because they focused on major characters.

Bonus: it’s a happy ending. Characters who had tragic or sad outcomes in the previous life get good lives and good endings this time. Everyone gets what they want and what they deserve.

If you like historical female-centric dramas, palace intrigue, and are a fan of the actors, this is a pretty good watch.