This review may contain spoilers
Zhou Yiran’s rendition of Mu Qingyan is Why You Watch
Quick take
If you’re here for the romance, watch it for the romance — specifically if you like an obsessed, stalker-ish ML with a breathtaking on-screen presence who takes forever to grow. I personally started Generation to Generation because everyone was talking about that chair kiss, stayed for for Zhou Yiran’s rendition of Mu Qingyan, and stuck around because the drama is actually not as bad as people say it is.
First impression
The sets and costumes are very pretty and create an interesting atmosphere, but the production feels uneven. It doesn’t read as a high-budget drama overall, and my suspicion is that a lot of the money went to pay Zhou Yiran’s salary (and maybe Li Yunrui’s gorgeous guest role). The post-production definitely suffered a lot.
Things I liked
- Zhou Yiran’s Mu Qingyan: I’ll give him his own paragraph below, but he’s the main reason I stayed.
- Music and action scenes composition: some action scenes are amazing — I re-watched a few just for the way they’re scored and framed. There are other really good emotional scenes that are done very well. The ending butterfly scene in episode 18 is a standout: great soundtrack, set design, and camera work.
- Supporting cast and backstories: there are a lot of supporting characters, and many of their backstories are interesting (my favorite is the Mu Zhengyang and Cai Pingshu relationship). They add flavor, loyalty, and fun to the broader story.
Things that didn’t work
- Choppy camera work and inconsistent effects: some scenes have gorgeous slow motion and thoughtful framing; others look cheap (like speed changes done manually because the crew didn’t have the same professional camera they did the day before or they had an intern do the post on select days). It often feels like different teams handled different scenes.
- Color and composition problems: costumes, sets, and backgrounds blend together too much. Characters often disappear into similarly toned backdrops. For example, earth-toned clothes against an earth-toned mountain, which makes it hard to tell who or what you’re looking at without concentrating. The color grading feels inconsistent, and that distracts from otherwise pretty visuals.
Main characters
Mu Qingyan
Zhou Yiran’s rendition of Mu Qingyan is why I loved this one a lot. He’s a deliciously messy mix of a red flag and an occasional green flag, obsessive, manipulative, and needy, but also heartbreakingly loyal. He does awful things, and yet his sad backstory makes you root for him in spite of it. You might blame him for the things he does and for the fatc that he doesn’t grow up for the majority of the show but considering the first five years of his life, I’d say, it’s pretty normal. Zhou Yiran’s performance makes the character’s extremes compelling. The camera totally loves him. His close-ups are consistently gorgeous — if nothing else, it’s worth watching for the eye candy. He does grow toward the end of the show. Again, this is my first time seeing this actor in anyone at all, so I’ll check out his other work.
Cai Zhao
Cai Zhao is headstrong, stubborn, and mostly consistent. She’s decisive about a lot, except for accepting her feelings for Mu Qingyan — which drags on way too long. Her acting is solid, especially in episode 36, but the character itself isn’t particularly original; she’s a pretty classic “strong independent heroine” archetype. That said, she’s effective and sympathetic. And she as a character and her love story with Mu Qingyan are believable.
Supporting characters
There are a lot of sects and names thrown at you early, which makes it hard to track everyone at first. Still, many supporting roles are interesting and add texture. I just wish some of them had been integrated into the story more cleanly. Like we had one character for a first 6 episodes and then they are gone. But this is a writing problem.
Romance and pacing
Romance is mostly why I watched this drama. There’s a lot of push-and-pull between the leads that keeps you watching. The chair kiss is chef’s kiss, literally and figuratively. That said, don’t expect a lot of kissing. There’s more at the end and I wouldn’t say we’re getting the level of When Destiny Brings the Demon, but it’s also not the Long Ballad kiddie stuff. There are plenty of OTT high stakes moments that involve the conflict between the demon clan and the Six Sects, but here they largely work and add to the vibe. There are not too many draggy scenes. I only skipped a few times.
My main complaint in the romance department is Cai Zhao’s drawn-out denial. It’s obvious she likes Mu Qingyan almost immediately, and the prolonged inner conflict gets old. When she finally owns her feelings, the payoff is dramatic and very satisfying. I wish we'd had them together, I mean truly together a little longer.
Missed opportunities
The show wastes some chances to build stronger conflict and tension. For example, Mu Qingyan’s reintroduction after disappearing from the sect could have been handled in a way that created more lasting tension between the leads. Instead of just introducing him, having some sort of interesting situational reveal would be more impactful. There are other moments like that, but I won’t name them all. I think there is only that much you can do when you are rewriting a novel into a script.
Final verdict
This drama isn’t as bad as some people make it out to be. Yes, post-production feels like it’s stuck in 2020. There are missed opportunities to raise tension and tighten the script. The last two episodes slow down, and the way Mu Qingyan’s survival is explained feels rushed and offhand. It’s a bit anticlimactic and feels strange after all that action-packed run we’ve had with these characters.
Still, most characters get their happy ending, and I found the romance genuinely satisfying. At least for me. I needed something a little trashy with crazy ML, and that hit the spot, haha. I ended up enjoying the drama more than I expected. If you go in knowing not to expect top-tier cinematography and CGI, there’s a lot here to like — strong romance, standout performances (especially Zhou Yiran), and some genuinely beautiful scenes. The plot itself isn’t bad at all. There’s a central mystery that keeps things going. The conflict between the Six Sects and the Demon Clan could have been explored better, but again, there’s only so much you can do with the source material.
I would say give it a try before reading all the negative reviews. I saw dramas with much higher ratings that I dropped because they didn’t hold my attention. Generation to Generation is definitely not for everyone, but some will love it.
If you’re here for the romance, watch it for the romance — specifically if you like an obsessed, stalker-ish ML with a breathtaking on-screen presence who takes forever to grow. I personally started Generation to Generation because everyone was talking about that chair kiss, stayed for for Zhou Yiran’s rendition of Mu Qingyan, and stuck around because the drama is actually not as bad as people say it is.
First impression
The sets and costumes are very pretty and create an interesting atmosphere, but the production feels uneven. It doesn’t read as a high-budget drama overall, and my suspicion is that a lot of the money went to pay Zhou Yiran’s salary (and maybe Li Yunrui’s gorgeous guest role). The post-production definitely suffered a lot.
Things I liked
- Zhou Yiran’s Mu Qingyan: I’ll give him his own paragraph below, but he’s the main reason I stayed.
- Music and action scenes composition: some action scenes are amazing — I re-watched a few just for the way they’re scored and framed. There are other really good emotional scenes that are done very well. The ending butterfly scene in episode 18 is a standout: great soundtrack, set design, and camera work.
- Supporting cast and backstories: there are a lot of supporting characters, and many of their backstories are interesting (my favorite is the Mu Zhengyang and Cai Pingshu relationship). They add flavor, loyalty, and fun to the broader story.
Things that didn’t work
- Choppy camera work and inconsistent effects: some scenes have gorgeous slow motion and thoughtful framing; others look cheap (like speed changes done manually because the crew didn’t have the same professional camera they did the day before or they had an intern do the post on select days). It often feels like different teams handled different scenes.
- Color and composition problems: costumes, sets, and backgrounds blend together too much. Characters often disappear into similarly toned backdrops. For example, earth-toned clothes against an earth-toned mountain, which makes it hard to tell who or what you’re looking at without concentrating. The color grading feels inconsistent, and that distracts from otherwise pretty visuals.
Main characters
Mu Qingyan
Zhou Yiran’s rendition of Mu Qingyan is why I loved this one a lot. He’s a deliciously messy mix of a red flag and an occasional green flag, obsessive, manipulative, and needy, but also heartbreakingly loyal. He does awful things, and yet his sad backstory makes you root for him in spite of it. You might blame him for the things he does and for the fatc that he doesn’t grow up for the majority of the show but considering the first five years of his life, I’d say, it’s pretty normal. Zhou Yiran’s performance makes the character’s extremes compelling. The camera totally loves him. His close-ups are consistently gorgeous — if nothing else, it’s worth watching for the eye candy. He does grow toward the end of the show. Again, this is my first time seeing this actor in anyone at all, so I’ll check out his other work.
Cai Zhao
Cai Zhao is headstrong, stubborn, and mostly consistent. She’s decisive about a lot, except for accepting her feelings for Mu Qingyan — which drags on way too long. Her acting is solid, especially in episode 36, but the character itself isn’t particularly original; she’s a pretty classic “strong independent heroine” archetype. That said, she’s effective and sympathetic. And she as a character and her love story with Mu Qingyan are believable.
Supporting characters
There are a lot of sects and names thrown at you early, which makes it hard to track everyone at first. Still, many supporting roles are interesting and add texture. I just wish some of them had been integrated into the story more cleanly. Like we had one character for a first 6 episodes and then they are gone. But this is a writing problem.
Romance and pacing
Romance is mostly why I watched this drama. There’s a lot of push-and-pull between the leads that keeps you watching. The chair kiss is chef’s kiss, literally and figuratively. That said, don’t expect a lot of kissing. There’s more at the end and I wouldn’t say we’re getting the level of When Destiny Brings the Demon, but it’s also not the Long Ballad kiddie stuff. There are plenty of OTT high stakes moments that involve the conflict between the demon clan and the Six Sects, but here they largely work and add to the vibe. There are not too many draggy scenes. I only skipped a few times.
My main complaint in the romance department is Cai Zhao’s drawn-out denial. It’s obvious she likes Mu Qingyan almost immediately, and the prolonged inner conflict gets old. When she finally owns her feelings, the payoff is dramatic and very satisfying. I wish we'd had them together, I mean truly together a little longer.
Missed opportunities
The show wastes some chances to build stronger conflict and tension. For example, Mu Qingyan’s reintroduction after disappearing from the sect could have been handled in a way that created more lasting tension between the leads. Instead of just introducing him, having some sort of interesting situational reveal would be more impactful. There are other moments like that, but I won’t name them all. I think there is only that much you can do when you are rewriting a novel into a script.
Final verdict
This drama isn’t as bad as some people make it out to be. Yes, post-production feels like it’s stuck in 2020. There are missed opportunities to raise tension and tighten the script. The last two episodes slow down, and the way Mu Qingyan’s survival is explained feels rushed and offhand. It’s a bit anticlimactic and feels strange after all that action-packed run we’ve had with these characters.
Still, most characters get their happy ending, and I found the romance genuinely satisfying. At least for me. I needed something a little trashy with crazy ML, and that hit the spot, haha. I ended up enjoying the drama more than I expected. If you go in knowing not to expect top-tier cinematography and CGI, there’s a lot here to like — strong romance, standout performances (especially Zhou Yiran), and some genuinely beautiful scenes. The plot itself isn’t bad at all. There’s a central mystery that keeps things going. The conflict between the Six Sects and the Demon Clan could have been explored better, but again, there’s only so much you can do with the source material.
I would say give it a try before reading all the negative reviews. I saw dramas with much higher ratings that I dropped because they didn’t hold my attention. Generation to Generation is definitely not for everyone, but some will love it.
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