Mark Cousins once suggested that a quick way to success is a wedding in your series/film. It didn’t quite work out in “Love and Crown”, by Jiangsu Satellite TV currently shown on Netflix.
It starts with a bride-to-be in a red dress seeing revenge at a CGI location mimicking Court of the Fountain in the city of Minas Tirith!? During the course of this 30+ episodes it only gets further away from being a remotely coherent story.
But if you are willing to give it a try, or not try to reason with the unreasonable, there is an exceptional leading man who burns both ends of the candle portraying a king who ruled nations but not himself. Yet still, it is imbued with profound anxiety, jealousy, constraint, angst, and a commanding, yet nuanced, regal posture.
There is also the question of quite what makes a family – how strong loyalties can be without a blood tie, how weak they can be despite them.
On-screen chemistry gets better in later parts of the series. undecided on the remaining 7 or so episodes as it's already been written that the ending follows the "Tragic path" - it already feels unearned when it betrays the story's established tone, and most importantly the character development.
It starts with a bride-to-be in a red dress seeing revenge at a CGI location mimicking Court of the Fountain in the city of Minas Tirith!? During the course of this 30+ episodes it only gets further away from being a remotely coherent story.
But if you are willing to give it a try, or not try to reason with the unreasonable, there is an exceptional leading man who burns both ends of the candle portraying a king who ruled nations but not himself. Yet still, it is imbued with profound anxiety, jealousy, constraint, angst, and a commanding, yet nuanced, regal posture.
There is also the question of quite what makes a family – how strong loyalties can be without a blood tie, how weak they can be despite them.
On-screen chemistry gets better in later parts of the series. undecided on the remaining 7 or so episodes as it's already been written that the ending follows the "Tragic path" - it already feels unearned when it betrays the story's established tone, and most importantly the character development.
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