I love every scene specially actions. Love to watch again. Iloveyou Jung Jin man since first I saw you. The series was so good I recommend this Korean series.. The cast and everything so cool and also add cast in other country like Thailand and Japan. Love this series.
......................
THE ACTION: I personally didn’t see any better action in this season. That knife fight between Jianman and Bale alone in season 1 is far better than all the fights in season 2 put together.
THE CGI: It was what it was. But that scene where the two photographs are blown away by the wind was just too much. I did like those terminator bots, though.
Overall, I’m very very disappointed in this season. Yes, it’s very unlikely that season 2 would top season 1, for any show, even though there are exceptions (Breaking Bad and Better Call Saul). But the least they could’ve done was not make this show so ordinary, devoid of the sheer force, grit, and heart that season 1 was. Deviating from the source material was a PHENOMENAL MISTAKE on their part.
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.
The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.
......................
THE ACTION: I personally didn’t see any better action in this season. That knife fight between Jianman and Bale alone in season 1 is far better than all the fights in season 2 put together.
THE CGI: It was what it was. But that scene where the two photographs are blown away by the wind was just too much. I did like those terminator bots, though.
Overall, I’m very very disappointed in this season. Yes, it’s very unlikely that season 2 would top season 1, for any show, even though there are exceptions (Breaking Bad and Better Call Saul). But the least they could’ve done was not make this show so ordinary, devoid of the sheer force, grit, and heart that season 1 was. Deviating from the source material was a PHENOMENAL MISTAKE on their part.
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.
The creators decided to go their own way for this season, which is absolutely fine, and I would applaud them for that, but only if the result wasn’t so… ORDINARY.
In and of itself, this season is a fine one-time watch. But the moment you put season 1 into perspective, this season looks very amateurish and downright silly.
Following are some of the amateurishness / silliness I encountered:
THE VILLAINS: Gone are the dread and absolute horror that Bale induced in the first season. There’s not a single scene that comes even close to his scene of dropping grenades in that room full of women, and his subsequent evil stare of dark delight. His replacements are two entitled ladies, who yap a lot, especially the boss, say cheesy lines, act out, make faces, and just end up being a caricature. Annoying and laughable? Absolutely. Menacing or dread-inducing? Oh, please.
THE TWISTS: None of the twists, and I mean none of the twists, were unpredictable. The writing was so pedestrian at times that the twists became an obvious course of action. The one place they could’ve inserted a fine twist was when Pasin was made into a traitor. Right there, was a fine opportunity to make him into a double agent, but they missed it and messed up the whole thing. Him becoming a traitor felt so forced and out of character. I was once surprised, though, when Jianman announces to Pasin that he’s now the kidnapper of his son, but that went absolutely nowhere, as Pasin is killed off five minutes later, making the “twist” irrelevant.
THE HUMOUR: What humour?
THE EMOTIONAL HEFT: Again, what emotional heft? There’s not a single scene that would parallel that moment when our little Jian was left locked in that room in the school and her relief and outburst at the sight of her rescuer, her uncle. I choked up, even after watching it three times.
Or that quiet gut punch when, while trying to escape, she ends up in the same morgue cooler where her mom’s dead body is stored. That fraction of a moment where she learns her mother is no more, and she embraces her dead body, hoping to be saved…or to die, but in the arms of her mother. Or that dramatic scene where our grown up Jian steps out of her hiding with a severed head, no less, negotiating with her almost-killers. There is NOT A SINGLE scene in this season that would come close to these.
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