This review may contain spoilers
Another ruined drama with great potential.
Pursuit of Jade had the potential to be a masterpiece, boasting amazing pacing, gripping storytelling, and a strong cast. Unfortunately, this is derailed by the female lead, Changyu, whose exaggerated, overpowered persona ruins the show.
The breaking point is the absurdity of Changyu knocking out the Marquis mid-battle. After mere weeks of training with an Old Taoist and some generals, she expects to be a de facto commander. Why would an army blindly follow a newcomer who just assaulted their leader? Despite the Marquis’s built-up reputation as a formidable, city-capturing general, he’s constantly reduced to a stumbling, heavily wounded mess. Meanwhile, Changyu, a former butcher, walks away with barely a scratch.
This highlights a glaring lack of creativity in Eastern fantasy. Writers seem trapped between helpless damsels and flawless badasses who need no saving. Where are the nuanced characters with actual flaws? The recent "butcher girl" trope feels like a lazy shortcut to assert female independence. Worse, the casting and choreography clash terribly. Giving a delicate, doe-eyed actress a brute-force fighting style is visually jarring; modifying her combat to fit her physique would have been far more believable.
This unnatural empowerment also exposes the stale male lead. Like many current Asian dramas, the ML is a stoic plank of wood. While the supporting cast has actual personality, you could swap this ML into a dozen other shows and no one would notice.
Dropped at episode 30! Creators must learn to weave in female empowerment with subtlety and prioritize believable characters over logic-defying tropes.
(Written with the help of GenAI)
The breaking point is the absurdity of Changyu knocking out the Marquis mid-battle. After mere weeks of training with an Old Taoist and some generals, she expects to be a de facto commander. Why would an army blindly follow a newcomer who just assaulted their leader? Despite the Marquis’s built-up reputation as a formidable, city-capturing general, he’s constantly reduced to a stumbling, heavily wounded mess. Meanwhile, Changyu, a former butcher, walks away with barely a scratch.
This highlights a glaring lack of creativity in Eastern fantasy. Writers seem trapped between helpless damsels and flawless badasses who need no saving. Where are the nuanced characters with actual flaws? The recent "butcher girl" trope feels like a lazy shortcut to assert female independence. Worse, the casting and choreography clash terribly. Giving a delicate, doe-eyed actress a brute-force fighting style is visually jarring; modifying her combat to fit her physique would have been far more believable.
This unnatural empowerment also exposes the stale male lead. Like many current Asian dramas, the ML is a stoic plank of wood. While the supporting cast has actual personality, you could swap this ML into a dozen other shows and no one would notice.
Dropped at episode 30! Creators must learn to weave in female empowerment with subtlety and prioritize believable characters over logic-defying tropes.
(Written with the help of GenAI)
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