A Worthy Match for Nirvana in Fire – And a Villain Who Refuses to Fall
This drama is a gem. I rate it a solid 10/10 for its gripping story, compelling characters, and flawless execution. It has everything – an intricate and layered plot, electrifying on-screen chemistry between the leads, a truly formidable villain, an outstanding cast, stunning costumes, breathtaking cinematography, lively set designs, and a beautifully composed soundtrack.
Chen Du Ling and Xin Yun Lai shine as the lead couple. Chen brings depth and vulnerability to Zhuang Han Yan, a girl wrongfully branded as the “barefoot devil” after a dubious Taoist priest blamed her for her grandfather’s death. Sent away to live with her father’s friend, she endures mistreatment at the hands of a mentally unstable guardian before finding her way back home. Yet her return is far from peaceful – her biological mother, the legitimate wife, wants her gone, and the priest resurfaces, threatening her life once again.
Enter Fu Yun Xi, deputy minister at the feared Investigation Bureau – an institution notorious for extracting confessions through torture. He pressures Han Yan to reveal the truth about her foster parents’ deaths, threatening to expose her involvement if she refuses. Throughout the series, he straddles the line between foe and ally – investigating her while secretly helping her. The tension between them is electric, their past shrouded in complexity. Is Fu Yun Xi truly her enemy, or is he the only one she can trust?
Once you press play, it is almost impossible to stop. At first, the villains seem clear – scheming concubines and their children – but soon, deeper layers unravel. The true mastermind is revealed as the adopted son of Pei, a once-powerful eunuch rumored to have hidden a vast fortune that vanished with his death. Tracking him down, gathering evidence, and bringing him to justice is no easy feat. He is one of the most challenging villains to defeat, and taking him down risks implicating many innocent lives.
This is what makes the drama so compelling – the moral dilemmas, the complexity of justice, and the sense that every decision comes at a cost.
I absolutely recommend this drama. Its current 8.3 rating on kisskh feels far too low for a production of this calibre – a score closer to 8.7 or even 9 would be much more fitting.
However, I find the English title 'The Glory' rather irrelevant and lacking the poetic resonance of the original. It feels somewhat disconnected from the essence of the story, as if chosen mainly to echo the success of other popular dramas. A title like 'The Return' would be far more fitting and much closer in spirit to the original Chinese title.
Chen Du Ling and Xin Yun Lai shine as the lead couple. Chen brings depth and vulnerability to Zhuang Han Yan, a girl wrongfully branded as the “barefoot devil” after a dubious Taoist priest blamed her for her grandfather’s death. Sent away to live with her father’s friend, she endures mistreatment at the hands of a mentally unstable guardian before finding her way back home. Yet her return is far from peaceful – her biological mother, the legitimate wife, wants her gone, and the priest resurfaces, threatening her life once again.
Enter Fu Yun Xi, deputy minister at the feared Investigation Bureau – an institution notorious for extracting confessions through torture. He pressures Han Yan to reveal the truth about her foster parents’ deaths, threatening to expose her involvement if she refuses. Throughout the series, he straddles the line between foe and ally – investigating her while secretly helping her. The tension between them is electric, their past shrouded in complexity. Is Fu Yun Xi truly her enemy, or is he the only one she can trust?
Once you press play, it is almost impossible to stop. At first, the villains seem clear – scheming concubines and their children – but soon, deeper layers unravel. The true mastermind is revealed as the adopted son of Pei, a once-powerful eunuch rumored to have hidden a vast fortune that vanished with his death. Tracking him down, gathering evidence, and bringing him to justice is no easy feat. He is one of the most challenging villains to defeat, and taking him down risks implicating many innocent lives.
This is what makes the drama so compelling – the moral dilemmas, the complexity of justice, and the sense that every decision comes at a cost.
I absolutely recommend this drama. Its current 8.3 rating on kisskh feels far too low for a production of this calibre – a score closer to 8.7 or even 9 would be much more fitting.
However, I find the English title 'The Glory' rather irrelevant and lacking the poetic resonance of the original. It feels somewhat disconnected from the essence of the story, as if chosen mainly to echo the success of other popular dramas. A title like 'The Return' would be far more fitting and much closer in spirit to the original Chinese title.
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