Ayumi Chan

I'd love to see it, but I don't know where to look for it.

De rien. Je suis Italienne, j'ai étudié à l'école française et anglaise, mais je pense toujours, surtout quand j'écris beaucoup dans d'autres langues, à faire des erreurs de grammaire ou de syntaxe inévitables.

I have stockpiled negative messages of release, here and there in all the languages ​​I know. Remember all that it is a fiction, a television show, no matter how much you can become attached to a character, this has ended up in a predetermined world, a character and not a person that exists only in the stage fiction. The most important thing that remains is the messages that this drama launches and I have highlighted the most important ones in a previous post.

I wanted to review the episode more calmly to comment on it. Then I start from extremely positive things:

1) The acting of Wayne (Hao), from a novice boy in the field of acting, I never expected such a skill, made the protagonist's moods absolutely flawless , he knew how to measure pain, sadness, impossibility of giving himself peace, a pretense of having found some precarious balance and powerlessness in front of the event that devastated him.

2) The raw scenic realism. I appreciated this drama because it highlighted an adherence to the greater reality and with a less fabulous view of the events. It focused on the everyday life and personal growth of each individual. Telling a love story that starts from two teenagers, one of whom is still very immature, who are about to become young adults, meant seeing a path of inner and even physical growth (I don't know if you noticed, but there is a change in Hao's physique between ep 8 and 9, the bodily difference between him and Yu is much more pronounced) of change in motivation and priorities, in realizing what is truly important. Just telling the everyday life and the simple things that can happen in the life of every couple regardless of who the couple is forming is the strength of this story. So how many times does it happen in real life that a person who deserves only the best, after have lived the worst and worked so hard to achieve a goal, which would deserve a simple and happy life more than any other, how many at the height of their happiness are cut down, by the unpredictable, like an accident?

Even the simplest and most stupid domestic accidents, not necessarily a car that invests you. Honestly, the news is full of them. And a story with a great adherence to reality and to real life shows just this the inevitability, the fatality. No one is guilty and no one could foresee it, it was a sudden accident. The harsh reality can affect anyone. It is so.

I would like to make a slight parallelism, it is not something that concerns the two characters in itself, as they are very different from each other, but a similar thought was born in my mind seeing the episode, as it was years ago for the jmovie Boys Love where at the conclusion I sadly asked myself "How many Noerus are there in the world? What can I do for them?" while Hao got drunk with Sun stopping the video I asked myself: "How many Yu end up like this in reality? Really many ... too many and what remains to those who loved them, they are tears that can't flow, because you can't blame yourself of a fatality."

3) Even if we have been presented with 2 main couples, the real protagonist is Hao, his life path and his change due to the miracle made by Yu, to transform a rascal into a conscious adult, who chooses alone, not because forced by another or events, to realize the dreams that the lover can no longer making them his dreams.

Now the bad things:

1) The holes in the script already present in the first episodes become chasms in the last episode. First throw the obvious infatuation of one of the twins towards Yu, then suddenly vanishes, don't go into the question.

2) The past of Gang badly managed, would have deserved more space his past history, maybe to make his parents appear, make him interact with them, not the nephew who practically acts as postman and then because you showed us that sign on the shoulder making believe Was it a scar attributable to the past, then was it just the bruise of when it hit the gym?

3) Throughout the narrative you have sent those beautiful messages and then in the last dialogue you have Hao say a sentence that could be misinterpreted and that in light of all the positivity, casts a shadow on the real intentions of the boy. "Now I am ready to see him again, I will go as I promised him on the Himalayas, when I am on the mountains and I look at the sky it is as if I felt his touch / it is like I could touch him." To see it again in a metaphorical sense is poetic, but in a simplistic sense would not its real intention sound like a "I go there to commit suicide"?

4) I know it is bad to say, but instead of using BLACK (in the technical language in the world of cinema the expression using black means creating a temporal detachment, cocluding a chapter of the event and at the same time opening another on a different timeline set either in the past or in the future, but sometimes it is also used to omit an uncomfortable or too explanatory scene if it is a TV show divided into episodes), in any part of the 10th episode it would have been better to insert a simple flashback in sequence even mute where the images of what happened flowed, the most salient ones and the immediate reactions of the others were enough, a minute would have been enough, instead it was not partially told to us by others and lacking the reactions to the bad story he feels floating the loss of Yu, Gang who considered him as a little brother, does not even mention him once. Cut out and encouraging, so it turns out. The hot reactions of the others are lacking, they would not have been inappropriate or sad, but coherent. You chose reality, well the reality is made up of the reactions of those who were closer to life, not just a person.

5) From the dialogue between Hao and his ex-girlfriend it would emerge that his aunt had a funeral secretly made, why? So it would seem that Hao himself could not participate and not even know where the remains of his beloved are, a forcing into useless sadness.

6) This is what appears to be wickedness, even if it makes sense from the point of view of who wrote the script, to have Yu's performer, another character to confuse the waters to the public, play from an "Ehy" you could not immediately understand he was dubbed. It generates too much confusion in the end, even if it is put there to want to understand: "it is not enough to find one that resembles him externally, Yu is not repeatable and to Hao's love for him went far beyond his appearance" as if this had not been sufficiently clear already ...
And when Hao says "Bye-bye" in that tone, as if they should never see each other again, accentuate even more the very strong impression that Hao is planning everything to commit suicide or let himself die contemplating the sky after reaching the highest peak of the Himalayas as if he could touch him again in an illusory way, is really strong.

Also in the novel released in a limited version in Taiwan there are two endings with the presence of an "If" Yu had not died.

And now I'll reveal a little anecdote long ago when I wasn't even looking at the series and I read the title (which is actually the subtitle) carelessly, while I was doing something else instead of Make our days count I had read "Our days counted" ... eham it was an involuntary prophecy....

In any case, with all the flaws and the choice of the end, the series has the merit of having told the story of everyday life and reality, for the first time avoiding fairy tales, so it deserves respect. Then everyone has their tastes.

Furthermore, the whole series seems to have been a plagiarism. I went around the web and I managed to find the title of the manga of which MODC should be plagiarism. This is LUCKY KUN a bl of 1989, fortunately you find everything scanned and translated both in my language and in English for those who want to read it. Indeed there are several similarities, even with, at least the initial idea, the second story of History1. The story ends even worse The plot is about two boys who find themselves half brothers and although they are both engaged to girls, they have very different characters, they end up falling in love with each other. One of the two is a thug and does not intend to go to university, the other would like to study astronomy. After a while together, Subaru (the one who wanted to study astronomy) suffering from a mild form of anemia, he goes out to go to the station and forgets his wallet, his half-brother / partner goes to bring it to him and finds him dead after an accident car ...

Since I have written a lot and English is not my native language I will certainly have made some grammatical-syntactic errors, I apologize, however I hope that what I have written is in its entirety quite understandable.

From the plot it would seem a heated soup of other drama with a very similar type of plot. No duplication, please!

J'essaie de vous répondre en français, l'écriture est un proverbe chinois ou une devise (bien que universellement connue): "Lorsqu'on est contraint par le temps de passer à autre chose, ce n'est qu'à ce moment-là que nous réalisons que ces précieux souvenirs sont les jours que nous avons passés ensemble
À: Chaque jour unique"

I know that most of you are angry with this ending, I was expecting a sad ending for the law of large numbers, even though I tried to play down the comments I left, things were spinning too smoothly. Only one thing I'm sorry was badly managed, but this work has a profound meaning, the memories of what we have lived will always remain with us and there will be consolation in the dark moments, but until we have metabolized them we will not see their splendor, but we will try in some way to relive them by living in the past a fictitious present.

Now he is devoting himself to something else, I think he lives (or stays often) in Amsterdam. He never talks about his past life in his tweets or on instagram, in his new site it says that he considers himself "a survivor". I personally think that he misses acting, he put everything into himself in this field and he was also good, but in Japan I don't think it's possible anymore, maybe one day who knows, but now he is dedicated to something else, we hope for business go well.

it is an unfinished ... everything remains hanging and the fish would like to be the key to reading the film in reality, two of the same species that cannot be in the same place together because they end up injured ... there would have been a thousand other ways to tell more decently this story.

Of 2019 there is only ABC killer. :(

On www.bilibili.com there are some clips of a few minutes each of the episode uploaded on Hulu so somewhere there will be the raw of the one that went only on hulu, no? We need to find it. :(
From what little I saw it seemed more interesting than ABC killer.

On www.bilibili.com there are a short clips of the second episode, so somewhere there will be the raw of the one gone only on hulu, no? We need to find it. :(

Rip, in the glass no kamen she was the only actress I really liked and she was very much in the role to play, she will always be the ideal Tsukikage-sensei.

At the beginning the phrase attracted me: "I want to live my life being myself!" It should be the modus vivendi of all without any discrimination. Uhm perplexity, in something this film has touched me, probably the character of Priscilla, the only one who can say has a complete sense (remember me of a character in a Yoshimoto book). But the protagonists, were they there for function? Yuta: in some moments the actor makes it well, in others it seems to me the classic idol considered pretty good thrown there to attract the female audience, yet! Yet this time it had taken a more realistic path, closer to the real tangible, even the way of presenting the characters, the gay bar that reminds me incredibly of a film a few years ago, I think American or some European country that had a plot in some places very similar, but I absolutely don't remember the title. The main story is practically not there, not is it well defined, they look like bits of life taken here and there. But I really enjoyed the scene of the child and Yohei who comforts him, understands it. I noticed it faster than the typical slowness of Japanese films in truth, but it could have been done much better, too bad, the most correct path had been taken. In Japan (and not only) the LGBT world is still seen with very blurred outlines, full of prejudices and clichés and has no real legitimacy, not a great legal protection, maybe with this film a road is taken in telling true stories that really face the temeatics sometimes here only lightly touched, they are welcome, but all over the world films of this genre, that can open their eyes and ears closed to any change of mentality. The ending is neither happy nor sad and not even hopeful, in my opinion it is so thrown away as it is, unless I want to give it a following, then in that case it would be more understandable. The story is and remains hanging, as well as its main characters, neither meat, nor fish, dispersed in the air.

Although the film is hilarious and I appreciate it, the fact remains that the basic story already in the manga is extremely weak in itself. Despite some good premise, like too many with the passage of the chapters it becomes a crass and useless fan-service from the narrative point of view because it adds nothing, at least in the film they have collected part of what was better, to keep only the irony they deliberately skipped, the only serious part of the manga. I appreciate some scenes more than others, it's a funny movie, it lets itself be watched, but nothing more. I've had better, even the ending, or rather the non-finish is thrown in there as well.

Finally! I hope it is the adaptation of the last part of the manga that definitively closes the past of Kenshin and Tomoe. I was waiting for so many years, the previous film was incomplete to me.

Because as soon as I opened the page, without clicking anything, it began to appear pop-up of advertising pages, up to block my PC. Thanks for the link to download the special, I can finally at least see it. Too bad there is no way to even see episodes on Hulu outside of Japan; it so sad. I really like this drama very well written and played very well.

There is to add that he directed Tatami

There isn't a drama at this link, only ads

Yes, but for wactching it Hulu is off-limits out Japan
;__;