W two worlds Season 2 sc

That's how reverse harem dramas like hospital playlist work, where the female character is the most IMPORTANT of all!
But I guess with totalitarians like pixar supervisor, writers are not allowed to create anything but woke propaganda. With such people, no Asian drama could still exist. Just close MDL.

Sky castle is a good drama too and I liked it. But I don't see the point to compare the two dramas, they are differents. Not the same tone.

I'm sorry, but even if wanted to, I couldn't ruin it by myself, I don't have superpowers.
Just remember dramas like Start-Up or Love Alarm, and expect something of this kind.

Season 1 give the clues we need, so it's possible to know where the story goes. ;-)

It's the magic of writer Kim Soon Ok.
She write parody and crazy dark comedy but...
... she still make a strong story, so you end to take this seriously and be involved.
Then, of course, you can't sleep in your bed. ^^
Crazy talentuous screenwriter. Tell me where I can send her a love letter. ;-)

The only one drama I'm watching live, because I don't have time to watch something else.

I know how it will turn. But if I say it, people will be disappointed. It's a spoiler !
Just watch the drama and be disappointed by yourself, or because the writer. :-)
Everybody know the proverb : Kill the messenger ! So, I say nothing more. ^^

Be quiet, cheer up! The writer can't ruin a plot when there is no plot. ;-)

Hey hey, I feel like you found a good hole about this transplant.
I wonder if the writer will give a quick errata, anything. Like "the brother had run away from home at that time and could not be contacted". ;-)

It's ok, do it, I'm not on youtube. It's related about plots building, yes. Check the most complicate plot-driven stories. We get something like that in Penthouse, 36x cliffhangers per episodes. Easy to choose one at the end of the episode, but still, she's able to get the best one, almost each times, without slowing down the story. It's difficult because, let's say, you set the cliffhanger but you don't have enough content, so you put fillers. But here there is no fillers nor slow down. The story building is somewhat labyrinthic from the writer point of view. Of course, we spectators don't bother with that, and we just get the result where all flow naturally at fast pace. But behind, the writer need to have good ideas everywhere. Almost no scene is boring in the drama, so the writer prepared that with a lot of ideas, and all this need to be coherent about the storytelling (what is different from the coherence of the realism).

That's what Im killing myself saying since the writer's previous drama. ^^
However, the video forgets to talk about one thing. Despite the absurdity of many elements, the storyline is hard to write. A lot of plot-twists are intertwined, the pace is fast. And you can see that the writer has built the structure of the script before. Not within the reach of the first writer. This is the consecration of her career, after having written a lot of more classical makjang (but also full of dark-comedy and irony), each reaching 50h or 60h of content.

I still think the design of the characters is good. Especially Jang "maggoty". But what the drama does with them is slow and painful. It's a bit of a caricature of character-driven story not managing to exploit its content and find captivating situations. Regularly, I lose attention during some dialogues, my mind goes elsewhere.

Romance? Probably a trap. Jang is a secondary character.
The direction is clean, but almost always the same shots. Quite static, boring.
The script has problems yes. Overused and unappealing dialogue. Scenes too long. Lack of visuals. Characters who tell. Even in a slice of life, it doesn't work. It gets better towards the last episodes, but we still encounter typos. The drama drags itself like a ball and chain.

Yes I prefer the dead stay dead. But everytimes I read comments here, people always want to see their darling alive. So, Shim Soo Ryun was alive, Ro Na too...
It's not pathetic writing, it's more a necessity. Also, it need to keep the cast.
On the poster, there is characters, audience wan't them all. It's part of the game and the fun. Bring back a character into action. Classic twist, and if a drama have the right to abuse this kind of plot, it's the Penthouse, as a crazy makjang.

The pace is beyond anything I watched before. Even, for the first time I could say, a bit too fast!

No you exagerate ! I didn't even understood it was PPL.
But in the episode, we get a true PPL, quite short : Yoon-Hee use a kind of vibro on her face. For once, it's not in a comedy scene. Just a short shot with only that.
I prefer when Seo-Jin throw her nescafe in Secretary Do face. ;-)

Damn, it's a nice idea... But it would make x2 the same trick. It was used already for Shim Soo Ryun. Also, I feel it was really Logan in the car explosion. I rather bet than the actor is popular. So it's a way to give him screentime during season 3, as well to make parody.

This is the kind of extravagant character this writer can pull out of the hat. Like in The Last Empress, with the martial arts guru, or the face transformation in two months. Crack-Majkang! :-)

I also have a problem with the transition out of prison. At the same time, I kind of understand. Putting everyone in jail at the end of season 2 was the best possible plot twist. It would have been crazy to miss out on that idea. However, when you push the limit, you also have to deal with what comes next. The first part of episode 1 did that well, with the hard life of all those bastards in the jail. But if the script goes too far into that, it will end up looking like PrisonBreak. So, it's a bit of a necessary evil from a storyline point of view.

I buy your idea for the ending, but it has to be done in the Penthouse rules: they all fall off the roof... except one person. Who? ^^

Ah ah! No idea.
I try to don't think too much... so I'm surprised by the next twist. ;-)

Hey hey, I feel like Yoon Hee prepare a new betrayal. :-)