This review may contain spoilers
Solid buildup, weak payoff
So off the bat I'm gonna spoil and summarize the whole drama in one sentence: After rescuing an injured Marquis, a humble pig butcher realizes her true potential and becomes a war general, all the while discovering her true past and the political intrigue that led to the deaths of her parents, as well as changed the fate of an entire kingdom.
From the first episode to maybe around episode 26, I would say this drama was almost movie quality. Tight script, well acted, thoughtful camera angles and editing, chef's kiss. I gave it a 10/10. FL is a strong, sweet, honest girl whose background as a butcher's daughter clearly endowed her with courage and fortitude. She fearlessly confronts adversity while maintaining a compassionate attitude towards those around her, and it is this combination of strength and softness that draws both ML and the viewer to her. Tian Xi Wei is an expressive actress who is natural in her portrayal in a way that does not seem overdone. She is also superb in the fight scenes, and it's so satisfying to watch her battle the villains in the story. Admittedly, the bad parts of this drama are all independent from her and Zhang Ling He's ML, whose acting is the best I've personally seen to date. He has a strong masculine presence that gives his character a certain weight and mystery that I hadn't seen even in Story of Kunning, where he played another character who was potentially dark and more than he seemed. ML isn't afraid to humble himself and let FL shine, and their relationship, aside from a few hiccups, is one based on mutual generosity and support.
The side characters, such as SML and SFL, are also very interesting and offer a unique foil to the main romance. The characters weave together organically and their interactions with each other are some of the best scenes. Even the children are adorable, and the director clearly knows how to work with children because he's able to capture that spontaneity of childhood so that most if not all lines feel like they're actually coming from the child, and not something the child had been forced to repeat.
Episode 26 and onwards, it starts getting a little confusing. I'm not sure if it was because it was rushed, it seemed like the script itself had vital parts removed and Scene A doesn't quite connect with Scene B. The show also starts telling you things instead of showing you. It's still definitely watchable, but the journey feels a little forced, there are plotholes and gaps in logic that weren't present early in the series. There was also an overuse of dying scenes, but in a weird way, like a villain would receive what looked like a death blow 10 minutes prior and multiple scenes later, you as a viewer already dismissed their story as being closed, but all of the sudden the show cuts back to them and they're still alive somehow and ready to give a final monologue. It's very out of touch with what the audience actually wants to see at that moment; we're all happy to be done with that particular storyline but the show dragged us back to go through a redundant scene all over again. Still a relatively minor infraction, in my opinion, but kind of disappointing given how good the first half of the show had been. Still, 8/10 in this section, so overall above a 9/10.
Then Episode 39 just becomes a hot mess. ML and another character start fighting in the middle of defending the palace during a coup, intending to settle their differences while their troops are still fending off a mutual enemy by staging a 1-on-1 sword battle in the middle of nowhere. It's so out of the blue that I can't even watch the cinematography because the idea itself is so ridiculous. In a rush of about 30 minutes, you're fed, through cringy dialogue, a rushed and sloppy explanation in order to clarify what instigated the drama's entire plotline, and it's so full of asinine logic I got annoyed that anything happened in this story. It wasn't just stupid characters acting stupidly in character, because that wasn't the problem. The writing just didn't make sense. The motivations didn't make any sense. When good characters died, I couldn't care, because their decisions leading up to this were so stupid that I felt neither satisfied nor disappointed with the outcome. Similarly, the main leads did get a happy ending, but it was so cringe after everything leading up to it that I couldn't feel happy about them either.
Episode 40 actually ends with some kind of what-if scenario where key events in the backstory didn't happen, and the characters are supposed to be happier versions of themselves, but with some remnant of the main storyline lurking in their intuition or something. The final scene was so awkwardly done it almost turned the whole thing into a sitcom, capping one of the more compelling arcs in the story with this bizarre gag moment that left the characters confused and the audience pretty ambivalent.
Overall, an absolutely disappointing way to end what should have had so much potential, what was clearly carried out so well in the first half of the series. I think ultimately the show bit off more than it could chew. It sought to create a heroic saga, but the script's best attribute was actually in the slice-of-life moments in the village. There were too many villain factions, up to 4 separate forces plus a red herring for a 5th, and it was impossible to expand on all of their motivations in a way that allowed the intrigues to make any sense. I know people were even confused as to which villain they're seeing, which is a sign that you have too many villains. If the audience can't sympathize with why the drama is choosing to show us these things, they should be eliminated altogether. If I were the scriptwriter, the four factions should all be combined into 1 villain faction, and the red herring can be dangled so that we get an interesting plot twist at the end. Instead, all of the villains seemed shallow, the fight scenes lost their impact, in fact one apparently got shoved in there just because, and FL's "growth" toward becoming a general didn't feel earned and seemed entirely pointless. Even the expositions to try to clarify the hot mess of an ending only served to confuse even more. This ending is bad enough that for me, it completely undoes my desire to ever watch this series again, and even the nice beginning does not really make up for how everything falls apart.
I sincerely hope Tian Xi Wei and Zhang Ling He do work together on another series, costume or modern, and I will be looking at all the other actors to see what other shows they're in, because I do not blame the actors at all for the lousy way this all resolved. I will also be monitoring the director, who I think did a superb job with what he's given and even the choppy editing is likely due to how impossible it was to connect a sloppy script. I think there is still a way to enjoy this series and if you already know the ending, which you can find in spoilers and comments, you can stick to the good parts and avoid the rest, but if endings matter to you, the way they do to me, this is not really a drama to invest in.
From the first episode to maybe around episode 26, I would say this drama was almost movie quality. Tight script, well acted, thoughtful camera angles and editing, chef's kiss. I gave it a 10/10. FL is a strong, sweet, honest girl whose background as a butcher's daughter clearly endowed her with courage and fortitude. She fearlessly confronts adversity while maintaining a compassionate attitude towards those around her, and it is this combination of strength and softness that draws both ML and the viewer to her. Tian Xi Wei is an expressive actress who is natural in her portrayal in a way that does not seem overdone. She is also superb in the fight scenes, and it's so satisfying to watch her battle the villains in the story. Admittedly, the bad parts of this drama are all independent from her and Zhang Ling He's ML, whose acting is the best I've personally seen to date. He has a strong masculine presence that gives his character a certain weight and mystery that I hadn't seen even in Story of Kunning, where he played another character who was potentially dark and more than he seemed. ML isn't afraid to humble himself and let FL shine, and their relationship, aside from a few hiccups, is one based on mutual generosity and support.
The side characters, such as SML and SFL, are also very interesting and offer a unique foil to the main romance. The characters weave together organically and their interactions with each other are some of the best scenes. Even the children are adorable, and the director clearly knows how to work with children because he's able to capture that spontaneity of childhood so that most if not all lines feel like they're actually coming from the child, and not something the child had been forced to repeat.
Episode 26 and onwards, it starts getting a little confusing. I'm not sure if it was because it was rushed, it seemed like the script itself had vital parts removed and Scene A doesn't quite connect with Scene B. The show also starts telling you things instead of showing you. It's still definitely watchable, but the journey feels a little forced, there are plotholes and gaps in logic that weren't present early in the series. There was also an overuse of dying scenes, but in a weird way, like a villain would receive what looked like a death blow 10 minutes prior and multiple scenes later, you as a viewer already dismissed their story as being closed, but all of the sudden the show cuts back to them and they're still alive somehow and ready to give a final monologue. It's very out of touch with what the audience actually wants to see at that moment; we're all happy to be done with that particular storyline but the show dragged us back to go through a redundant scene all over again. Still a relatively minor infraction, in my opinion, but kind of disappointing given how good the first half of the show had been. Still, 8/10 in this section, so overall above a 9/10.
Then Episode 39 just becomes a hot mess. ML and another character start fighting in the middle of defending the palace during a coup, intending to settle their differences while their troops are still fending off a mutual enemy by staging a 1-on-1 sword battle in the middle of nowhere. It's so out of the blue that I can't even watch the cinematography because the idea itself is so ridiculous. In a rush of about 30 minutes, you're fed, through cringy dialogue, a rushed and sloppy explanation in order to clarify what instigated the drama's entire plotline, and it's so full of asinine logic I got annoyed that anything happened in this story. It wasn't just stupid characters acting stupidly in character, because that wasn't the problem. The writing just didn't make sense. The motivations didn't make any sense. When good characters died, I couldn't care, because their decisions leading up to this were so stupid that I felt neither satisfied nor disappointed with the outcome. Similarly, the main leads did get a happy ending, but it was so cringe after everything leading up to it that I couldn't feel happy about them either.
Episode 40 actually ends with some kind of what-if scenario where key events in the backstory didn't happen, and the characters are supposed to be happier versions of themselves, but with some remnant of the main storyline lurking in their intuition or something. The final scene was so awkwardly done it almost turned the whole thing into a sitcom, capping one of the more compelling arcs in the story with this bizarre gag moment that left the characters confused and the audience pretty ambivalent.
Overall, an absolutely disappointing way to end what should have had so much potential, what was clearly carried out so well in the first half of the series. I think ultimately the show bit off more than it could chew. It sought to create a heroic saga, but the script's best attribute was actually in the slice-of-life moments in the village. There were too many villain factions, up to 4 separate forces plus a red herring for a 5th, and it was impossible to expand on all of their motivations in a way that allowed the intrigues to make any sense. I know people were even confused as to which villain they're seeing, which is a sign that you have too many villains. If the audience can't sympathize with why the drama is choosing to show us these things, they should be eliminated altogether. If I were the scriptwriter, the four factions should all be combined into 1 villain faction, and the red herring can be dangled so that we get an interesting plot twist at the end. Instead, all of the villains seemed shallow, the fight scenes lost their impact, in fact one apparently got shoved in there just because, and FL's "growth" toward becoming a general didn't feel earned and seemed entirely pointless. Even the expositions to try to clarify the hot mess of an ending only served to confuse even more. This ending is bad enough that for me, it completely undoes my desire to ever watch this series again, and even the nice beginning does not really make up for how everything falls apart.
I sincerely hope Tian Xi Wei and Zhang Ling He do work together on another series, costume or modern, and I will be looking at all the other actors to see what other shows they're in, because I do not blame the actors at all for the lousy way this all resolved. I will also be monitoring the director, who I think did a superb job with what he's given and even the choppy editing is likely due to how impossible it was to connect a sloppy script. I think there is still a way to enjoy this series and if you already know the ending, which you can find in spoilers and comments, you can stick to the good parts and avoid the rest, but if endings matter to you, the way they do to me, this is not really a drama to invest in.
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