12: The Drama That Should’ve Stayed in the Drafts
If you value your time, your sanity, or even the tiniest shred of respect for good acting, skip this disaster. 12 isn’t just bad; it’s the kind of bad that makes you question every life choice that led you to press play.I was excited at first. The cast was (is) Top-tier. The concept? Promising. I thought we’d get something smart and thrilling, maybe in line with Moving (2023), with its superhuman flair and team dynamics. Instead, what we got was a tragic waste of talent and a storyline so nonsensical it could have been written by a sleep-deprived raccoon with a keyboard. From start to end, it was so sloppy and rushed, and still, there was no story at all.
The zodiac element sounded like a really cool idea in theory, but then it was butchered into nonsense. The directing? All over the place. The pacing? Torture. Even the acting, which should’ve been the saving grace, fell flat, probably because the actors themselves knew what a dumpster fire they were stuck in. Watching brilliant performers drowned in this chaos was genuinely painful.
I’ve endured some questionable dramas in my time, but nothing compares to the train wreck that is 12. It didn’t just waste potential, it assassinated it. Honestly, I need my eight hours back, a refund for my patience, and maybe even therapy for the emotional damage.
12 isn’t a drama. It’s a crime against storytelling.
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