Alaskan

The Korean version of this drama is not the wrenching Greek tragedy that the Japanese one was and that is both bad and good to me. Bad because it was not as emotionally disturbing as the Japanese version. And good because … it was not as emotionally disturbing as the Japanese version. The Japanese version left me feeling completely drained. This one is not quite as upsetting. I like the characters in this Korean version better. Kim Moo Young is not as damaged and Yoo Jin Kook is much more sympathetic. I think all of the actors did a great job, particularly Seo In Guk.

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I loved this. It starts out at a fairly leisurely pace (despite a tragic death) but then takes off with a bang so that the last fifty-three (53!!!) episodes seem to pass by much faster than the first twenty. What sold it to me is the Ming Lan character, who is much smarter and savvier than she appears at first -- plus it’s funny that she seems to be eating constantly. I have to say that it was difficult for me to connect the characters as adults to their child counterparts, with the exception of Xiaotao. I really liked Gu Tingye as a child, who seemed confident but not cocksure, principled, and mature beyond his years. I understand that his abusive family helped turn him into what seemed to be a vain, out-of-control, and immature adult and that he wasn’t really that way but I sometimes sympathized with others, including members of his family, when they found him irritating as hell. But then he would save Ming Lan in the nick of time or prove how smart and wily he was and I would forgive everything.

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Serenade of Peaceful Joy is an odd title for a drama that deals primarily with an emperor and the reforms he attempts during the Song dynasty. I like the emperor when he is governing but hate him when he’s dealing with his personal life, including the way he treats his empress and concubines. He’s not mean to them but he unintentionally hurts them because he’s basically clueless. It’s especially crushing to see the empress change from a cheerful, smart, opinionated girl trained in martial arts and swordfighting to a repressed, uptight, and infinitely sad woman. Not much joy there. Not very peaceful either. It should have been called Elegy of Endless Melancholy.

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First the positives: Shin Hye Sun is a great actor, many of the scenes were beautifully staged and shot, and the premise was interesting.

Unfortunately, my list of negatives is much longer. I felt that the promising premise was squandered by big gaps in the writing and poor execution. For example, I had trouble believing that the ML would fall as quickly as he did for a FL who stalked him and said very strange things, instead of scurrying away as fast as he could on those long legs of his. Ahn Bo Hyung did a good job when the drama required him to act emotionally frozen. Except that he pretty much did that thoughout. I thought that the child actors were very good but I struggled to believe that the leads had fallen deeply in love when children. I blame the writing for that. The whole car crash subplot fizzled, primarily because it required one to believe that characters would react in implausible ways. The ending had more gaps and, “Wait, how can that be … ?” than the average drama.

I think that the drama was ruined by poor writing.

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I felt like this drama never became too predictable. I liked the fact that the villains were sympathetic (well, except for Hosung, whose pretty face I wanted to punch (haha) by the end). Yes, there were legal bloopers but they weren’t so distracting that I couldn’t shrug and get past them. Most of all, I liked the point counterpoint as everyone tried to manipulate and out-maneuver everyone else. I sometimes feel like I’m losing brain cells while watching some Korean romantic comedies. With Punch though, I think that I had a net gain in brain cells because I was also trying to figure out Jung Hwan’s next move.

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The long, drawn out romantic moments between the two leads are, well, too long and drawn out. Gah. If they show one more sweet moment between those two, I’m going to go into diabetic shock. They keep gazing at each other with such sappy puppy dog eyes that I can’t believe that the whole country, let alone the rather obtuse palace dwellers haven’t figured it out. You know it’s bad when you think that Kim Yoon Sung killing a bunch of people is much more romantic than the Crown Prince declaring undying love (over and over and over) for the I-can’t-believe-no one-has-figured-out-that-he-is-a-she leading lady.

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The lead couple has sizzling hot chemistry. You might enjoy this, especially if you like the combination of smirky teasing hero (there are times when I sympathize fully with the villain’s desire to throttle the hero) and fierce and fearless heroine. There are enough political machinations, elaborate fight scenes (oddly bloodless for the nameless hordes, only the main characters seem to bleed), and lavish spectacle to keep things interesting. I especially appreciate the touches of humor, which keep the story from bogging down under its own weight and seriousness. Both lead actors, Yang Mi and Ethan Juan, are killing it.

Sure, there are logical lapses and “wait, what?” moments. There are some fantasy elements that might remind you of Harry Potter. But I don’t recall any shirtless scenes in Harry Potter, particularly anything approaching the Ethan Juan shirtless scenes….

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I fast forwarded through this one a lot. Jung Kyung Ho is one of my favorite Korean actors but this drama is a mess. Is it a commentary about Korea’s class divides and rich parents and their precious children, with their associated pressures and competitiveness? a star teacher’s journey back from a stressful and isolated existence? a murder mystery? I wouldn’t have a problem with it being all of the above, if the writer had done a better job of pulling it all together or making many of the side characters more than one-note caricatures. I assume it’s also supposed to be a romance because, well, the word “Romance” is in the title, after all. But there is little romantic spark. Nam Haeng-seon comes across more like Chi-Yeol’s older sister than a possible object of his desire. Plus I really really hate how she treats her brother. Finally, why do many Korean romcoms have serial killers lurking in them? Is it an attempt to add dramatic tension to poorly written fluff?

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Many things bothered me about this drama, not the least of which was the Jang Se Mi character, who came across as predatory and creepy. I’ve never liked the drama trope that indicates that it’s a sign of true love when someone ignores a person’s NO and instead aggressively pursues that person (e.g., Secret Garden). Jang Se Mi was particularly problematic because she got too close when the object of her affection was sleeping or impaired or physically weak. I did wonder at one point whether the writer was tryng to play to homophobic fears. In addition, all of the other love lines came off as more crude and tawdry and less romance and roses to me.

The writing seemed so off that I looked up the screenwriter Im Sung Han.

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I wonder whether I would have been able to power through this drama had I waited and binged the whole thing. Instead, the plot and the acting are not interesting enough to sustain interest during the lengthy time between every episode's airing. I'm finally giving up and I feel that a weight has been lifted. Haha I'm free. At first the dogs were kind of cute and it was fun having a high school story revolve around the teachers rather than students. The drama was intermittently funny, especially the scenes with Yoon Hyun Soo. I also liked the actor Park Gyu-young in "Dali & the Cocky Prince" and "Romance Is a Bonus Book."

But Cha Eun-woo cannot act to save his life. Whenever he is on screen, I feel like I'm watching a brick wall, albeit a pretty and decorative brick wall with nice eyebrows. It doesn't matter whether he is running around with a sword slicing people up or putting on glasses and teaching, he looks like all he is thinking of is his skin care regime.

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