REALLY GOOD,ENTRILLING,GREAT STORY,ENGAGGING.
I went into this show with **very low expectations**, assuming it would be just another short, forgettable mini-series with a routine love story. Nothing ambitious, nothing that would stay with me. But as the episodes progressed, that assumption quietly collapsed.What started as casual viewing slowly turned into genuine attachment. The plot, while not flawless, carries a **slightly unique emotional tone** that sets it apart from typical romances. It doesn’t rely solely on surface-level attraction; instead, it builds tension, sacrifice, and emotional endurance. The writing may stumble at places, but the **intent behind the story is clear**, and that intent pulls you in.
The **acting is exactly what the story demands**—raw where it needs to be, restrained where silence speaks louder than words. The leads, in particular, do a solid job of making the emotions feel lived-in rather than performed. Many moments land well, and several scenes are genuinely satisfying, especially when emotions are allowed to settle instead of being rushed.
One of the strongest aspects—and something that truly keeps viewers hooked—is the **constant interaction between the main leads**. They are almost always present in each other’s orbit. Whether it’s conflict, care, tension, or quiet understanding, their dynamic never disappears for long. This continuous engagement prevents the story from feeling hollow and keeps the emotional focus intact.
Another point worth appreciating is how the show **maintains suspense almost till the very end**. Instead of revealing everything too early or relying on predictable resolutions, it keeps you guessing. That lingering uncertainty adds weight to the narrative and makes the journey feel purposeful rather than mechanical.
By the time the story reaches its conclusion, you realize you didn’t just *watch* the show—you **stayed with it**. Not because it was perfect, but because it made you care.
A second season would be welcome, though that might be asking for a lot. Still, for a show that began with modest expectations, it delivered far more emotional engagement than expected—and that alone says something.
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This review may contain spoilers
Ending Ruins Whole Show
I was very interested in this drama because it was heavily hyped and distributed by Prime. The last dialogue of the first episode — “See you at the funeral. Either you die or me” — really got me. At that moment, I thought the drama would either turn into a complete ktrauma or have a truly satisfying happy ending.But I must say, I’m somewhere disappointed with how it ended in such a basic, and mediocre way.
1. The ending is the most talked about, so I’m starting with that. There is a simple thing: if after so many events across the whole 12 episodes (around 12 hours), you still need someone’s death as a catalyst to bring the leads together, then I’m sorry — your writing is clearly lacking somewhere. Death should be the last resource to bring people together and here it was surely avoidable. All those hit-and-miss scenes ended up having no meaning at all. If she really wanted him to be with her, she should have acted sooner instead of waiting and roaming around. I understand hesitation, but after so many things happened, it doesn’t make sense anymore and just becomes frustrating.
The question is: how much time did you actually let viewers enjoy them together without any other tension, like company issues? I may be demanding too much, but at least a wedding could have been shown. Some good family time could have been shown since the whole series is centered on only the 2 characters. Instead, you chose a typical airport ending. I know it has context with their previous encounters, but seriously, the conclusion felt too ordinary and abrupt. She comes, stops him, and suddenly it’s “let’s live together.” Where were these emotions till now? The ending could have been shown in a much more wholesome way.
2. The next issue is that the story focuses too much on the leads — almost excessively. There are no other characters development shown. The friends are shown, but their individual stories or backgrounds are never explored. The office colleagues exist only to fill space and help.
One thing I do appreciate is how realistically the friendships are portrayed — the roasting, abusive words, and casual behavior actually feel real.
2. But when it comes to family, except the sister and the antagonist, nobody is fully shown. Well-known actors were hired but given extremely limited screen time. Their roles could have been prolonged with more depth, and perspectives from family, friends, and colleagues could have been shown toward the end.
3. The story relies too heavily on flashbacks. When I already know they are bound to break up, how am I supposed to enjoy those moments freely? This aspect covers most of the show. Instead of focusing on the progressive present — where at least the outcome is uncertain — the drama keeps dragging us back to painful memories. There are too many flashbacks with obvious outcomes, like the military part, the play, and several other moments. Since we already know how they end, it ruins the mood somewhere rather than enhancing it.
4. Now let’s talk about the characters. Starting with the female character — I honestly have very little justification for her actions. The whole story revolves around her, yet she just keeps running away.
5. In their 20s, everything was going well. When he found out she was the heiress of a big company, he still accepted it and didn’t get mad, even though it’s obvious that adjusting to that life wouldn’t be easy for him. Money doesn’t flow for him the way it does for her. Then the fight happened, and suddenly she ran away. The first major conflict you face, and you disappear and with out any word just vanish . I initially let this first one slide because of her immaturity in her 20s. But the second time is far worse. When his father was fighting for his life, obviously he couldn’t look after her the way he used to. Then she uncovers her past and leaves again — without a proper conversation. He comes home one day and she’s just gone, believing she’s gone forever this is the worst thing you can do. That alone would devastate anyone.
The wedding news afterward is just too much to bear, for him yet the show barely gives it proper weight. These things are brushed off lightly instead of being addressed with the seriousness they deserve.
From the male character’s perspective, he probably should have moved on after her divorce specially after she left him in the second time. Waiting endlessly isn’t healthy. But his character is written that way, so you can’t fully blame him. He keeps saying sorry everywhere, whether it’s his fault or not. That’s just who he is — someone who forgives everything. And because his character is like this, all her actions are conveniently absorbed, which makes viewers even more frustrated.
6. Another frustrating aspect is the constant time jumps. First from 20 to 28, then another unclear gap, then the time before her divorce — and even after all of this, they still add another one-year gap. After everything, you expect the story to settle, but it keeps jumping forward.
5. On the positive side, the way the show deals with alcoholism is genuinely commendable. Most K-dramas treat alcohol very casually, but here they actually show its harmful side. The screenplay and music are minimal yet soothing. The acting is flawless, which makes the characters feel alive and keeps the show engaging. The chemistry between the leads is unbelievably good and adds strong rewatch value.
In the end, when you dedicate an entire show solely to two characters, you need to handle the chemistry between them better. from the beginning I have known that separating them permanently would have been nonsensical unless one of them died. The only one perspective present and you do not explored that fully. Instead, the show chose the most mediocre ending possible, which reduced the overall value and left viewers frustrated.
That final two-minute clip is the savior. You killed that character for what? (The bench scene, by the way, is absolutely heartbreaking.) The ending needed to be written and shown in a more structured and emotionally satisfying way.
PS: These are my personal opinions — feel free to share yours.
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whatever it is very good and wholesome
This may seem like another same old story about a star and a common girl then yes it is this is that kind of a story but whatever it is this is very good and wholesome and have a high re-watch ability when you have a mood off or something.The drama shows a simple yet effective story of a star has some past problems and his long term friend and love interest girl but everything is very good actually the story is small but very well written with focus all details themain charector and the side charectors also focus very well and they also show complete and detail story of them also which is very great.
The setup of a star management agency is showing very well many actors they show with there stories and the whole management is like a family to them they support eachother.
Sometime there are problems like stalking, cinicals fans, not checked reports in media bur they all handel them well and it is appreciated that they show those real life things also.At first glance, this drama may look like **another familiar tale**—a star and a common girl, a setup we’ve all seen countless times. And honestly, yes, it *is* that kind of story. But the truth is, **sometimes familiarity done right is far more comforting than forced novelty**. This drama understands that perfectly.
What makes it special is how **warm, wholesome, and emotionally grounding** it feels. It’s the kind of show you can return to when your mood is low—easy to rewatch, comforting without being shallow, and sincere without trying too hard.
The story itself is simple: a star carrying emotional baggage from his past and a long-time friend who is also his quiet love interest. There are no unnecessary twists or exaggerated drama. The plot is small in scale, but **tightly written and emotionally focused**. Every scene serves a purpose. Nothing feels random or wasted.
One of the strongest points is the **attention given to both main and side characters**. The supporting cast isn’t treated as background decoration. Each character is given space, motivation, and a complete arc, which adds depth to the world of the story. This balance makes the drama feel lived-in and genuine.
The setting of a **star management agency** is portrayed particularly well. Instead of showing it as cold or purely business-driven, the drama presents it as a close-knit family. The managers, staff, and actors support one another, protect each other, and grow together. That sense of unity adds emotional weight and realism.
The show also deserves credit for addressing **real-life issues in the entertainment industry**—stalking, obsessive fans, misleading media reports, and public scrutiny. These problems aren’t glossed over or exaggerated for shock value. They’re handled sensibly and respectfully, which makes the narrative feel grounded and mature.
In the end, this drama doesn’t try to reinvent romance—and that’s exactly why it works. It’s **soft, sincere, and emotionally reassuring**. A familiar story, yes—but told with care, warmth, and heart.
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STORY IS SOMEWHERE LACK OF EXTREMISM
I started it with reading of the synopsis as it was seemed good but it dissapointed greatly.There is so much happening in the show and all are not that interesting at all. The main cast story is not wholesome.No kiss at all may be for covid.The side love story with the father ,the famale best friend and the male best friend is not somewhere compleated (seemed They started after somethime they dropped with the father of ML then they started with the best friend and suddenly end that too and make the story not at all attacheable.The acting is quite only thing talkable here only for this I watched this despite of not any interested.
The story of the mother and father of the female lead is just there.
SO OVERALL THE STORY IS NOT ENGAGING AS NOTHING IS COMPLETED.
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"King of tears"
Overall VerdictThe drama had strong performances and emotional pull, but it collapsed under weak writing, repetitive conflicts, poor character logic, and unsatisfying resolutions. It survives on tropes and suffering, not storytelling.
Major Negative Points
1. Weak and Incoherent Storyline
At its core, the plot feels undercooked. Instead of building a solid narrative arc, the writers rely on repetitive drama and forced conflicts. There is no meaningful progression—only constant chaos without payoff.
2. Absurd Initial Setup
The male lead wanting the female lead dead at the start is not just extreme—it’s illogical. This immediately damages the credibility of their relationship and makes the emotional foundation unbelievable.
3. Excessive Negativity and Villain Dominance
From episode two onward, villains hijack the story. Scams, manipulation, and cruelty dominate almost every episode. Their excessive screen time overshadows the actual leads, making the viewing experience exhausting rather than engaging.
4. Short-Lived Happiness and a Poor Ending
Happy moments are rare and never allowed to breathe. Every peaceful scene is quickly destroyed by another conflict, creating constant anxiety for the viewer.
The ending is especially disappointing—the long final monologue feels pointless. A simple, earned conclusion (like showing the leads’ marriage) would have been far more satisfying.
5. Weak and Self-Centered Female Lead
The FL lacks agency and emotional maturity. She is driven by circumstances rather than strength.
She prioritizes her problems (business, illness, ex, family) while emotionally neglecting the ML.
Her repeated actions—trusting the villain, drinking with her ex, doubting the ML without proof—cause unnecessary pain.
She accuses the ML of fraud and cheating multiple times, yet never offers a sincere apology even after depending on him post-surgery.
She also shows poor balance in family matters, largely ignoring her brother’s struggles.
6. Ineffective Side Characters
Most side characters exist only as fillers. They neither influence the plot nor add emotional depth.
In contrast, the ML’s family and especially his friend contribute meaningfully—often doing more to move the story forward than the main characters themselves.
7. Problematic Brother–Wife Subplot
This subplot is messy and poorly handled.
The wife cheats, questions paternity, runs away, and later returns regretful.
She faces no real consequences and is accepted back without accountability.
The ex-lover’s backstory is barely explained, leaving major gaps and weakening the entire arc.
This trivializes betrayal and undermines the emotional weight of loyalty and trust.
8. Unrealistic Business Portrayal
Despite being portrayed as powerful business figures, the characters behave like amateurs—falling for obvious scams, ignoring warnings, and making reckless legal decisions. This completely breaks the credibility of the business narrative.
9. Multiple Unsatisfying Endings
None of the major arcs conclude properly—neither the villains, nor the relationships, nor the subplots. Instead of closure, the audience gets frustration.
10. Unstable and Repetitive Romance
The ML–FL relationship follows a tiring cycle: love → misunderstanding → separation → patch-up → repeat. This constant instability makes the relationship feel shallow rather than deep.
11. Lack of Character Growth
Despite the story spanning several months, there is little visible development.
The FL barely evolves.
The ML only suffers.
Even the sibling bond lacks depth and believability.
Positive Points
1. Strong Acting Performances
The actors elevate weak writing. The leads convey pain, love, and frustration convincingly, making the drama watchable despite its flaws.
2. Excellent On-Screen Chemistry
The ML and FL share natural chemistry. Their caring moments in the middle portion of the show are genuinely engaging and among the best parts.
3. Warm Portrayal of Villagers
The villagers provide much-needed emotional relief. Their kindness adds heart and briefly balances the otherwise heavy negativity.
4. Valuable Supporting Characters
The detectives and the ML’s friends actually contribute to the story and often carry it when the leads falter.
5. FL’s Regret Scene
Although delayed, the FL’s regret scene is emotionally effective. It finally acknowledges the ML’s suffering and offers partial emotional closure.
6. Constant Interaction Between Leads
Unlike many dramas where leads are separated for long stretches, this show keeps them interacting—whether in conflict or care—which maintains engagement.
Why the Show Still Became Popular
Despite its flaws, the drama succeeds because it leans heavily on emotionally charged tropes:
Rich CEO FL × poor village boy ML
Workplace and class conflict
ML humiliated by in-laws but enduring for love
Interfering ex
Extreme sacrifices: accidents, shootings, near-death moments
Memory loss arc
ML’s unwavering loyalty despite constant pain
The core appeal is simple and powerful:
a man who suffers endlessly yet loves unconditionally.
That endurance, silent sacrifice, and emotional resilience resonate deeply with viewers—even when logic and writing fail.
Final Line
Honestly, the drama survives not because it’s well-written, but because pain sells.
If anything, it’s less a balanced love story and more a chronicle of suffering.
A more accurate title wouldn’t be “Queen of Tears”—
it would be “King of Endurance.”
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IT HAS EVERYTHING WHAT NEED FOR A GREAT SHOW!!!!!
Ah… where do I even begin?This series truly feels like **one of those rare finds**—the kind that quietly grows on you and then refuses to let go. It is a **slow-burn romance**, yes, but never a dull one. Every episode carries movement, emotion, and purpose. The way the story unfolds across all 16 episodes is beautifully paced—so much so that, by the end, it genuinely feels like **16 episodes were not enough**.
One of the first things that stands out is the **aesthetic and production quality**. The locations, the visual framing, and the overall atmosphere elevate everything—the story, the characters, and especially the performances. The setting doesn’t just exist in the background; it breathes life into the narrative. The seaside town, the calm yet emotionally charged visuals, and the warmth of the environment make the characters feel more grounded and real. The drama *glows*, and that glow comes as much from its visuals as from its writing and acting.
---
## Episode-Wise Journey
### **Beginning: A Gentle Yet Engaging Start**
The initial episodes establish something very important for a slow romance—**constant interaction between the leads**. From the very beginning, whenever she needs help, he is there. This consistent presence builds trust and emotional familiarity naturally.
What makes these moments special is their simplicity—small gestures, quiet support, and even moments where they get mad at themselves. Those scenes are subtle, cute, and deeply romantic in a way that feels authentic rather than forced.
---
### **Middle: Emotional Clarity and Growth**
The middle portion is where the drama truly finds its emotional backbone. This is where romance begins to take shape—not suddenly, but with intention.
Her emotional clarity here is especially striking. Even when her friend confesses, she never wavers. She knows exactly who her heart belongs to. That certainty, without melodrama, is refreshing.
Yes, the pace here may feel slightly slower compared to other sections—but only because the drama has already set such a high standard. And importantly, every emotional conflict introduced here is **resolved thoughtfully**, not dragged endlessly.
---
### **Ending: Where the Drama Truly Shines**
The final arc is where this drama rises above many others.
Most romances fall into predictable breakup tropes after confession—but this story chooses a braver path. Instead of artificial misunderstandings, it dives into **his dark past**, which has been silently haunting him all along. This shift feels earned and necessary.
The reveal near the end of episode 14 is genuinely shocking, and episode 15 is nothing short of phenomenal. Honestly, it’s one of the **most packed and emotionally dense 15th episodes** I’ve ever seen. So much happens—yet it never feels rushed or chaotic. Every moment lands.
Ending the series on a **lighter, hopeful note** was the perfect choice. After all the emotional weight, it gives viewers a sense of peace and completion.
---
## Storytelling Excellence
This is easily **one of the best-constructed slow-burn romances** out there.
* Her decision to leave everything behind and settle in a small seaside town
* His quiet support—helping her settle in, standing by her during misunderstandings
* The stalker incident, the pervert confrontation, the jealousy from both sides
All of it feels organic and purposeful.
What truly stands out is **timing**. The romance begins exactly when it should—not too early, not too late. The writers trust the audience to wait, and that patience pays off. Unlike many rom-coms that rush the confession and then struggle to maintain interest, this drama builds desire slowly and then handles post-confession dynamics with maturity.
After they get together, the story explores:
* Secret dating
* Misunderstandings
* Inferiority complexes
* The need for space and emotional reassurance
All in **just the right amount**—never overwhelming, never shallow.
The way his past is woven into the story is especially impressive. It lingers quietly throughout the series, only coming to the forefront when it truly matters. That shocking turn at the end of episode 14 followed by the explosive 15th episode is masterful storytelling.
---
## Supporting Characters and Community
The supporting cast is wonderfully written.
* Her friend stands by her unwaveringly
* The villagers feel real, not caricatured
* Everyone has dreams, struggles, and emotional depth
The sense of community in a small village—how people support each other during hardships and step back when space is needed—is portrayed with warmth and realism.
Even the director’s storyline is handled with maturity and moral clarity, adding depth without overshadowing the main narrative.
Most importantly, the drama **concludes everything in one season**. There’s clarity, confidence, and no unnecessary dangling threads meant to bait a sequel. That completeness makes the experience incredibly satisfying.
---
## One Emotional Flaw That Hurt
The only thing that genuinely felt unfair was **how no one truly apologized to him** for the past.
* In the investment case, he warned repeatedly
* He did everything possible to stop the damage
* He even paid off debts—while grieving the loss of a brother-like friend
* He endured cruel words from a mother who blamed him unfairly
Even the accident wasn’t his fault—yet he carried the burden alone.
What hurts most is that public accusations happened in front of everyone, but the truth was revealed quietly, at night, with no witnesses. A single sincere apology—especially from the father or colleagues—would have brought emotional justice. It’s a small gap, but one that feels heavy.
---
## Acting: The Soul of the Drama
This kind of story lives and dies by acting—and here, the performances are **flawless**.
* His portrayal of fear, loneliness, guilt, and emotional restraint is heartbreaking
* Watching him slowly learn to let go of his past is deeply moving
* Her transformation—from a city girl to someone who truly belongs in a small seaside town—is beautiful and believable
Her final decision—to leave everything and choose him—is powerful and earned.
And that elderly woman (even if her name slips the mind)—what a character. She guides them, protects him, understands his loneliness, and treats her like a daughter. She is the quiet emotional compass of the show.
---
## Music: Subtle but Memorable
Even for someone who doesn’t usually focus on K-drama music, the soundtrack stands out. The main theme is soothing, refreshing, and emotionally grounding—perfectly aligned with the story’s tone.
---
## Rewatch Value
This drama has **high rewatch value**, thanks to:
* Small, satisfying moments between the leads
* The stalker and pervert scenes
* Drinking scenes, jealousy moments, confession
* Golf scenes, village gossip, and everyday interactions
The story is never stagnant. It’s emotionally eventful without being overwhelming, which makes revisiting it a joy.
---
## Final Thoughts
The greatest strength of this show is simple yet rare:
**It leaves you smiling.**
No matter how heavy things get, there’s warmth, sincerity, and emotional honesty throughout. It refreshes your mood and stays with you long after the final episode.
Yes, this is a long review—but honestly, I could write much more. That’s how deeply this show resonated.
**So truly—thank you for this beautiful, heartfelt drama.**
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GREAT STORY,ACTING,REALLY ENGAGING
All things are great, good story, and for viewer satisfaction they could show the justice is served (also for my satisfaction) .But in the end they show that they are happy and that matters the most and she is back in the field so over all good. There is great acting the story is also good. Supporting character is also good. The story is a bit different which is unique. There is always a feel good factor. The negative character is really annoying so great acting. The chemistry about selfless love is something else.Was this review helpful to you?
Opposite of “All’s well that ends well”
Is it just me, or did everyone fail to understand the last three episodes? Because honestly, what was that?Let’s start from the beginning.
I started watching this as a time-pass, already knowing that many short Chinese dramas aren’t very well made—abrupt cuts, rushed scenes, random endings, and all that. At least this drama had less of those issues compared to others, so I gave it a chance.
This drama is looked like the spin-off of "What’s Wrong with Secretary Kim?", but at least don’t do whatever you want.
The story began like a typical secretary–boss drama. Fine. But then came the confession—completely abrupt. Here he didn’t just hesitate or joke; he firmly said no. Then suddenly, when his brother enters the picture, he starts pursuing her?
I can understand that he was trying to protect her or something—but then why say no in the first place? That part never made sense.
Next, his trauma. At first, I thought he had claustrophobia because of the elevator scene. Fair enough. But then that’s not it? Apparently, riding a Ferris wheel is the trauma?
I mean, fine—anything can be traumatic—but then at least explain it properly. Don’t just drop it and move on like it’s obvious.
Now the main issue:
WHAT WAS THE POINT OF THE BREAKUP?
I genuinely did not understand the breakup starting from episode 22.
What I understood was that she said something like:
“I didn’t completely trust you because you have a Plan B. You’re the inheritor of a big company—you can retreat anytime. I don’t have that option.”
Okay—but you already knew all of this. After 21 episodes, now you’re saying you didn’t trust him enough?
Then what was the point of the whole drama?
I’m not a relationship expert, but trust is the first thing in any relationship.
Yes, it’s progressive that he leaves his secretary position, but the situation they created around it is messy and meaningless.
Then comes the sad roaming around. What were they trying to portray here? Emotional growth? Regret? Because it didn’t land.
Then suddenly there’s a time jump—which I didn’t even notice while watching. I only found out from Google (and I’m not even sure that’s correct; maybe it was a subtitle issue). And then—out of nowhere—he proposes?
How did the conflict resolve?
How did she suddenly say yes?
What kind of writing is this?
Just write how the issues were sorted out. Please.
They complicate the situation I mean she is the head of her company and him also a company head or future head which is rival company of her, Fine. Then how the things will play you in future.
But then—ironically—you do resolve that issue at the end, without telling us how.
Just wow.
Look, I’m not saying every drama needs to be deep or extensive. But at least make it well-constructed. Don’t leave massive plot holes and expect the audience to fill them with imagination.
And yes—if anyone genuinely understands why she broke up with him, with a logical explanation, please share. I really want to understand this too.
PS: These are my opinions. Feel free to share yours.
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This review may contain spoilers
A Cycle of Indecision and lack of consequences caused the Drama Failed to Deliver
I don’t know—maybe what I am about to say could offend some people—but honestly, I did not fully understand the story. I usually accept any real-life drama that tries to portray a logical storyline, but for me, this one failed in that regard. The plot did not feel consistent, and the choices made by the characters often came across as confusing and contradictory.Let me explain what I mean. From the very beginning, it was quite clear that the so-called “third wheel” had a motive. She entertained him, questioned the situation, and placed herself in ways that created tension. Eventually, this behavior led to the break-up between the main couple. After the separation, she entered his life more fully, and it seemed like she was finally gaining everything she had wanted from the start.
At first, she appeared happy with him, and that was the central point. She even had a child with him, which signaled the idea of stability, family, and a future together. But tragedy struck when the child died. That incident completely unraveled everything. It was as though she could not bear the sadness, the guilt, or the burden of loss. Instead of showing resilience, she detached herself from everything. Her character began to act strangely, almost unsettlingly, and slowly distanced herself from him. Eventually, she decided to separate from him completely.
Years later, after their time apart, she suddenly reappears and starts poking into his(main lead who make his life somewhere settled) life again. To make it worse, she initiates yet another break-up, almost as if she were repeating the same destructive cycle over and over. For me, this part felt unnecessary. It made the story lose coherence. If the drama had simply ended with the two of them no longer being together, the story would have felt much more logical and satisfying. That kind of closure would have respected the natural progression of events.
Instead, what happened was that the female lead’s character ended up becoming hateful—at least from my perspective. Her constant swinging back and forth between choices made her seem unreliable and selfish. It felt like she wanted to test every possibility without ever considering the consequences of her actions. But life does not work that way. You cannot just leave someone, then return later, and expect everything to go back to how it once was. Even if she did not openly admit she wanted him back, her actions made it clear that she still expected the door to remain open. But in reality, you cannot continuously get what you want without making sacrifices.
That was my lag with the story. The writers should have kept the female lead on one side—either she was fully committed to him, or she was not. Her indecision ruined her character arc. She lacked accountability, and because of that, the emotional weight of the entire drama collapsed. A break-up should have meaning. If a character chooses to walk away, then that character should also face the consequences of the decision. Without that, the drama becomes both unrealistic and unsatisfying.
The show did have potential. In fact, the premise itself could have worked if handled differently. But the lack of consistency in the female lead’s actions made it frustrating to watch. She was written in such a way that the audience could no longer sympathize with her. In the beginning, it might have been possible to understand her doubts or her emotional struggles. However, as soon as the back-and-forth cycle began, sympathy turned into irritation.
In the end, I think the drama could have succeeded if the writers had been bold enough to give it a clear and realistic conclusion. Show us that the two are no longer together. Show us that actions have consequences. Show us that people can lose love because of their own mistakes and choices. That kind of ending would have been far more impactful and believable. Instead, they showed that the two are together—or on the path to reconciliation. But then the real question arises: what will happen in the future? Will she suddenly find someone new as previous? Can the audience truly believe she will not act in the same unstable way again? If she could break up with him just because of someone’s confession, what guarantee is there that she will not do the same thing again in the future?
For me, the core message is simple: when you break up with someone, you must bear the consequences of that decision. You cannot simply return later and expect everything to fall back into place. Relationships require responsibility. Choices matter. Without that truth, the story feels hollow.
So, while some people may have enjoyed the drama, my honest opinion is that it lacked logic and emotional consistency. The female lead’s swinging nature ruined the story’s foundation. It was not really about love, healing, or moving forward. Instead, it became a cycle of indecision, unstable choices, and unrealistic second chances. And that, in my view, is why the drama ultimately failed to deliver.
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It would be great if it was slightly less
The 2nd half of the show is great, but the 1st half is like dragged on.The first half is monotonous and somewhat frustrating to see. I mean, you introduce the FL at first so the break up was inevitable I think it is kind of dragged on and all they saw was the misery of the ML He was continuously going here and there, juggling both of them and constantly getting hurt.
The second half is more organized; at first they saw us break up and then the next following path.
Some other complaints are that they could make the ML and the FL closer. and somewhere the slightly done some more justice with ML. I mean, they suffered the most in that part of the show, and then they could show the male villain could pay more; they completely ignored him after the truth was discovered, and somewhere they kept a soft corner for the ex till the end. That's it.
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PLEASING AND BEAUTIFUL
A slow constant pace romantic story.About the main lead they really are beautiful and they really grow much specially the male lead. The main lead story is quite constant ig. Not very fluctuate much the father is the only cause of trouble. The moments are good also.
But for me the stellar show is the supporting male and female lead. Their story is more greatly written than the mains. Their chemistry is more eye catching to see. The way they develop their feeling there scenes are really eye pleasing to see. Their unfortunate Breakup and their again reunion is loved to see. Somewhere This overshadowed the main story, Somewhere I looked forward their story then the main lead. They somewhere Show their emotions than the mains which makes their story more beautiful. Just only one thing that the ending can be somewhere more pleasing In the supporting characters point of view.
One thing I really disappointed with they story is that they make many plots or side story but they did not explore at all.
• Supporting FL illness, they make unnecessarily (I think) or goes untouched because that does not go to the later plot makes the thing a bug for the viewers because their story is more beautiful to see.
• From my thinking the Supporting female leads brother can be more engaged in the story like they can show more screen time with other characters and more interaction.
• The sister of the main lead is also can be more explored because she played an important part here.
Other than that, the overall story is very top notch and mature the music and production is also great.
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GOOD FOR ONE TIME WATCH
About the story in this series is a bit long what they show in the 22 episords they could that in the 15 or 16 episords.But But But other than this long thing the story is the only thing that you can count on slightly. The story is quite good here that can hang on with this show (only if you want to).There are some plot holes are here tehy does not show how the mudder was done like that.The mystery in this show is not too much deep but kind a runnable.The acting in this show is not that much big deal.The negative acting of the mother is slightly engcouraging .The acting of the male and female protagonist are not too much to talk about.The actings of the other charecter is so so.
I personally do not have any understading about the musics in those dramas I does not feel anuthing odd so I just rate on the basics of others.
As I already stated in the heading good for one time watch only there is not any too much scenes which too much heart touching but some good scenes are there to watch overall not that much of rewatchable.
Some extra points like Over a big portion they cover the fortune teller part in the as shown in the tags which is okey totally in terms of the show.
Overall speaking first time watchers it quite good.If someone wants to watch it then they should give it a try.
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GREAT ACTING,A REALITY PRESENT, OVERALL GOOD
ACTING OF THEM IS REALLY NICE AND REALATABLE STORY AND THE ROMANCE IS REALLY EYE PLEASING and Nothing much to speak about in terms of plot. some where a predictable story, lack of plot twist or predictable somewhere. You can not say it is a slow burning romance as the romance started too much early. And after the episode 10 there are only problems and problems . somewhere I felt that the leap not required and she had a boyfriend in absence of him is totally absurd,unrequired and specially not good to watch when you only focus on two character ending is a bit of not satisfying they could show more reunited moment or they can show the marriage of them(unless they make a season 2 which is i guess not likely to happened).GOSH! THAT Mom character is annoying till the end. I would love to see the interaction and reaction with the family but I thing this is a lot to brag about.
Another thing which is good that they enlighten is that the issue in the office which is the dark reality nowdays with woman.Here also they did not show the trial and the verdict also which would be really good to see so there is a somewhere a gaps is there in the story.
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This review may contain spoilers
Toxicity Disguised as Depth
What I am going to say is completely my opinion, and I am not going to sugarcoat anything.I have watched a large number of dramas—not just Korean, but also Thai, Chinese, and Japanese dramas—and this is genuinely one of the worst dramas I have ever endured. Not “disappointing.” Not “overhyped.” Bad. You cannot watch this drama in peace even for a single episode. The writers seem obsessed with injecting negativity, chaos, emotional manipulation, and frustration every few minutes, as if silence or stability would kill them.
The story is unnecessarily overcomplicated, poorly paced, and filled with pointless misery. Worse, it does not justify the premise written on MDL at all. What is promised in the summary and what is delivered on screen are two completely different things. Any initial intrigue fades quickly and is replaced by emotional torture disguised as “depth.”
The real reason this drama collapses—and I mean completely collapses—is the second lead storyline, more specifically the Second Female Lead (SFL).
Because of this character, the entire drama becomes unbearable. I have seen toxic characters before, but this one stands out because of how shamelessly the narrative protects her. She is dysfunctional, selfish, insecure, manipulative, emotionally irresponsible, morally hollow, confused, and relentlessly bitchy. And no, this is not “complexity.” This is a badly written character constantly excused by the script.
This character proves something important: a bitchy character does not always need to be loud, scheming, or flamboyant. Sometimes, bitchiness is simply a series of selfish choices made over and over again, with zero accountability.
Let’s start from the beginning.
She was first with the Male Lead (ML). Then she moved on to the Second Male Lead (SML). But even while dating the SML, she kept lingering around the ML whenever it suited her ego. She never respected boundaries. She never made clean breaks. When she returned, she went straight to the ML first—not because he approached her, but because she needed reassurance that she was still wanted.
That already tells you everything about her.
She is not “conflicted.” She is emotionally greedy.
She cheated on the SML for more than an entire year. Let that sink in. Not a moment of weakness. Not an impulsive mistake. A full year of betrayal. And after that? She breaks up with him and runs to New York for work, chasing career, status, validation—whatever suits her at the time. The behavior is textbook: when stability feels boring, she chases excitement; when excitement feels unstable, she crawls back to safety.
She dates the DK guy, benefits from him, and once she gains fame and realizes she needs emotional security again, she casually dumps him and returns—as if she didn’t destroy someone in the process.
And what does the drama do with this year-long betrayal?
Nothing.
Absolutely nothing.
A man gets cheated on for over a year, and the emotional impact is treated like a minor inconvenience. The SML barely gets space to feel anger, betrayal, humiliation, or grief. The drama robs him of dignity and hands it to her instead. It is insulting—not just to the character, but to anyone who understands what betrayal actually does to a person.
She comes back, sheds a few crocodile tears, and suddenly everything is fine. Forgiveness is instant. No accountability. No effort. No consequences. Then she resumes the exact same behavior—continuing contact with the DK guy, meeting him, taking favors from him—fully aware that the SML is deeply insecure and emotionally scarred because of her actions.
And the show still expects us to believe she “cares.”
She doesn’t care.
She uses.
she is a bitch.
She is the one who shattered the trust, yet she constantly plays the victim. She weaponizes her tears, her confusion, her “career struggles,” and the narrative bends over backwards to excuse her behavior.
The moment the Female Lead (FL) appears, her insecurity explodes. Instead of standing firm or earning back the relationship she destroyed, she runs. This is the most revealing part of her character. After a year of cheating, the moment she feels even a hint of threat ( just like what she has done over a year) , she panics and escapes. She expects unconditional loyalty from a man she betrayed without remorse.
Then she has the audacity—the absolute audacity—to accuse the SML of being “swayed.”
That accusation alone is revolting.
In reality, she is just an insecure woman who cannot accept the fact that she is no longer the center of attention. The FL is not the problem. The problem is that this woman cannot tolerate losing control over someone she already damaged.
And despite all of this, the SML humiliates himself by chasing her to the airport and begging her not to leave. Begging. After a year of cheating. And what does she do? She disappears without explanation, cuts contact, and even instructs the DK guy not to give her contact information to the SML.
This is not confusion.
This is emotional cruelty.
Then comes one of the most absurd developments: she proposes marriage while still being unsure about commitment. The entire marriage feels hollow, rushed, and unearned. It happens not because of love, growth, or redemption—but because she gets pregnant.
And pregnancy changes nothing.
She continues working late nights, drinking wine, hanging out with male artist friends, and showing zero emotional awareness. Then she delivers the most tone-deaf line imaginable: “Baby and career are equally important.”
No.
After everything she has done—after prioritizing career and selfish desires over loyalty, honesty, and responsibility—the baby should have been the priority. This line doesn’t show strength. It confirms that she never learned anything. Given another chance, she would make the same choices again.
Such a bitch.
Because of her actions, they lose the baby. And even after a miscarriage, At the last scenes also she forces a vacation the very next day because she wants to go—completely ignoring the SML’s work. Her needs always come first. Always.
This character is emotional poison.
Now, let’s address the bigger issue.
Yes, such messy situations can happen in real life—but the way this drama treats them is deeply irresponsible. A year-long affair is brushed off like a misunderstanding. Forgiveness is immediate. Accountability is nonexistent. The message is clear: if a woman cheats, it’s healing; if a man gets hurt, he should understand.
Love does not work like this.
When betrayal happens at this level, there should be consequences. There should be guilt, remorse, effort, and growth. None of that exists here. She walks around as if she did nothing wrong, while the narrative twists itself to justify her behavior.
Worse, the drama constantly portrays everything as the SML’s fault. He apologizes endlessly. He bends. He breaks. He loses his pride. And the drama calls this love.
It isn’t love.
It’s emotional submission.
The show wants to have it both ways. She wants freedom and security. Independence and unconditional loyalty. Forgiveness without earning it. This isn’t complexity—it’s cowardly writing disguised as empowerment.
What truly ruins the drama is that she is portrayed as a “strong, important character.” This is not strength. This is entitlement rewarded by bad writing.
I mean forget everything , every allegation so far I pointed out. They showed us that SFL are in deeply in love with the SML as per the show concern but at the same time they shows us that she had been cheating on him for more than a year point this "more than a year" not a mistake of one day or not that she suddenly got an opportunity to go to NY and she left him for that opportunity this is not the case she cheated on him for more than year and lied to him till the last day of break up about where she was ( she told she was in work but she was with DK guy) and then break up and go to the NY this cant happen when you are in love with someone (as they wanna see). this happens when you don't love the previous guy anymore. Now for what ground they are portraying her so called "deep love" here this is the most frustrating part of this show and I can not justify this in any sense.
From the SML’s perspective, the writing is equally frustrating. He should have walked away. He should have protected his dignity. Instead, he is turned into a doormat, and the audience is told this is romance.
As for the ML and FL, their storyline is painfully predictable. The entire plot revolves around a stretched-out gender reveal that barely justifies 17 episodes. There is no meaningful character development. Even the coffee shop storyline—promised in the summary—disappears halfway through.
The second leads hijack the narrative, dragging everyone into their mess. The past relationship between the SFL and ML adds nothing except unnecessary complications. Side characters exist purely to fill screen time and contribute absolutely nothing. Remove them, and nothing changes.
By the end, no relationship feels trustworthy. Everyone is involved with everyone, and nothing feels stable or earned.
In conclusion, I am not a relationship expert, but this drama normalizes betrayal, excuses emotional abuse, and punishes the wrong people. Choices should have consequences. This character deserved accountability, not validation.
Even though this drama is 17 years old, this problem still exists today. When male characters cheat, they are punished. When female characters cheat, it’s reframed as healing or self-discovery. Either they disappear quietly or the man forgives them. That double standard is exhausting and dishonest.
This issue poisoned the entire viewing experience for me and made it impossible to enjoy the drama at any level.
PS: These are my opinions after watching the drama. Feel free to disagree—but this drama earned every word of this criticism.
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This review may contain spoilers
Started with lot hope but somewhere disappointed in the end
For me, the cause of the story declining somewhere is because of the weird obsession of ending them together.I mean, its okay that you need to end them together, but you can do it in the last 4 or 5 episodes. You dont need to do it in the 6th episode.
One thing I can't justify is how she, just basis of some rumors, accused him of that incident. I mean, it was basic that people had a second thought it was seem like taking a revenge against the reveal that she thought that he started .I mean it was very little she got against what she had done against him. I mean, his 10 most important years lost because of her immature decision.
And one thing that is a problem with this kind of show is that they sometimes delay the truth to reveal it or they reveal the truth in bits and pieces, which sometimes degrades the satisfaction level of the viewer.
and i did not think that her regret has been well defined. I mean i can understand that she somewhere feard buty a high school student also have that kind of dignityto face the truth and not only at the teen age she also did nit think of coming after become adult Instred she blamed him for what he did whith out thinking. The thing for me I get is not that she doesn't know what the truth is, but she intentionally doesn't want to know the truth because she does not want to face herself and think about what heinous thing she did to him. The exact thing they show in the episodes is also that she does not want to know why they were fighting; she just believes that he hurt his friend.
And the main problem in the show is that the romantic plot started very abruptly; its like one day she didn't want to see him, and the next she was standing in front of his house.
Overall The thing is the show id quite good bit the problem is the setting of the things beacuse at the end of the 6th episode, I was hating the FL I was quite happy when he decided not to go to school anymore, then they suddenly changed the plot without any proper method, and that's where the story somewhere lacks.
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