Don't miss this one
Skillful acting makes this series a success. This drama is worth watching if only for the sake of the impressive range of Kim Nam Gil who plays Heo Im, a Joseon doctor who transforms from youthful arrogance to clownish clutziness to heartwarming tenderness to heroic competence without missing a beat.
The secondary characters are mostly effective, and there are even a couple of lovable animals--in particular, a certain baby pig that steals every scene he's in.
The pacing is good, the plot moves along and (mostly) doesn't drag-although there's a little too much hand-wringing and wailing in the last two episodes. But just when you think you know where things are going, the writers pull a switcharoo and send things reeling in an unforeseen direction. I like that in a drama.
Is it worth a watch? Absolutely.
Now--for the not-so-good. No series is perfect and this one's no exception.
1. The product placement is a little too in-your-face for me. Would a man who had lived most of his life in the Joseon period really be amazed and delighted by the excellence of packaged noodles? Maybe not so much.
2. Throwaway characters. The stellar acting of the main couple make it easy to overlook the minor characters who are treated unfairly. Everyone should be a three--dimensional human being, even if the viewers only get hints of who they are or what their ultimate fate is.
For example, there's an orphaned brother and sister that the main couple meet in Joseon and travel with for a short period. The kids are passed off to some random guy who seems to know them. We never find out what happened to them. There's also Mak-Gae, Heo Im's loyal 15-year-old assistant. In her case, it's out of sight, out of mind. After a certain accident, instead of showing concern, the main dude goes chasing after his lady love...leaving Mak-Gae to fend for herself.
3. Metaphysical inconsistencies. The "rules" of time travel are confusing. Conveniently, it turns out that physical wounds are healed when someone leaps through the chronosphere. Got a sword thrust through your belly? Not to worry. You can die in the past and emerge unscathed in the 21st century. Except it doesn't always work that way. Someone gets slashed in the back and, whoops!, it turns out, time travel doesn't heal all wounds after all.
4. Other contradictions. It's not clear why some of the older characters, who seem to have been back and forth from Joseon previously, can make authoritative pronouncements about the "rules" of time travel-most of which turn out to be malarky. The ending is another head scratcher. First Heo Im goes away, and then he comes back. Choi Yeon-kyeong accuses him of being unreliable, although the viewers just saw that the return was a complete accident. Instead of straightening her out on this point, Heo Im acts like he made some kind of deliberate choice. OK, maybe they're just joking around, but whaaa? This also would be a good time to mention that he accidentally brought someone else along with him. But no...
Still, I give this series a solid eight stars.
The secondary characters are mostly effective, and there are even a couple of lovable animals--in particular, a certain baby pig that steals every scene he's in.
The pacing is good, the plot moves along and (mostly) doesn't drag-although there's a little too much hand-wringing and wailing in the last two episodes. But just when you think you know where things are going, the writers pull a switcharoo and send things reeling in an unforeseen direction. I like that in a drama.
Is it worth a watch? Absolutely.
Now--for the not-so-good. No series is perfect and this one's no exception.
1. The product placement is a little too in-your-face for me. Would a man who had lived most of his life in the Joseon period really be amazed and delighted by the excellence of packaged noodles? Maybe not so much.
2. Throwaway characters. The stellar acting of the main couple make it easy to overlook the minor characters who are treated unfairly. Everyone should be a three--dimensional human being, even if the viewers only get hints of who they are or what their ultimate fate is.
For example, there's an orphaned brother and sister that the main couple meet in Joseon and travel with for a short period. The kids are passed off to some random guy who seems to know them. We never find out what happened to them. There's also Mak-Gae, Heo Im's loyal 15-year-old assistant. In her case, it's out of sight, out of mind. After a certain accident, instead of showing concern, the main dude goes chasing after his lady love...leaving Mak-Gae to fend for herself.
3. Metaphysical inconsistencies. The "rules" of time travel are confusing. Conveniently, it turns out that physical wounds are healed when someone leaps through the chronosphere. Got a sword thrust through your belly? Not to worry. You can die in the past and emerge unscathed in the 21st century. Except it doesn't always work that way. Someone gets slashed in the back and, whoops!, it turns out, time travel doesn't heal all wounds after all.
4. Other contradictions. It's not clear why some of the older characters, who seem to have been back and forth from Joseon previously, can make authoritative pronouncements about the "rules" of time travel-most of which turn out to be malarky. The ending is another head scratcher. First Heo Im goes away, and then he comes back. Choi Yeon-kyeong accuses him of being unreliable, although the viewers just saw that the return was a complete accident. Instead of straightening her out on this point, Heo Im acts like he made some kind of deliberate choice. OK, maybe they're just joking around, but whaaa? This also would be a good time to mention that he accidentally brought someone else along with him. But no...
Still, I give this series a solid eight stars.
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