Slow as a molasses factory run by sloths
It was a struggle to get to the end of this tepid series. The first few episodes showcased the slooooooww build up of the lethargic romance between the two leads. He looks at her. She glances at him. He looks at her again. He blinks. They’re alone in the office. He falls asleep and she touches his nose. She’s had too much to drink and she leans in, but will they kiss? No. Big nothing burger. The director thinks it’s an amazing scene, so they show it twice. Then the two leads experience the least exciting date I’ve ever seen in a Korean drama–a piano recital!
Lots of shots of the deserted office at night with one or the other leads or both of them working diligently. They enjoy lots of meals/snacks together, and product placement proliferates. A certain Korean candy bar takes center stage three times. It’s name is forever burned into my psyche.
At Episode Seven, the writers wake up and realize that there’s not much emotional tension in this series, so they throw in a contrived complication. She weeps. He holds her. Will this non-tragedy drive our two lovers apart?
Nope. Back to business as usual. Meanwhile, the insipid dialogue deserves an award for pointlessness: “What’s your favorite weather?” “Did you ever day-drink before?” Another couple exclaim over the fact that they’re both wearing the same style of shoes.
Finally, toward the end, the evil villain makes a move. Now there’s actually a conflict of sorts. But it’s too late. The audience (well, some of us anyway) has been bored into oblivion.
Lots of shots of the deserted office at night with one or the other leads or both of them working diligently. They enjoy lots of meals/snacks together, and product placement proliferates. A certain Korean candy bar takes center stage three times. It’s name is forever burned into my psyche.
At Episode Seven, the writers wake up and realize that there’s not much emotional tension in this series, so they throw in a contrived complication. She weeps. He holds her. Will this non-tragedy drive our two lovers apart?
Nope. Back to business as usual. Meanwhile, the insipid dialogue deserves an award for pointlessness: “What’s your favorite weather?” “Did you ever day-drink before?” Another couple exclaim over the fact that they’re both wearing the same style of shoes.
Finally, toward the end, the evil villain makes a move. Now there’s actually a conflict of sorts. But it’s too late. The audience (well, some of us anyway) has been bored into oblivion.
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