One of the best
I’ve sometimes been critical of certain popular Korean or Chinese dramas. But I’m having a hard time finding anything negative to say about GO AHEAD, a 40-episode Chinese family drama made in 2020. It’s certainly not a perfect production. Still, it’s entertaining, interesting, and touching. And it dodges so many of the common traps that these kinds of series fall into, that all I can say is: Bravo!
Most of the actors were impressive, especially the three male leads: Weilong Song who plays the older brother (and also the young actor who plays him as a child), Steven Zhang/ Zhang Xin Cheng who plays the younger brother, and especially Tu Song Yan the Dad, the owner of the noodle restaurant, where so much of the action takes place.
Whenever one of these three incredible actors was on screen, I was totally immersed in the drama, and emotionally convinced that I was watching a slice of reality and not a fictional work. I’d also be remiss if I didn’t mention Yi Sun who plays the best friend of the FL. She’s convincing as a kind, generous, but inhibited young woman who’s oppressed by her overly-dominant mother.
I did have some problems with Songyun Tan, an actress in her 30s who plays the FL, Li Jianjian. For half the series this character is supposed to be sixteen years old. When playing a teenager, the actress seemed to be working too hard to make the character spunky, cute, and childlike. She came across as childishly petulant and performative way too much of the time. Also (as is often the case in older Chinese productions) she seemed more like a twelve-year-old than a sixteen-year-old, throwing whiny tantrums and hitting her brothers in fits of pique.
But I really can’t blame the actress. Because this is such a common problem in older Chinese dramas, I suspect it’s due to other considerations. Perhaps she was given instructions to play it that way from the director.
In the second half, when the same character is in her late twenties, Songun Tan is much more appropriate and believable in the role–more relaxed and also more likable–although still a fun-loving, cheerful tease.
The series got a little too sentimental for me in the end. “Emotions aren’t like a faucet where you can turn them on and off at will.” Too many bromides along with the schmaltzy music...but by and large the skillful acting sold it–so it was OK.
A winner.
Most of the actors were impressive, especially the three male leads: Weilong Song who plays the older brother (and also the young actor who plays him as a child), Steven Zhang/ Zhang Xin Cheng who plays the younger brother, and especially Tu Song Yan the Dad, the owner of the noodle restaurant, where so much of the action takes place.
Whenever one of these three incredible actors was on screen, I was totally immersed in the drama, and emotionally convinced that I was watching a slice of reality and not a fictional work. I’d also be remiss if I didn’t mention Yi Sun who plays the best friend of the FL. She’s convincing as a kind, generous, but inhibited young woman who’s oppressed by her overly-dominant mother.
I did have some problems with Songyun Tan, an actress in her 30s who plays the FL, Li Jianjian. For half the series this character is supposed to be sixteen years old. When playing a teenager, the actress seemed to be working too hard to make the character spunky, cute, and childlike. She came across as childishly petulant and performative way too much of the time. Also (as is often the case in older Chinese productions) she seemed more like a twelve-year-old than a sixteen-year-old, throwing whiny tantrums and hitting her brothers in fits of pique.
But I really can’t blame the actress. Because this is such a common problem in older Chinese dramas, I suspect it’s due to other considerations. Perhaps she was given instructions to play it that way from the director.
In the second half, when the same character is in her late twenties, Songun Tan is much more appropriate and believable in the role–more relaxed and also more likable–although still a fun-loving, cheerful tease.
The series got a little too sentimental for me in the end. “Emotions aren’t like a faucet where you can turn them on and off at will.” Too many bromides along with the schmaltzy music...but by and large the skillful acting sold it–so it was OK.
A winner.
Was this review helpful to you?
