Brutal, Heartbreaking, Bleak, but somehow still Beautiful.
Watched 26/10/2025 at opening weekend.
Before going in to watch, I happened to see the director had said that she wanted to showcase the harsh realities of rising poverty amongst youth, an issue not often enough highlighted in modern Japan. The main symptom seen of this in media is the rise of so-called ‘yami baito’ in the news - in English, effectively ‘crime part time’ as desperate youths whose backgrounds aren’t so fortunate desperately try to stay afloat to afford rent, university, and the like.
This film showcases four such people, whose circumstances leave them nothing else to turn to. I did not expect to be so emotionally moved by this film, at all. The storytelling was also cleverly done, as nothing is revealed too quickly, yet upon seeing the whole picture, there is still beauty in the humanity you can find amidst the brutality. The story is largely told in three arcs, one for each protagonist, and the pacing was exactly as it needed to be. The use of perspective was also particularly clever in the sense that you start the film through the lens of the youngest and most inexperienced of the three protagonists, which also serves as an appropriate introduction to the world of yami baito for those unfamiliar with it. Acting was spectacular and gut-wrenching in exactly the ways it needed to be.
This film brought a range of emotions out in me, from the visceral nausea of reality to the sweetness that cannot be separated from the bitterness. This is not a film full of cheer, hope, and optimism, but it is still a film with a painfully heartwarming glimmer even at the most desperate times.
The closing song is beautiful and fitting, and other than that, the soundtrack was unobtrusive. In fact, I was so deeply invested in the story and characters I didn’t notice any music until the credits rolled, however there was most certainly music there and a composer credited.
I absolutely recommend this to anyone who can see it in cinemas, or anyone who enjoys crime-thrillers in general. It is a superbly well acted film. This is easily the best Japanese film I have seen since 18x2 Beyond Youthful Days (which I also reviewed at the time).
TRIGGER WARNINGS: Violence, Blood, Gore.
Before going in to watch, I happened to see the director had said that she wanted to showcase the harsh realities of rising poverty amongst youth, an issue not often enough highlighted in modern Japan. The main symptom seen of this in media is the rise of so-called ‘yami baito’ in the news - in English, effectively ‘crime part time’ as desperate youths whose backgrounds aren’t so fortunate desperately try to stay afloat to afford rent, university, and the like.
This film showcases four such people, whose circumstances leave them nothing else to turn to. I did not expect to be so emotionally moved by this film, at all. The storytelling was also cleverly done, as nothing is revealed too quickly, yet upon seeing the whole picture, there is still beauty in the humanity you can find amidst the brutality. The story is largely told in three arcs, one for each protagonist, and the pacing was exactly as it needed to be. The use of perspective was also particularly clever in the sense that you start the film through the lens of the youngest and most inexperienced of the three protagonists, which also serves as an appropriate introduction to the world of yami baito for those unfamiliar with it. Acting was spectacular and gut-wrenching in exactly the ways it needed to be.
This film brought a range of emotions out in me, from the visceral nausea of reality to the sweetness that cannot be separated from the bitterness. This is not a film full of cheer, hope, and optimism, but it is still a film with a painfully heartwarming glimmer even at the most desperate times.
The closing song is beautiful and fitting, and other than that, the soundtrack was unobtrusive. In fact, I was so deeply invested in the story and characters I didn’t notice any music until the credits rolled, however there was most certainly music there and a composer credited.
I absolutely recommend this to anyone who can see it in cinemas, or anyone who enjoys crime-thrillers in general. It is a superbly well acted film. This is easily the best Japanese film I have seen since 18x2 Beyond Youthful Days (which I also reviewed at the time).
TRIGGER WARNINGS: Violence, Blood, Gore.
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