In the end, only one Rider can remain.
One of the more popular and highly regarded Kamen Rider shows, Ryuki, is an odd beast. Its fifty-episode length certainly feels unwarranted, but when combined with the show's complex depiction of justice and outstandingly choreographed action, it can make for immensely satisfying viewing. The humour doesn't always work and can even be detrimental to the tone the series is trying to maintain, especially given the high amount of emotional plot beats during the final stretch. Many episodes feel very meandering, focusing on a small cast of characters and emphasising the sillier elements; it all feels like a different show entirely, where the Rider Fight is merely an afterthought.
It's difficult to buy into Shinji's antics at the start, but thankfully, it seems the writers realised this and gave us a second Rider to follow right from the get-go with Ren. They make for an intriguing double act early on, with Shinji's carefree attitude contrasting heavily with Ren's more personal involvement in the big battle royale. The problem arises when nearly every character introduced, even the small one-offs, has their own arc and journey, which leaves many of the leads fighting for screentime; it makes the series feel cramped when it has a whole other dimension to explore.
As this show features a whopping ten Riders to keep track of, with some having a greater impact than others, it can be a challenging follow. Some turn up and leave just as quickly as they are introduced, while others stick around for a lot longer. Imperer and Scissors are examples of the former more than the latter. Their ultimate deaths are also a mixed bag, with Scissors' demise only there to serve as a warning to the fate that will befall the rest of the cast, while Raia's death is utterly soul-destroying, signalling a change in direction for the rest of the run.
Production-wise, it feels very much of its time; the reliance on CG ultimately dates the show quite severely, but the direction usually more than makes up for it with the musical score being generally delightful to listen to, even if it's somewhat repetitive. The cast all do a great job with the material, bringing a range of different levels of energy to their roles. It's hard to single out any standouts when they are all good.
Honestly, I think Ryuki is just alright in the end. The mystery regarding the Kanzaki siblings doesn't do a lot for me, especially when it's plainly evident that Shiro is the big bad from the moment he's first mentioned. Still, when the show is focused on each Rider and their individual goals, I was hooked. It's a show where I wish the core elements were just a bit more consistent because it had all the potential to be a winner, especially with its brutal gut-punch of an ending. Still, I did enjoy watching the show, and am looking forward to checking out Dragon Knight one of these days.
It's difficult to buy into Shinji's antics at the start, but thankfully, it seems the writers realised this and gave us a second Rider to follow right from the get-go with Ren. They make for an intriguing double act early on, with Shinji's carefree attitude contrasting heavily with Ren's more personal involvement in the big battle royale. The problem arises when nearly every character introduced, even the small one-offs, has their own arc and journey, which leaves many of the leads fighting for screentime; it makes the series feel cramped when it has a whole other dimension to explore.
As this show features a whopping ten Riders to keep track of, with some having a greater impact than others, it can be a challenging follow. Some turn up and leave just as quickly as they are introduced, while others stick around for a lot longer. Imperer and Scissors are examples of the former more than the latter. Their ultimate deaths are also a mixed bag, with Scissors' demise only there to serve as a warning to the fate that will befall the rest of the cast, while Raia's death is utterly soul-destroying, signalling a change in direction for the rest of the run.
Production-wise, it feels very much of its time; the reliance on CG ultimately dates the show quite severely, but the direction usually more than makes up for it with the musical score being generally delightful to listen to, even if it's somewhat repetitive. The cast all do a great job with the material, bringing a range of different levels of energy to their roles. It's hard to single out any standouts when they are all good.
Honestly, I think Ryuki is just alright in the end. The mystery regarding the Kanzaki siblings doesn't do a lot for me, especially when it's plainly evident that Shiro is the big bad from the moment he's first mentioned. Still, when the show is focused on each Rider and their individual goals, I was hooked. It's a show where I wish the core elements were just a bit more consistent because it had all the potential to be a winner, especially with its brutal gut-punch of an ending. Still, I did enjoy watching the show, and am looking forward to checking out Dragon Knight one of these days.
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