Elisheva

Quiet coming of age, pairing normal slice of life school friendships with a month in a very unusual young life. Back stories are mentioned and quietly present, giving it layers for those who will give it attention. The theatre life woven throughout adds more, as well as providing additional interest on its own merits. All in all, this is very well done.

And below this is spoilers as it pertains to the very end. If you haven't seen it, please stop now. Seriously - it's a great film. Find it somewhere to watch, preferably legally if you can, to support quality filmmaking. Don't spoil yourself. Go back. Please. Ok, Is that ample warning? =D

The end shifts it from friendship CoA to BL. My first thought on realising this was "Yep, there are even female characters to be rejected for the boy, including an ex who still had feelings." That seems to be important to some BL, that the masculine boy realising feelings of same sex attraction had hetero options. We even learn of this through a young woman's words - before we see the boy's actions.

Many of these sorts of stories are well done, and I count Confetti amongst the best and appreciate the CoA complexity of emotions. Individually, telling diverse stories is so important towards nurturing empathy and understanding. But there is also an ecosystem in which these sorts of stories are the norm, these stories which always make girls and young women secondary, characters to be rejected for the boys' happiness.

So I'm happy for stories of boys growing and understanding themselves, of gay representation in coming of age and I still feel for girls who have this added into the mix of what society tells them it means to be female.