I have watched this series, I think on average, every three nights since the last episode aired. At my most recent re-watch, I believe I finally understand why I adore this series so much: I love one-act plays; I love short stories; I love haikus & Gregorian chants; I love chamber operas & Kabuki; I love the silence between things. So this series rings rather loud.
Drake has been an absolute delight in every scene he's had from the very first episode. He's given his character such supportive warmth and calm humour, while still feeling like an individual rather than just an extension of a main character (which happens a lot with GMMTV's side characters). We should all be so lucky to have a friend like Dr. Plakao.
That...was a journey. While this series is definitely the best of MaxNat's projects to-date, it had its share of issues (the editing choices are flat-out baffling). However, I enjoyed visiting this tale each week, and there was a kind of magic in the asynchronous quality of the production from episode to episode. iQIYI, as ever, has the absolute worst translations, which also undermines the series, but with enough familiarity with Thai and/or checking out fan translations, there is certainly poetry to be found in the script, from time to time.
Oookaaaay. This series was uneven, while being engaging. I neither liked nor disliked the lead couple but their story felt rather silly and immature, particularly when contrasted with the second couple. I thoroughly appreciate that the second couple didn't have a perfectly happy ending, and their story instead took a more realistic direction that rang true to their characters and their conflicts. I'd love to see a spin-off for the two of them; them finding their way toward one another was the most interesting journey of this series, even if they didn't quite get there in the end.
I mean, I'm not complainingâMax is a beautifully proportioned man and I fully support any reason for him to take his clothes offâbut that visual had me laughing so hard.
Tweedle-Dumb, Tweedle-Dumber, and Tweedle-Dumbest travelling Korea and ineptly doing good is a cute premise. Perhaps that's why the opening of episode nine, while as ridiculous as the rest of this trainwreck of a series, was the most fun had so far. It's a self-aware, intentionally comedic scene, one that leans in to the show's stupid and just runs with it. It reminded me briefly and very superficially of "Rak Diao", and it made me smile.
Episode ten made me wonder if this was ever meant to be a BL. The tone, style, and flow of many scenes in this series suggest this script began life as someone's personal self-growth drama about coming to terms with the past but then a studio head demanded boys snogging and the writers' room just went off the rails. It's truly astonishing how bad this series is at everything it is trying to do, from comedy to intrigue to especially romance. Just...wow.
All that pants-wetting and sweaty armpits over...that? I'm not saying an individual's experience of trauma is valid only under certain conditions but after enduring all those nothing episodes to find out why Uno is so terrified of dogs only to be given that backstory, well...I have never been so disappointed at a child not being mauled by a rabid animal.
I get that Shirasaki is supposed to be a self-conscious, awkward sod but has he never read books, watched movies, attended the theatre, or just...met other Humans? The man has not only failed to evidence any skill or talent at his craft, which at its root is simply an exercise in imagination, it's truly a wonder he's managed to survive on Earth at all.
Surely, he only got the role because Hayama made it a condition of his own participation. Or maybe Shirasaki's manager has dirt on the director. I simply do not believe Shirasaki would've been cast opposite such a big star, given how unsuited at the job he appears to be. Someone calling in a favour or enacting light blackmail is the only believable reason he got that role. He could be a competent artist while still being nervous about his potential big break, there's no reason to make him so inept as to destroy all suspension of disbelief.
I mean, I'm not entirely sure why Hayama is such a big star but he can at least emote without looking like he's going to wet himself, so he's definitely leagues above Shirasaki.
The first half of this series was phenomenal. The second half was a steady decline toward comparative mediocrity. Not to say it was bad but the first half was just so very good, the second simply paled in comparison. The romance was ultimately the least interesting part of the story, for me, and felt like it lacked, in the end, the emotional weight and raw dynamic of other elements of the story. Not sure what happened with the second half but the series just didn't finish as strongly as it began. It seemed to lose...not so much steam as gravity.
Nonetheless, it is absolutely worth the watch. The production was generally solid, excepting occasionally baffling editing choices, and the cast was an absolute delight.
Of all the ridiculous in this series, what's testing my suspension of disbelief the most is that a veterinarian, a professional dog lover, and an idiot with empathy of gold have all completely missed that Uno has some form of cynophobia. Dae Byeol even seems convinced Uno gets his jollies harming dogs, based on a limited interaction where Uno spent most of it looking like a spooked deer and as if a dog hair landing on his arm would've made him piss his designer pants.
Of all the annoyingly weird bits, that is the most annoyingly weird to me.
Mew was never a good actor but I can't tell if the issue here is Uno is meant to be a closed-off character or Mew filmed the whole series while gravely constipated.
The vet and the agent are doing the most trying to make this engaging. At least when they're on screen it feels like something is happening, that there is a story somewhere in all this nothing.
Nothing Por did as a gang boss, a father, or a sentient Human being made a lick of damn sense. Who were you, Por? What on Earth was going on in your brain before you put a bullet in it? Strange, strange man.
Middling series, neither phenomenal nor horrendous. Decent enough way to spend a few hours but, honestly, "Hellbound" and "Sweet Home" offer up similar thrills with characters and story threads that are simply more engaging. I had hoped this series would explore more of the invisible maker who decided to do something so drastic to stop the ecological menace/existential threat that is Humankind but I suppose they're saving that for part two. Or, maybe it's fundamentally irrelevant, an apatheistic theme underlying the narrative. "Hellbound" handles theological underpinnings better too.
Anyway. Watchable, would recommend for a chill day on the sofa.
(Note: I haven't read the manga, watched the anime, or seen the Japanese movies. I am judging this Korean expansion pack on its own merits, and it was fine. Just...fine.)
Worth at least one watch, despite its many flaws.
Definitely worth at least one watch.
I mean, I'm not complainingâMax is a beautifully proportioned man and I fully support any reason for him to take his clothes offâbut that visual had me laughing so hard.
Episode ten made me wonder if this was ever meant to be a BL. The tone, style, and flow of many scenes in this series suggest this script began life as someone's personal self-growth drama about coming to terms with the past but then a studio head demanded boys snogging and the writers' room just went off the rails. It's truly astonishing how bad this series is at everything it is trying to do, from comedy to intrigue to especially romance. Just...wow.
Does this café even do any marketing? I know the poor finances are the main reason they agreed to do the variety show but there is never a customer in the place. If Dae Byeol just wanted a career surrounded by dogs, he should've opened a kennel. Hell, he has enough real estate to convert that place into a luxury doggie daycare, and a veterinarian BFF who can provide exclusive recommendations to a prime audience. It seems so unnecessary for him to be on the struggle bus running a business with such thin margins when restaurateuring isn't even the point.
Surely, he only got the role because Hayama made it a condition of his own participation. Or maybe Shirasaki's manager has dirt on the director. I simply do not believe Shirasaki would've been cast opposite such a big star, given how unsuited at the job he appears to be. Someone calling in a favour or enacting light blackmail is the only believable reason he got that role. He could be a competent artist while still being nervous about his potential big break, there's no reason to make him so inept as to destroy all suspension of disbelief.
I mean, I'm not entirely sure why Hayama is such a big star but he can at least emote without looking like he's going to wet himself, so he's definitely leagues above Shirasaki.
Nonetheless, it is absolutely worth the watch. The production was generally solid, excepting occasionally baffling editing choices, and the cast was an absolute delight.
Of all the annoyingly weird bits, that is the most annoyingly weird to me.
The vet and the agent are doing the most trying to make this engaging. At least when they're on screen it feels like something is happening, that there is a story somewhere in all this nothing.
Anyway. Watchable, would recommend for a chill day on the sofa.
(Note: I haven't read the manga, watched the anime, or seen the Japanese movies. I am judging this Korean expansion pack on its own merits, and it was fine. Just...fine.)