I liked it but not enough to pay to see the rest. There's so much other stuff to watch that's free. (And you don't have to go to one of the malware pirate sites either .. it's all on YouTube.)
This kind of business model can backfire. Production companies should calculate carefully.
For ep. 4 I feel bad for them. For Tan, She endured the pain just to grow as a person with Teh same with Bas.…
Tan .... I do feel for her .... as I watched I thought of all the young girls who grow up with gay boyfriends (I was one of those gay boyfriends ... I repent!)
The confusion and feeling of rejection must be overwhelming.
I'm starting to love Bas a lot. I do ship Oh&Teh and also BB&PP ?. But Bas is just so arrrrrghhhhh. Damn it,it…
I would be perfectly fine with Oh ending up with Bas. It's one reason I don't fear a sad ending to this series, because I imagine that Bas will be there to help Oh get through it.
I'm so excited I feel giddy. Perfect cast, adorable story ... Pod and Khaotung have fantastic chemistry ... and I love that it's on a Friday to kick off the weekend!
"While I personally believe that BL stories should never, ever end sadly," that makes absolutely no sense, but…
I can say that we agree 100% in the case of this particular series. Whichever way it ends, it's going to be a milestone that we'll all be using as a reference point for years to come.
"While I personally believe that BL stories should never, ever end sadly," that makes absolutely no sense, but…
It sounds like you would support the idea that any dramatic work that features a m/m relationship is therefore BL.
If you do *not* believe that, I'm curious to know where would you personally draw the line on what constitutes a movie or series that is BL vs. one that is not?
Method had open ending, not tragic.Personally I believe that their story was just starting to unfold because,…
What I took from the ending was that the older male lead, who used the 'method acting' approach, would always become the characters he played while a production was running. His wife had become accustomed to it, and she had also become accustomed to him returning to his senses once a production was finished. The younger lead was essentially taken in by this and was hurt by it.
It's been a while, but I think there was a kiss on stage that wasn't in the script (i.e., the script for the play within the movie), and people have cited this as evidence that the older actor's feelings for the younger one were real. For me that's just another part of the method approach -- to get so into character that you start to improvise unconsciously.
When the movie was over I didn't think any other outcome was possible than the older actor going back to his wife, making him destined to repeat the cycle in his next production.
"While I personally believe that BL stories should never, ever end sadly," that makes absolutely no sense, but…
I'm not familiar with those dramas at all. But I'm thinking of the classic definition of fantasy -- the imagination of something that is improbable but pleasant.
If a story of love between two men ends badly then it is certainly a work of imagination but (for me anyway) if it is unpleasant then should not be categorized as BL.
"While I personally believe that BL stories should never, ever end sadly," that makes absolutely no sense, but…
LOL ... yes, I consider BL to be an escapist, fantasy-fulfillment genre, so for me it makes no sense to slap on a sad ending.
I think a series like 'HIStory 3: Make Our Days Count' aspired to break out of the genre, but the whole thing backfired due to how unexpected the sad ending was. That might be why they're making a sequel where the dead character is suddenly alive again.
This kind of business model can backfire. Production companies should calculate carefully.
Not all entertainment needs to be profound. If you make that your standard you'll be spending a lot of time in front of a blank screen.
The confusion and feeling of rejection must be overwhelming.
If you do *not* believe that, I'm curious to know where would you personally draw the line on what constitutes a movie or series that is BL vs. one that is not?
It's been a while, but I think there was a kiss on stage that wasn't in the script (i.e., the script for the play within the movie), and people have cited this as evidence that the older actor's feelings for the younger one were real. For me that's just another part of the method approach -- to get so into character that you start to improvise unconsciously.
When the movie was over I didn't think any other outcome was possible than the older actor going back to his wife, making him destined to repeat the cycle in his next production.
If a story of love between two men ends badly then it is certainly a work of imagination but (for me anyway) if it is unpleasant then should not be categorized as BL.
I think a series like 'HIStory 3: Make Our Days Count' aspired to break out of the genre, but the whole thing backfired due to how unexpected the sad ending was. That might be why they're making a sequel where the dead character is suddenly alive again.