This review may contain spoilers
Modern Snow White: Less Magic Mirror, More Toxic Social Media.
Watched this immediately after My Sassy Princess: Wake Up! Sleeping Beauty, and I’ll admit—it’s a step up. Honestly, these shows feel like they could have an order: Wake Up! Sleeping Beauty → Cinderella → Snow White, but you don’t really need one. This one has more complexity, deeper emotional beats, and is—despite being a disaster in its own chaotic way—actually watchable.Episode 5 of the USA version had me completely over Beauty. Like, I almost quit watching because of her. But oh, the sweet, bitter karma of it all: Snow gave her VIP seat, thinking she was doing a kind gesture, Plu was trying to do something nice for Snow without realizing she’d already given it up… and Beauty? Everyone shoved her into crying. Do I feel bad? Not even a little. She’s the textbook villain who dishes it out but can’t handle the slightest taste of her own medicine. Absolutely delicious.
Plu—I’m torn. You can see he likes Snow, but because of his image and fear of his company, he keeps hurting her. It’s unfair. Snow is sweet, overly caring, and frankly a bit too selfless sometimes, which makes her misery even more painful to watch. I wish they gave her a little evil queen moment—a moment to smack back at the chaos instead of being walked over constantly.
Ma/Ton—poor guy. The genuinely nice friend who loves Snow quietly, and she only sees him as a friend. I mean… sometimes Prince Charming doesn’t need to be romantic, but come on. Heartbreak.
And the whole “ugly Snow” thing? Please. She’s very pretty. Too dark? She’s tanned. Too heavy? She’s healthy. Finally, a lead who isn’t a stick and the show acknowledges it. Small victory.
Episode 6—things perk up, finally. Snow starts showing herself online, and the views go from 11.5k to nearly 20k. Glory. But of course, chaos: Beauty’s true colors, Plu’s overbearing boss, and more of the cringe factory hits Snow hard. Still, I love the moments where she starts reclaiming her self-esteem. She’s been beaten down since childhood, and seeing the crew start to recognize her worth is genuinely satisfying.
This series is part fairy tale, part social media commentary, all sass. Yes, it’s messy, and yes, it’s chaotic, but it’s entertaining. The characters are ridiculous, the villains are deliciously cruel, the side drama makes zero sense sometimes, and yet… I could not stop watching.
💭 Final Mood:
“Train-wreck fabulous, bitterly sweet karma, social media chaos, Snow reclaiming herself, Beauty finally getting what’s coming, and Plu being a mess of his own fears."
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My Sassy Princess: Wake Up, Sleeping Beauty
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This review may contain spoilers
The Thai Sleeping Beauty Remake That Needed a Nap More Than She Did
This was supposed to be a modern take on Sleeping Beauty (the sparkly, Disneyfied version, I assume). Instead, we get: a snarky doctor, wildly overbearing parents, an actually-sane grandma, and a brother who communicates exclusively through fists. For flavor, the show tosses in a few fairies and a surfskating idol as the villain. Yes, surfskating. I even had to Google it.(Shout-out to me discovering that it’s basically “surfing on asphalt.” Cool hobby. Not exactly riveting TV.)
Aurora — sorry, Saengnuea — grew up sickly with asthma and allergies, but the show cranks this up to extreme levels for drama. Her parents treat her like a porcelain doll with a warranty. Of course she rebels: sneaking out, surfskating with Ken, and using her doctor neighbor Khai’s house as her personal escape route. She blackmails him with his own cat. Honestly? Iconic.
Between Saengnuea, Khai (or “Lung,” because she refuses to call him by his name), Ken, and the best friend, it’s basically a loop:
• fighting with her parents
• banter/sniping with Khai
• boring surfskating montages
• Ken doing manipulative playboy things
• best friend acting feral for attention
Not much depth, not much growth — just vibes, mostly chaotic ones.
Credit where it’s due: the side plot with Talay and Sky has a sprinkle of BL-adjacent tension. Still thin, but more engaging than the main plot half the time.
Overall? This drama sits somewhere below “meh,” possibly in the shadowy territory of “I’m only here because it’s short.” Luckily it is short: nine episodes for the US version. That’s the only reason I finished it without needing a nap.
I’ve heard My Sassy Princess: Snow White is significantly better, so yes… I’ll be checking that one next.
💭 Final Mood:
“Watched it, sighed a lot, Googled surfskating, and survived — 4/10 but at least it was short.”
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A Hurricane in Sneakers, a Handsome Disaster, and Pure Absurdity—Backstreet Rookie Wins.
Okay, listen. This show is chaotic in the best possible way. From minute one, I’m yelling at my brain: “This is absurd. This is hilarious. Keep up.” Saet Byul walks in like a hurricane in sneakers, and Dae Hyun just… exists—calm, handsome, suffering quietly. The contrast? Chef’s kiss.The romance? It’s there. Tiny little sparks. But it’s not a swoon-fest, thank god. It’s an absurd rom-com. If you try to take it seriously, it collapses like a Jenga tower in a wind tunnel. The point is the chaos, the banter, the moments that make you go: “What even is happening right now—and why am I laughing so hard?”
Some people complain the leads lack chemistry. Uh… no. They have chemistry, it’s just the weird, awkward, quirky kind that fits the show’s tone. It’s like someone sprinkled love and sarcasm in the blender and hit high-speed. You get awkward flirting, hilarious misunderstandings, and moments of genuine warmth all wrapped in ridiculousness.
Sideplots? Love triangles? Minimal, thank god. This is about comedy first. Romance second, if you even notice it. The absurdity is the star. And oh my god, Crazy by April as the opening theme? I hum it, scream it, possibly annoy my neighbors daily. Perfect chaotic anthem.
💭 Final Mood:
“Laughing until my ribs hurt, grimacing at the cringe moments, teared up once because I secretly care about them, fully embracing the absurdity, and now considering how much my own life lacks Saet Byul-level energy. 10/10. Would watch at 2 a.m., preferably with snacks, sarcasm, and zero self-control.”
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Enemies, Lovers, and One Green Tea Disaster—Just You Has It All.
I watched this because I was in the mood for something Taiwanese. I usually enjoy most older Taiwanese shows. This is your typical enemy-to-lovers trope kind of drama. But that's ok, I love these kinds of shows.The moment the leads meet, the chemistry was good. I mean, they played enemies great. However, as the story progresses, and they stopped being enemies, the FL kinda went from fierce to stuttering, blithering idiot at times. But it didn't deter from the show, I kept watching, and for the most part enjoyed it. I mean, it’s very rare to love everything about a show, even my faves and my ultimate rewatches have their own flaws.
The SFL, lawd, this bitch is the typical green tea, messed in the head. And with this being aired originally in the 2010's… wait actually the era doesn’t matter. Bitchy jealous, "That's MY man, and no one is going to take him from me." SFLs don’t necessarily get better with time; it's just how the actress portrays the role that's different. Well, there were times that I felt the SFL arc was overdone. But when it came down to it, logically speaking, it actually fit—even if it was highly annoying at times.
Overall, it was cute. Had its flaws, but I still enjoyed it.
💭 Final Mood:
Cute, enemy-to-lovers, green tea chaos, and overall enjoyable.
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Rushed, Random, and Somehow Still Watchable (Thanks, Sung Hoon).
I watched this because I enjoy watching shows with Sung Hoon, especially his older ones.And… while this wasn’t a bad show, it was definitely not a favorite.
First: 20 episodes at 15 minutes each. Basically ten 30-minute episodes. So yeah… rushed. Everything happens at lightning speed. The FL? Her screaming got on my last nerve. But at least she had backbone and fight (mostly).
The cat. Oh, the cat. Cute. Thank you, cat.
Now the CEO plotline. If they had leaned into the whole “dangerous life CEO gets helped by a vet” premise, this could’ve been amazing. Instead, he’s attacked for… no reason? Saved by the vet? Compensates by buying her hospital? Then suddenly decides she should be his girlfriend?! I’m just… confused. Were episodes missing? Did I blink and skip some character development?
Party scene: supposed friend says, “You’re a poor country bumpkin, what qualifications do you have to be here?” And then… next scene: terrace kiss. Sure, makes sense… if you squint and ignore logic.
Overall? Finished it. Liked it… kind of. Cute, rushed, random, with moments of absurdity that make me laugh and sigh simultaneously.
💭 Final Mood:
“Cute cat. Screaming FL. Sung Hoon being Sung Hoon. Random romance chaos. Would I watch again? Maybe, if I want 15-minute snacks of chaos. 3/5 for drama, 4/5 for cast, 5/5 for cat.”
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A Pretty Disappointment in Divine Packaging
I went into Bride of Habaek expecting fantasy, romance, and a divine love story worthy of the title. What I got was… a confusing mess of hot people acting like moody preteens with commitment issues. And let’s talk about that title for a second—where exactly is the “Bride” in Bride of Habaek? There’s no wedding, no divine union, not even a real payoff. Just a lot of push and pull that leads nowhere satisfying.Yoon So Ah, the female lead, was honestly exhausting. She starts off incredibly narcissistic and constantly plays the victim, and not in a "she'll grow on me" kind of way. Even by the end, I still didn’t care for her. She had a few redeeming moments, but they were like finding water in the desert—too little, too late.
Habaek? Sure, he’s hot. The man knows how to wear a suit. But beyond that? Not much going on. His character arc is flatter than a god’s heartbeat in the human world. I wanted a powerful, conflicted deity torn between duty and love. Instead, I got a divine himbo who disappears every few episodes for dramatic effect.
Moo-ra is another one of those jealous-female tropes that K-dramas love to throw in, but with zero depth. Bi-ryum at least brought a little personality and sass to the table—probably the only god in the show who felt like he had actual emotions beyond stoic boredom or vague angst.
Now CEO Shin (Hoo-ye)? There was potential. SO much potential. His character had emotional depth, tragic history, and a serious identity crisis… but the show does absolutely nothing with him. They dangle a compelling backstory in front of us and then walk away like we won’t notice. I’m still not even sure what his actual connection to Habaek’s past is supposed to be. Son? Reincarnation? Plot tease? We'll never know.
The shaman friend? Another letdown. She had visions that should’ve been critical, mysterious, exciting—but they amounted to nothing. Just cryptic warnings and dramatic fainting spells.
World-building? Basically nonexistent. We’re told these gods have responsibilities, kingdoms, histories, even wars—but you’d never know it from the show. They mostly just bicker, flirt, and lounge around on Earth like they’re waiting for a group chat update from heaven. It feels like they bought the fantasy furniture but never moved into the house.
There were a few standout moments. A scene here or there would hit emotionally—especially the bit with So Ah’s dad—that actually made me pause what I was doing. But they were few and far between. Most of the show felt like filler wrapped in pretty cinematography and slow-motion angst.
In the end, Bride of Habaek had a decent premise, but the execution fell flat. With more world-building, clearer plot arcs, and actual character depth, it could’ve been something magical. Instead, it’s a forgettable ride with a frustrating finish. I’m honestly shocked I didn’t drop it.
Would I watch it again? No.
Do I still have questions? Absolutely.
Would I recommend it? Only if you’re watching for the pretty faces and have a high tolerance for unfulfilled potential.
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Very enjoyable
This was a fun quick watch, kind of show. I like how they had them like each other, but it was not the basis of the show. I think the show was more about finding your own self love and confidence. Because every single one of them needed one or the other or both. The could’ve however ended the show a bit differently than what they did, or even added another episode something, so it wasn’t just left like it was.Was this review helpful to you?
One of my faves!!!
This is one of my faves. I will usually do a rewatch after every few shows I watch. Just because there is not really anything much I’d changed about this show. Ok maybe Nicky Li’s hair in high school and adulthood. They could’ve came up with a better wig for high school, and something better than the hair extensions they used for adulthood. But besides that, I love love love this show. I love Zhao Yi Qin so much.Was this review helpful to you?
Honestly the best part of this show was the OST
especially Jemma’s SHRINE, and Corona Holler Time (episode intro song).However, all in all it wasn't horrible. but it was also not good at the same time. Since it was only 7 episodes there was a lot missing, and plot holes.
I’m glad I watched it though, because I can say I watched it and give my opinion. But won’t be on my rewatch list.
Plus side to this series is that I’ve got more music added to my playlist, silver lining and all that. I always love getting. we music to add to my playlist.
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The Ending We Needed
📝 Review(WARNING: Potential Spoilers — I’m Not Saving You from Any Emotional Damage)
After all the angst, sacrifice, and emotional warfare across two seasons, the special delivers what viewers genuinely needed: peace.
Rebirth. Marriage. Closure.
It doesn’t try to reinvent the story. It simply allows the characters to exist without divine rules, tragic misunderstandings, or realm-ending consequences hanging over them.
And honestly? After everything they endured, that felt deserved.
💭 Final Mood
“Soft. Earned. Finally.”
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Wrong Brides, Right Fates, and a Love Story Written in the Stars
📝 Review(WARNING: Potential Spoilers — I’m Not Saving You from Any Emotional Damage)
The Starry Love is one of those rare dramas that feels entertaining from the start but quietly becomes something deeper.
On the surface, it’s a switched-bride story: two sisters sent to the wrong realms—one to the Heavenly Realm, the other to the Void. There’s even an alternate title floating around, “Wrong Bride, Right Groom,” and honestly? It fits perfectly.
Liguang Ye Tan always believed she was meant for darkness—she even dreamed of becoming the Devil of the Void. Yet somehow, she finds her truest match in the rigid, duty-bound Empyrean Xuan Shang. Meanwhile, Liguang Qing Kui—raised to be the perfect, refined Empyrean Consort—ends up thriving beside Chao Feng in the Void. (And yes, he is pretty hot. We’re not ignoring that.)
Watching the sisters adapt to unfamiliar realms is part of what makes this drama shine. They aren’t instantly transformed—they learn, adjust, and grow. Their journeys quietly reinforce the idea that identity isn’t dictated by where you’re placed, but by how you respond to it.
Now, Chen Xing Xu.
The man had to carry five distinct versions of the same character—and made each one feel fully realized.
Empyrean Xuan Shang / Shaodian Youqin — the original immortal prince: cold, disciplined, emotionally suppressed, raised to sacrifice everything for order.
La Mu (Fire Demon) — temperamental, passionate, rough-edged but surprisingly kind beneath the heat.
Mei Youqing (Heartless) — detached, precise, hardened; quieter but emotionally complex.
Wenren — playful, flirtatious, seemingly carefree, yet capable of genuine devotion.
Reintegrated Youqin — the culmination of every shard, calmer and more emotionally whole than the original.
It would’ve been easy for these versions to blur together. They didn’t. Each felt intentional, distinct, and necessary. That range alone deserves recognition.
Wu Dai also deserves a mention. He starts off as brute strength and battlefield energy—but over time, his growth softens him into something unexpectedly endearing. His development felt earned, not decorative.
Visually, this drama was stunning. The Void Realm in particular—with its purples, blacks, and gothic undertones—was immaculate. Every realm had its own identity, but the Void had style.
And as with many xianxia dramas, the Heavenly Realm continues its long-standing tradition of arrogance, elitism, and weaponized righteousness. At this point, it’s practically a genre requirement. It also consistently reinforces the idea that moral superiority does not equal moral correctness.
In the end, The Starry Love balances humor, emotion, mythology, and character growth in a way that feels complete. It entertains—but it also evolves.
💭 Final Mood
“Fate misplaced them—but destiny corrected it.”
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Brotherhood, Loyalty, and a Story That Stays With You
📝 Review(WARNING: Potential Spoilers — I’m Not Saving You from Any Emotional Damage)
The Untamed broke me—but in the best possible way.
This wasn’t just a drama; it was an experience. Every arc had purpose. Every storyline fed into the larger narrative. Nothing felt wasted. The structure—moving between timelines, revealing truths piece by piece—kept the mystery unfolding without ever losing momentum.
And no, there isn’t traditional romance. It doesn’t need it.
The bond between Wei Wu Xian and Lan Wang Ji—the loyalty, the restraint, the silent understanding—was more powerful than any overt love story could have been. The camaraderie within the cultivation world, the brotherhood, the shifting alliances… that emotional weight carried everything.
Xiao Zhan as Wei Wu Xian was magnetic. He brought humor, warmth, mischief, and heartbreak into the same character without it ever feeling inconsistent. He made you smile, then hurt you five minutes later, and somehow you thanked him for it.
And Wang Yi Bo as Lan Wang Ji? The control. The restraint. The sheer discipline in that performance. Maintaining that stoic exterior while communicating entire emotional monologues through the smallest shifts in expression is not easy. It’s subtle acting at its finest. I genuinely don’t know how many takes it took to keep a straight face opposite some of Wei Wu Xian’s chaos—but the composure alone deserves respect.
I figured out the master villain early on, but it didn’t matter. Watching the story unfold, seeing the motivations unravel, and witnessing how everything connected was satisfying regardless. The mystery wasn’t diminished by knowing—it was enhanced by seeing how it all came together.
Honestly, I can’t think of a single element that pulled me out of the experience. The world-building, the characters, the emotional arcs—it all worked.
💭 Final Mood
“Devastating, beautiful, unforgettable.”
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Divine Contracts, High-Stakes Power Games, and a Mini Drama That Deserved a Full Series
📝 Review(WARNING: Potential Spoilers — I’m Not Saving You from Any Emotional Damage)
This mini drama had no business being as entertaining as it was—and yet, here we are.
Bound to the God is one of those short-form dramas you start casually and then suddenly realize you’ve watched twenty episodes without blinking. Yes, the premise will remind you of My Demon, and no, that didn’t bother me in the slightest. If anything, it made me wish even more that this had been given a full-length treatment.
Li Bo Yan absolutely carries this drama. He’s charismatic, visually striking, and leans fully into that “supernatural protector with questionable morals” energy. At times he gave me serious Jackson Wang vibes, which… helped. A lot. I would not have complained if this had been a Chinese full-series counterpart to My Demon—the bones are there, and the appeal absolutely is too.
What also stood out was the central opposing force—not mystical, not supernatural, but operating on pure influence and control. The conflict leans heavily into tech, money, and far-reaching resources, giving the story a modern, grounded edge. It’s less magic-versus-magic and more power-versus-power, which actually works well within the short-drama format.
Because this was watched through user-uploaded YouTube clips, the music was often muted or cut entirely, making it difficult to judge. Thankfully, the pacing, performances, and concept were engaging enough that the lack of audible OST didn’t detract from the experience.
Ultimately, Bound to the God is fast, entertaining, and frustrating only in the sense that it clearly could have been more. If this concept were ever expanded into a full series, I’d watch it without hesitation.
💭 Final Mood
“Entertained, mildly feral, and wishing this had been 16 full episodes instead of two-minute crumbs.”
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A Korean Odyssey — Fate, Chaos, and Romance Collide in a Supernatural Rollercoaster
📝Review (WARNING: Potential Spoilers — I’m Not Saving You from Emotional Damage)From episode one, this show grabs you with its quirky charm and supernatural stakes. Son Oh Gong’s mischief, Ma Wang’s chaos, and the unexpected heart-tugging moments pull you in so fast you forget what’s real life. It’s like someone poured Journey to the West into a modern K-drama blender and then sprinkled a little chaos seasoning on top.
Fate, destiny, and demon politics collide, and the tension keeps you laughing and on edge at the same time. Jin Sun Mi navigates both chaos and affection with such patience it borders on heroic. Meanwhile, P.K., the pig demon, provides perfectly timed chaos that makes every episode unpredictable. The soundtrack deserves its own applause—NU’EST’s Let Me Out and Bumkey’s When I Saw You hit at the emotional peaks, making heartbreak and hilarity feel equally intense.
Every episode juggles heart, humor, and mythology seamlessly. The twists land, the emotional punches hit, and the pacing keeps you hooked without a single moment of filler. The ending wraps arcs beautifully while leaving room for your imagination. Son Oh Gong and Jin Sun Mi’s relationship blossoms naturally amidst the chaos, and Ma Wang’s antics, along with the demons and human drama, all converge satisfyingly.
💭 Final Mood:
Epic, witty, and weirdly romantic. A rare drama that makes you laugh, ache, and text your friends “I’m not okay” at 3 a.m.
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The 2009 Melodrama That Outperformed My Entire 2024/2025 Watchlist
(WARNING: Potential Spoilers — I'm Not Saving You from any Emotional Damage)First Impressions (and Immediate Emotional Destruction)
Listen. This drama was made in 2009, and it still wiped the floor with half of what came out in 2024. I’m usually not hooked in episode one—that’s rare for me—but by episode two or three? I was gone.
Productivity? Canceled.
Social life? Dead.
Water intake? Unclear.
Even the side characters didn’t annoy me, which is practically unheard of in Taiwanese family melodramas. Everyone had a purpose, and the story never tripped over itself trying to justify unnecessary screen time.
Early Arc: Campus, Bento Boxes, and Betrayals
The progression from Mu Cheng’s childhood trauma → university → romance buildup is chef’s kiss. Nothing abrupt. Nothing rushed.
Guang Xi starts off using her for a bet (classic). She kind of knows, kind of doesn’t care, and then life slaps both of them into emotional sincerity.
He’s traumatized, stubborn, and trying not to fall in love.
She’s wounded, principled, and impossible not to fall for.
Cue:
soft moments
small kindnesses
accidental emotional intimacy
trauma bonding that actually feels organic
Then—boom—brain tumor.
He tries to push her away because he thinks he’s dying (men).
She refuses (queen).
They get together.
Surgery, Lies, Stabbing, and Amnesia (The Megamix)
Mu Cheng agrees to leave him so he’ll get the life-saving procedure. Predictable? Yes. Still painful? Also yes.
Right before surgery, his mother—the CEO controlling the procedure—and one wildly incompetent anesthesiologist manage to ruin everything.
Guang Xi tries to stop her from leaving → gets stabbed by her predatory uncle → wakes up with full amnesia and a doctor’s daughter (Emily) hovering like a ghost of a “rich wife future” he never asked for.
Six Years Later: Flower Village of Feelings
Mu Cheng is surviving in a small village with her five-year-old son Xiao Le—diabetes, bravery, and heartbreak included.
Guang Xi is now a high-powered, morally dead lawyer engaged to Emily. Yawn.
A case sends him back to the village (because fate is messy and petty). He doesn’t recognize Mu Cheng, but she becomes his secretary, and Xiao Le immediately bonds with him.
Watching Guang Xi regain morality one small interaction at a time? Art.
CEO Schemes, Moral Whiplash, and Baby-Mama Drama
Guang Xi flips sides, fights for the villagers, grows closer to Mu Cheng, and unknowingly father-bonds with Xiao Le.
Then Emily shows up and drags him back to Taipei.
Xiao Le misses him so badly he literally runs away. Ends up sick. Ends up hospitalized. Ends up meeting grandma.
Tension everywhere.
Emily learns the truth.
The mother remains insufferable.
Mu Cheng remains exhausted.
Memory Restoration: CHAOS MODE ACTIVATED
Right before the wedding, Guang Xi finds the memory-card bracelet.
Images. Flashbacks. Emotional combustion.
He remembers everything.
He snaps. Breaks off the engagement. Yells at his mother. Pursues Mu Cheng with a mix of revenge, heartbreak, and longing he absolutely refuses to name.
Their marriage—forced by a custody threat—is peak Miscommunication Olympics. But the jealousy? The yearning? Whew.
Final Arc: Healing, Courtrooms, and Second Chances
Guang Xi defends Hua Tuo Ye in a murder case.
The mother softens.
Secrets unwind.
Everyone stops being stupid long enough to let love in.
And yes—Guang Xi and Mu Cheng finally get back together, because after all that emotional cardio, they earned it.
💭 Final Mood
“Emotionally shattered, spiritually uplifted, and now staring at my ceiling like it betrayed me — 10/10 would rewatch at 2 a.m.”
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