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Queria dar 10000000000!
Perfeita, simplesmente perfeita.Nem sei por onde eu começo. Essa série me fez aguardar ansiosamente pelas quartas e quintas-feiras. E já estou com saudades de Kan & Wassan.
O último episódio me deixou literalmente emocionalmente destruída. É simplesmente a melhor série que assisti este ano. Tudo nela é perfeito. Como havia mencionado anteriormente a cada episódio, a série me deixava mais fascinada pela maneira como explorava temas profundos como eutanásia, ética médica e a complexidade das relações humanas. A série simplesmente apresentou questões éticas de uma maneira complexa e multifacetada, permitindo que o público refletisse sobre os tópicos sensíveis por conta própria. Ela não impôs uma visão única sobre eutanásia ou decisões médicas difíceis, mas apresentou dilemas morais por meio das experiências e conflitos dos personagens, especialmente entre o Dr. Kan e o Inspetor Wasan.
A eutanásia é um debate que faz parte da nossa rotina diária enquanto profissionais da área médica, especialmente aqueles que cuidam de pacientes com doenças terminais. O diálogo final entre Kan e Wassan me levou as lágrimas, principalmente a fala do Dr. Kan. E como o Dr. Kan, acredito que se o paciente estiver no uso das suas capacidades mentais, ele deveria ser capaz de decidir como gostaria de terminar sua vida.
Amei a ambiguidade moral dos personagens, porque representa a sociedade em que vivemos. Nada é preto no branco. Dr. Kan vê a eutanásia como um ato de misericórdia enquanto Wassan considera a eutanásia é moralmente errada e legalmente indefensável.
JJ e Tor dão um verdadeiro show de atuação durante a série toda com uma química alucinante e exalando sensualidade por todos os poros, mas nos últimos 20 minutos da série eles se superaram. Magistral. Thiu implorando com o olhar para que Kan confesse me deixou destruída. Acredito que o instinto de Wassan sempre lhe disse que Kan era o responsável pelas mortes, e de certa maneira ele entendia o porque de Kan se sentir responsável por minimizar o sofrimento dos seus pacientes, mas Wassan também precisava que Kan o entendesse. E ele entendeu.
Aliás, todo o elenco está de parabéns por conferir ambiguidade e
profundidade emocional a personagens tão complexos. Uma direção primorosa, com um enfoque especial no desenvolvimento dos personagens, permitiu que os atores entregassem performances autênticas e emocionantes. Além disso, a série manteve um um ritmo equilibrado, alternando entre momentos de grande tensão e cenas mais calmas e introspectivas. A OST é perfeita.
E embora a série não tenha terminado como eu gostaria, com Kan e Wassan vivendo felizes para sempre, considerei o final perfeito para que o relacionamento deles possa evoluir sem necessidade de segredos, nem mentiras. Portanto, estarei aguardando ansiosamente pela temporada 2!!!
Preciso urgentemente de mais séries como essa!!! Por favor, assistam essa série!! Vocês não vão se arrepender!!
Uau, acho que nunca escrevi tanto sobre uma série 😂😂😂😂
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The problem with this series isn’t that the script is weak, it’s that it’s fundamentally misguided. I can deal with a weak script if the core idea is solid but just poorly developed. But deciding to base the plot around an alleged rape and treating that as a good narrative choice? Sorry, but that was a huge misstep. Dragging out the false rape storyline for two whole episodes was wrong, and the way the topic was handled, so carelessly and without depth, made it even worse. It was a string of bad decisions that should never have made it past the writing room.I don’t blame the actors, though. They did the best they could with what they were given. Overall, I actually enjoyed the performances of the six main actors and thought the chemistry between the couples was strong. Arm came off a bit stiff at first, but he grew into the role nicely. Tum and Klah definitely deserved more screen time. The jealous female characters felt unnecessary. I look forward to seeing this cast again in future series, but with a better script.
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What really made me give it a 10 were the actors playing Sorn, Jun, and Thanu. They totally carried the series. They brought humor, emotion, and realism, and kept me coming back each week just to see how far Sorn would go to avoid admitting he's been in love with Jun all along.
Sorn isn’t perfect, and he never pretended to be. He’s a walking red flag, possessive and immature, but you only truly grasp how vulnerable he is when Jun finally stands his ground and walks away. And Jun isn’t as innocent as he looks either.
Boat and Oat have insane chemistry and did an amazing job making their characters believable. The actor playing Thanu also stole every scene he was in. Maybe it was the weak plot, but even with solid acting, the chemistry between Yoon and Punpun and between Michelle and Poy just didn’t hit the mark.
It’s not a perfect series, and it won’t be for everyone, but I had fun with it.
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Another highlight? Seung Jin, played by Choi Rak Yeong. His cluelessness was kind of adorable. He totally missed what was going on right in front of him, from the blooming romance to Yang Eunoh’s feelings. I know a second season probably won’t happen, but man, it really deserves one. Either way, I’m super excited to see what these amazing actors do next!
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I genuinely loved this series. It kept me hooked, episode after episode. It’s about two friends who fall for each other but are too scared to confess their feelings, worried it might ruin their friendship. Was it slow? Yeah, but I thought the pacing was just right. Plus, it’s only eight episodes, each under 30 minutes long. If it had dragged on or had longer episodes, I might’ve felt differently. But honestly, the timing worked for me.
The entire cast delivered outstanding performances, especially the three male leads. They conveyed their characters’ emotions so naturally, and their chemistry was amazing. Watching the characters grow throughout the show was really satisfying, and Ha Min’s actions at the end really surprised me.
Stunning cinematography paired with a beautiful OST.
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Ouvi falar da série e resolvi assistir. Sinceramente não era uma série que merecia ser censurada e cancelada na metade do caminho. O relacionamento enemy to lovers entre Bai Luo Yin e Gu Hai me manteve entretida e ansiosa pelo desenrolar da história. Adorei o jeito irreverente, apaixonado, travesso, atrevido e imprevisível de Gu Hai. A química entre os atores é inegável, quer eles estejam brigando ou flertando entre si e prendeu minha atenção de um jeito cativante. Eles pareciam muito confortáveis e à vontade um com o outro. É uma pena que a série foi abruptamente interrompida, ficando sem resolução. Mesmo assim, merece um 10 pelo que apresentou em 15 episódios e em respeito às pessoas envolvidas no projeto.
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“As long as there is love, there is always hope.”
I probably wouldn’t have watched this movie if it weren’t for the BL Watch Challenge and I’m honestly so grateful I did. It ended up becoming one of my all-time favorites. I’m not even sure why it hit me so hard, but it did.It’s a beautifully layered family drama that also includes a tender romance between two teenagers. What really stood out to me was how it captured the unpredictable nature of love in all its forms: love for family, for music, for someone special, for friends. It explores relationships like grandson and grandmother, mother and children, romantic partners… and dives into themes like grief, sexual awakening, peer pressure, family responsibilities, and the pain of being apart from those we care about.
The characters are so well-written and feel incredibly real. The storytelling is so delicate and heartfelt that the nearly three-hour runtime flew by in a blink. There are so many unforgettable scenes, thanks to the amazing cast. Mario Maurer (Tong) and Pchy Witwisit (Mew) were phenomenal, giving such heartfelt, natural performances, especially Mario in that emotional scene with Tarn Kanya (Ying), where he breaks down crying, struggling with his identity and the pressure from his friends. My heart shattered when Tong tearfully asked Ying, “What am I, Ying? Everyone’s upset with me because I don’t know what I am.” That moment was raw and powerful. Their chemistry isn’t loud or over-the-top. It’s subtle, but incredibly powerful. You really feel the connection between them in every scene
And I have to highlight Nok Sinjai (Moira from Shine) as Tong’s mother. She was absolutely brilliant. Every time she appeared on screen, you could feel the loneliness and pain of a mother trying to stay strong through family tragedy. Her eyes alone conveyed so much emotion. She might come off as strict or sensitive, but deep down, she loves her husband and son fiercely.
I cried a lot during the final scenes, it felt like a part of me broke, but at the same time, I was left with a strangely pleasant, bittersweet feeling. It wasn’t the right time for them. Tong’s family was still grieving, and his father hadn’t healed. Not every first love ends happily. But the open ending carries a spark of hope, a possibility. When Mew places the last piece on Santa Klaus, sits on his bed, and says “Thank you,” it felt like he was thanking Tong for the memories, for the love they shared, and for loving him even if they couldn’t be together. Tong gave him hope that maybe, someday, things could change. And in my heart, I imagine them meeting again, older, wiser, and finally ending up together. Because “As long as there is love, there is always hope.”
And to wrap it up: the soundtrack is absolutely gorgeous. It expresses everything the characters feel but can’t quite say out loud.
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It was my first time seeing Nani act, and I was genuinely impressed. Comedy is tough, but he nailed it! Wutkrai was hilarious , a total mess, ridiculously lucky, and sweet in the most innocent way.
And my baby Prem? Just wow. He completely blew me away in this role. He started off as someone trying to investigate and expose the cult led by “Father,” but as the series went on, you could see those subtle flashes of madness in his eyes. That final episode was chef’s kiss , absolutely perfect.
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The series dives into some deep themes like identity, spirituality, and love. There are genuinely touching moments, but the execution doesn’t always live up to the story’s ambition.Krit starts off as this noble, curious angel who wants to experience human life. But once he gets that chance, we start to see hints of vanity and selfishness. Every wish comes with a price, and by choosing to live as a human, Krit has to face loss, frustration, and tough decisions. That contrast between divine purity and human flaws is at the heart of his journey. He embodies the longing for transcendence, but also the vulnerability that comes with opening yourself up to the real world.
Fluke was amazing as Angel Krit, but I just couldn’t buy into the romance between Krit and Phakphum. It felt more like a PhiNong vibe than actual romantic chemistry. Honestly, I was rooting for Krit and Angel Shan to end up together. That storyline would’ve been way more compelling, especially since angels aren’t supposed to fall in love. When Shan broke the rules for Krit, it was so romantic. Met getting the chance to say goodbye to his parents really hit me.
Overall, it’s a cute and fun series, but it definitely needed a few more episodes to flesh out the romance between Krit and Phakphum. Fun fact: Sammon makes a cameo as an ER doctor!
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