This review may contain spoilers
A deeply moving piece about identity
I was holding off watching this movie because I thought it was gonna be deeply sad. What I got instead was a movie about the ideals of morals, self identity and the roles families play in our lives.
This movie felt deeply upsetting. Kore-eda carefully layered all these actions that made it feel like he was leading us to a material conclusion only to swerve many times. I expected many things but I was wrong. It was amazed how he played with our preconceived notions of how we view events without any details. I also think this movie is a little bit of a discussion about the harsh culture in Japan about responsibility, even when it's not your fault.
The acting was superb from everyone. I felt bad for everyone by the end. Saori the mother, felt like she was constantly struggling to understand her child. Hori, the good willed teacher who wasn't even doing anything wrong. Someone who did care about his students and tried to be a better person. His girlfriend I think was meant to show his displeasure of the mundane life he had.(If it is to be believed she's from the hostess club). He also being a child of a single parent household demonstrated another aspect of the story I think is overlooked. Someone who is kind and t to help but in the end gets trampled by everyone else.
And Minato's storyline took such a swing that I didn't even realize what was happening at first. I think his realization of his sexuality is what sealed the deal that this movie is simply incredible. When we understand the events leading up to the main story, everything really starts to click. I was impressed with many revelations such as how dirty ended up in his mug and how he was trying to protect Yori.
As usual Kore-eda focused on a lot of character moments that just tell you so much more without having to say it. The act of spreading of I think cheese (?) on toast. Or how Saori did a slight head tilt as she was going up the stairs to talk to the teachers. The careful ironing of Minato's shirt.. all these moments really make a kore-eda film go from good to great.
The music was peaceful and solemn. They lead you into a sense of quiet melancholy.
Just being able to sit and really envelop myself in this movie, I reflected on how the bonds we have shake the foundation of self worth. Minato had no father and to me it felt like he was lost because of it. Yori had a father but he was mainly absent and treated a child who clearly had some sort of ADHD or autism as scum. The parallels of family households where one is present and the other it's fine have profound effects on our mental states. I felt so bad that Yori was being constantly bullied and his only friend didn't even try to stand up for him. The sociatile pressure of keeping up appearances hit harder once the realization of his sexuality came forth.
It reframed all of Minato's actions in a different context and then the story took on a whole other meaning. Same with the title, "Monster." That could mean more so many things in this movie now that I understand. Society, a slur, a responsibility, anguish, self worth.. it really makes you think about how we see each other.
My only main concern is the ending is very abrupt and I don't like that they left a huge thread about what Saori and Hori did after they didn't find the children.
Either then that, this is fantastic.
This movie felt deeply upsetting. Kore-eda carefully layered all these actions that made it feel like he was leading us to a material conclusion only to swerve many times. I expected many things but I was wrong. It was amazed how he played with our preconceived notions of how we view events without any details. I also think this movie is a little bit of a discussion about the harsh culture in Japan about responsibility, even when it's not your fault.
The acting was superb from everyone. I felt bad for everyone by the end. Saori the mother, felt like she was constantly struggling to understand her child. Hori, the good willed teacher who wasn't even doing anything wrong. Someone who did care about his students and tried to be a better person. His girlfriend I think was meant to show his displeasure of the mundane life he had.(If it is to be believed she's from the hostess club). He also being a child of a single parent household demonstrated another aspect of the story I think is overlooked. Someone who is kind and t to help but in the end gets trampled by everyone else.
And Minato's storyline took such a swing that I didn't even realize what was happening at first. I think his realization of his sexuality is what sealed the deal that this movie is simply incredible. When we understand the events leading up to the main story, everything really starts to click. I was impressed with many revelations such as how dirty ended up in his mug and how he was trying to protect Yori.
As usual Kore-eda focused on a lot of character moments that just tell you so much more without having to say it. The act of spreading of I think cheese (?) on toast. Or how Saori did a slight head tilt as she was going up the stairs to talk to the teachers. The careful ironing of Minato's shirt.. all these moments really make a kore-eda film go from good to great.
The music was peaceful and solemn. They lead you into a sense of quiet melancholy.
Just being able to sit and really envelop myself in this movie, I reflected on how the bonds we have shake the foundation of self worth. Minato had no father and to me it felt like he was lost because of it. Yori had a father but he was mainly absent and treated a child who clearly had some sort of ADHD or autism as scum. The parallels of family households where one is present and the other it's fine have profound effects on our mental states. I felt so bad that Yori was being constantly bullied and his only friend didn't even try to stand up for him. The sociatile pressure of keeping up appearances hit harder once the realization of his sexuality came forth.
It reframed all of Minato's actions in a different context and then the story took on a whole other meaning. Same with the title, "Monster." That could mean more so many things in this movie now that I understand. Society, a slur, a responsibility, anguish, self worth.. it really makes you think about how we see each other.
My only main concern is the ending is very abrupt and I don't like that they left a huge thread about what Saori and Hori did after they didn't find the children.
Either then that, this is fantastic.
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